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Profiling New Zealand’s Top Producers, by John Szabo

Profiling New Zealand’s Top Producers

John Szabo, MS

John Szabo, MS

In light of the upcoming New Zealand Wine Fair rolling out across Canadian cities starting this week, this report takes you on a tour through New Zealand’s principal wine regions and highlights some of my top producers in each. All those listed below are represented (somewhere) in Canada, and I’ve listed the agents who represent them wherever possible. The fair hits Vancouver on April 29, Québec City on May 6, Montreal on May 7 and Toronto on May 9. There are both trade and consumer portions in each city, so plenty of access for all. Visit nzwine.com to see the list of producers who will be in each city and to register.

Some, but not all of my recommended producers will be represented at the fairs, so contact the agents directly to find out what’s currently in stock. I’ve also provided links to each producer’s website for your convenience, plus some individual links to reviews on WineAlign. For all my New Zealand wine reviews, please visit my Critic page on WineAlign. Make sure to check “Show wine with zero inventory” and “all Sources” as many of these are only available through the Agent listed.

John's Review - All sources

The bottom line: there’s so much more quality NZ wine available in Canada than what’s on liquor board shelves. Indeed, many of the top small producers are rarely found in government shops, and they’re often the ones most worth tracking down.

New Zealand: Regions & Recommended Producers

New Zealand has just over 34,000 hectares under vine, almost exactly the same acreage as in Champagne, France, to put it in perspective. Although official Geographical Indications are still being mapped out, the New Zealand Winegrowers Association recognizes ten regions in its annual report. For background details on each, visit nzwine.com. Heading roughly north to south, here are the main regions and some of the producers to look for.

Browse by Region: Auckland; Hawkes Bay, Gisborne; Wairarapa/Martinborough; Nelson; Marlborough, North Canterbury; Waipara; Central Otago, Waitaki Valley

Auckland/Northland

Auckland was likely developed as a wine region more for its proximity to a major city rather than particular suitability for viticulture. The climate is virtually sub-tropical, hot and humid, yet there are nevertheless a few exceptions that belie the rule. The region also officially encompasses Matakana and Waiheki Island, the latter a volcanic Island just off the coast from Auckland that’s producing some exceptional, if hard to find wines, with its own unique and highly favorable maritime growing conditions.

Kumeu River Wines

Kumeu River Wines, an estate established in 1944 by Croatian immigrants Mick and Katé Brajkovich, leads the pack in the Auckland area. Generally considered too warm to produce really top-notch wines, Mick’s grandson, winemaker Michael Brajkovich MW and his family continue to defy the odds and consistently deliver some of the best chardonnay in New Zealand.

Agent: Connexion Oenophilia

Review on WineAlign: Kumeu River Maté’s Vineyard Chardonnay 2008

Hawke’s Bay

Hawke’s Bay is New Zealand’s oldest and second largest wine region (14% of NZ vineyards), with a history stretching back to 1851. Today, it’s known principally for its red wines; the region accounts for nearly 85% of the country’s, cabernet, merlot and blends, as well as syrah. Hawke’s Bay is also home to the 800h hectare Gimblett Gravels sub-appellation, the world’s first based exclusively on soil type. It’s centered on the poor, free draining gravels laid down by the Ngaruroro River, which were exposed after a massive flood in the 1860s stripped away the overlying layers of silt and sand from a clearly delineated section of the plain. Yet it wasn’t until the 1980s that it was realized that grapevines could flourish on these barren soils, as they do on similar gravels on the Left bank of Bordeaux. The region has since taken off since, and pretty much the entire appellation is now planted.

Te Mata Wines

Craggy Range Te Muna Road Vineyard

Craggy Range Te Muna Road Vineyard

A venerable estate producing one of NZ’s most sought after reds, Coleraine, a cabernet-merlot blend. Also excellent chardonnay Elston and Bullnose syrah, among others.

Agent: Lifford Wine Agency

Reviews on WineAlign:

Te Mata Awatea Cabernet/Merlot 2010

Te Mata Coleraine 2010

Elephant Hill

A relatively new estate in the cooler coastal zone of Hawke’s Bay called Te Awanga. Owned by German couple Reydan and Roger Weiss. In 2006, Günter Thies, ex Managing Director of Schloss Johannisberg, was lured from the Rheingau to join as MD for Elephant Hill. Look for fresh and peppery syrah among other specialties.

Agent: H.H.D Imports

Trinity Hill

Celebrating nearly twenty years as a leading Gimblett Gravels winery, Trinity Hill makes an exciting range of wines from experimental plantings of tempranillo, arneis and montepulciano, as well as one of NZ’s top syrahs under the “Hommage” label. Trinity also makes an excellent “bay blend” of cabernet-merlot.

Agent: Connexion Oenophilia

Craggy Range

Terry Peabody and Steve Smith MW established Craggy Range in 1997, and they quickly moved into the top echelon of NZ producers. Craggy produces a large range of high quality, single vineyard wines from multiple regions in New Zealand. Gimblett Gravels Syrah and Sophia blend are particularly impressive from Hawke’s Bay (see also Martinborough).

Agent: Lifford Wine Agency

Alpha Domus

Alpha Domus first planted in the Bridge Pa sub-zone of Hawke’s Bay in 1991. Today, the winery makes a solid range of fresh, balanced wines with particularly successful malbec and syrah, along with more traditional Bay Blends.

Agent: Connexion Oenophilia

Sileni Estates

A large but quality-oriented producer in Hawke’s Bay, with vineyards also in Marlborough. The Cellar Selection range offers excellent value in general; the Estate Collection is a step up in quality and price.

Agent: The Kirkwood Group

Other wineries to look for: Sacred Hill, Esk Valley, East Hope Winegrowers.

Gisborne

James Millton & all the necessary equipment of a vigneron

James Millton & all the necessary equipment of a vigneron

Gisborne is among the warmest viticultural areas in the country. It was also once the largest wine region in NZ, from the early mid seventies until the mid-eighties, based mostly on the short-lived success of Muller-Thurgau sold in bulk. Gisborne has since fallen to 4th largest, accounting accounts for 5% of NZ’s vineyards, but quality has risen dramatically. Loamy alluvial soils with high levels of calcium, boron and magnesium washed down from the upper hills produce voluptuous chardonnay and aromatic whites (viognier and gewürztraminer). Few reds are grown, but at least one-producer, Millton, proves that it can be done at the very highest level. There are only about four estate wineries; the rest under the Gisborne label are made from purchased fruit, or from contract growers, and bottled outside the region.

Millton Vineyards

James and Anne Millton have been growing grapes for 30 years in Gisborne, farming organically from the start. The shift to biodynamics occurred when the Milltons hired a Dutch intern in 1980 to develop an Integrated Pest management program. The intern happened to be trained in biodynamics and left a book behind for the Milltons to read, and they haven’t looked back since. James, by his own admission, is a Virgo, a “control freak”. He’s firmly in the iconoclast category of winemakers, never shy with opinions, yet neither close-minded. There’s a sense of constant searching in Millton, and his wines have shown a philosophical evolution, moving ever-more minimalist over the years. The musical taste of his cellar hands remains in the seventies, however, as evinced by the greatest hits of Bob Dylan and the Rolling Stones blasting in the winery as they’re bottle the 2011 Chenin Blanc and I’m tasting with James. Wines from the Clos Ste. Anne vineyard are the top range, and indeed the entire region.

Agent: The Living Vine

Review on WineAlign: Millton Crazy By Nature Dry Flint Chenin Blanc 2009

Other producers to look for: Vinoptima

Wairarapa (Martinborough)

Wairarapa, which means “glistening waters” in Maori, is composed of three distinct growing regions: Masterton, Gladston, and the most important in terms of acreage (2/3), Martinborough. The first vineyards were planted in 1980 on the edge of town by Ata Rangi, Martinborough Vineyards and Dry River. This is the driest region on the North Island, lying in a rain-shadowed valley tucked between two mountain ranges, inland and north from Wellington. And like Wellington, it’s very windy, and crops are naturally low. Sauvignon blanc, for example, regularly crops at half the average tonnage per acre you’d find in Marlborough. It’s also telling that although Wairarapa accounts for 3% of NZ’s vineyard acreage, it contributes only 1.6% of the national volume.

Helen Masters, winemaker at Ata Rangi

Helen Masters, winemaker at Ata Rangi

Soils are mostly gravel-based alluvials, free draining, though with more water holding capacity than the Gimblett Gravels. Irrigation is not generally needed, especially for older vines. This is a region of mostly small wineries. Pinot noir is the strength of the region, representing about half of plantings. Here the grape yields a concentrated, structured, less fruity and decidedly more savoury style of wine.

Ata Rangi

A pioneering winery in Martinborough established by Clive Paton in 1980, Ata Rangi (“dawn sky”, or “new beginning”) has been farmed using organic sprays from the start, and fully organically since 2010. This is an outstanding range across the board crafted by winemaker Helen Masters, with top NZ Pinot Noir and Chardonnay, among others.

Agent: Lifford Wine Agency

Reviews on WineAlign:

Ata Rangi Petrie Vineyard Chardonnay 2011

Ata Rangi Crimson Pinot Noir 2011

Craggy Range

Established by Terry Peabody and Steve Smith in 1997, Craggy Range has grown to become one of New Zealand’s leading premium producers making wines from multiple regions. Both the Martinborough Te Muna Road Pinot Noir and Sauvignon Blanc are excellent, though the whole gamut is worth a taste.

Agent: Lifford Wine Agency

Palliser

One of the largest yet still quality-oriented producers in Martinborough, established two decades ago. The Pencarrow range offers good value; the estate range is more serious.

Agent: Pacific Wines and Spirits

Dry River

Ultra-concentrated wines from among the oldest vines in the region, with great depth and purity, built to age.

Agent: Alto Vino

Cambridge Road

Cambridge Road is a small, 5.5-acre estate on the so-called “Martinborough Terrace”, with some of the oldest pinot plantings in Martinborough, up to 30 years. Winegrower Lance Redgwell practices a natural approach to winegrowing, incorporating biodynamic principals, inspired initially by James Millton in Gisborne. These are pure and impressive wines.

Agent: The Living Vine

Other Producers to look for: Escarpment Vineyard, Kusuda Wines, Schubert.

Nelson

Vines first arrived in Nelson in the mid-1800 with German settlers, though the modern era dates to the 1960s, when Viggo du Fresne was granted the 2nd winemaking license on the South Island. Other pioneers followed: Seifried in 1973, Neudorf in 1978. Today the region is still rather isolated across the hills to the west of Marlborough, and most operations are still family owned. 185 hectares are planted, divided between the unofficial sub-zones of the Moutere Hills, with its heavier, low fertility soils, with enough clay to hold water so that irrigation is not necessary, and the Waimea Plains and its low-lying flatlands, composed of free-draining floodplains and riverbeds, with gravels under alluvial silt loams, where irrigation is essential.

High sunshine hours, coupled with a long, moderate season thanks to warm air flow from Tasman Bay, and cool nights and reasonable rainfall, contribute to making Nelson well-suited to aromatic varieties such as riesling, pinot gris and sauvignon blanc.

Neudorf Vineyards

Neudorf has been considered a regional leader since Tim and Judy Finn established the winery on a shoestring budget in 1978. The estate has recently converted to organic farming, and the benefits of old vines are evident: these wines are dense and concentrated, not to mention age-worthy.  Chardonnay and pinot noir are highlights.

Agent: Lifford Wine Agency

Marlborough

Much has been written about Marlborough, so I’ll skip the historical details. The region is still NZ’s largest by a wide margin, its 24,000 hectares representing 66% of NZ’s vineyards. Despite the international success with sauvignon blanc, which still dominates plantings, I got a real sense of innovative spirit permeating even the thickest corporate walls in the region when I visited in February of this year. By their own admission, Marlborough pinot noir growers are ten years behind Martinborough and Central Otago in terms of clonal and site selection and vineyard management. Most of what was planted in the early days in the flat, gravelly soils is best suited for sparkling wine, or at best light and fruity pinot noir – not what most would consider serious or age-worthy pinot. And growers treated the grape as if it were sauvignon blanc, which is like trying to make soufflé and pound cake from the same recipe. But one gets the sense they will catch up quickly, as indeed some growers already have.

James Healy & Ivan Sutherland - Dog Point Wines

James Healy & Ivan Sutherland – Dog Point Wines

The serious pinot action since the early 2000s has moved into the heavier soils of the (north-facing) Southern Valleys, an unofficial sub-zone of the region that really should be called Southern Hills, since that’s where most of the best vineyards are situated. This drier, sunnier side of Marlborough was unplantable until recently due to a lack of water, a situation that was addressed just a decade or so ago by an irrigation scheme. Suitable Dijon clones are replacing earlier clones, planting densities have increased, and farming techniques have been adapted to the foibles of pinot. Some of the results are excellent. At any rate, the Marlborough style is distinct from other regions in NZ, characterized by fresh, red fruit-driven wines with light tannins and bright acids, versus the darker fruit character of Otago or the savoury Martinborough style, for example.

Marlborough sauvignon blanc is also undergoing a radical make-over by serious producers, in an effort both to distinguish their own brands, and to add diversity to what has been a fairly straightforward and homogenous offer from Marlborough for the past twenty years. The cookie-cutter, pungent, overtly grassy, grapefruit and asparagus flavours are being traded in for riper, richer tropical fruit tones, lees contact, and quite often barrel fermentation in mostly old oak, in an effort to add layers of complexity and make the wines more age-worthy. It’s mostly a question of reducing yields and tweaking the harvest time, in addition to of course being in the right site in the first place, and fermenting with wild (or neutral) yeasts as opposed to the commercial yeast strains selected to pump up volume of thiols (the compounds responsible for the sweaty grapefruit aromas). In the words of Ivan Sutherland and James Healy of Dog Point Vineyards, ““If all you’re doing is chasing the cat’s piss [aromas/flavours], you’re going to find yourself with a wine that unravels pretty quickly. Thiols are a short-lived wine aroma component.”

I suspect we’ll see sub-appellations emerge in the not too distant future, as the differences across the region can be quite dramatic where all other things are equal. Already we’ve started to see unofficial sub-regional designations such as Awatere Valley, Wairau Valley and the Southern Valleys appear on labels, and we haven’t even begun to add on further refinements like “upper” and “lower” to these.

Finally, one of the un-written stories about Marlborough, and of New Zealand in general, is the astonishing quality of the chardonnays. Now that it’s cool to like (cool climate) chardonnay again, don’t miss some of the great examples from Marlborough and elsewhere in the country. This pliable variety has adapted well to various conditions, and more serious attention to sites, clones and winemaking techniques is resulting a remarkable range of quality examples. Get these now while the prices for all but the top end wines remain relatively accessible.

Astrolabe

Established in 1996 with winegrower Simon Waghorn at the helm. Grapes are sourced throughout Marlborough, but emphasis on vineyards in the slightly cooler Awatere Valley gives Astrolabe’s sauvignon a particularly pungent, pleasantly herbaceous character.

Agent: Rogers & Company

Aunstfield

Marlborough’s first commercial winery with a 100-year history, Aunstfield focuses on single vineyard wines from sites in the Southern Valleys. These are solid, savoury wines with plenty of character.

Agent: DB Wine & Spirits Inc.

Churton Wines

Sam Weaver - Churton Wines

Sam Weaver – Churton Wines

A former London wine trader and Master of Wine candidate (he passed the tasting), Sam Weaver and his wife Mandy established Churton Wines in 1997 in the Southern Valleys of Marlborough. Sam has plenty of winemaking experience, too, including a stint as chief winemaker for Stoneleigh. The Weavers farm their Southern Valleys vineyard biodynamically, and all wines are 100% estate. Yields are well below the regional average and the range is excellent, with an extra measure of depth and concentration, and purity, across the board.

Agent: Le Sommelier Inc.

Clos Henri

Clos Henri is the antipodean outpost of Sancerre producer Henri Bourgeois, crafting very fine sauvignon blanc and pinot noir from vineyards in the Wairau Valley. The style of sauvignon is neither Loire Valley nor typically grassy Marlborough, but a fine meeting point of old and new world.

Agent: Charton Hobbs

Cloudy Bay Vineyards

Cloudy Bay Vineyards is of course the winery that put Marlborough on the world map back in the late 1980s. After a slight dip in quality, Cloudy bay is back on form with a strong set of recent releases. The 2012 sauvignon is one to watch for, while the Te Koko Sauvignon, wild fermented in barrel with full malolactic was one of the first wines in the region to launch this new style (as discussed in the intro above).

Dog Point Vineyard

Margaret and Ivan Sutherland purchased land at the convergence of the Brancott and Omaka Valleys in 1979 and planted vines. The fruit was initially sold to Cloudy Bay, where Sutherland and his future partner James Healy worked together, until 2003, when the pair left to launch Dog Point Vineyards. Their 100 hectares are farmed organically and hand picked (a rarity in Marlborough). Some fruit still goes to Cloudy Bay, but Sutherland and Healy keep the top, hillside vineyard fruit for their own label. The style is intense and edgy, with lots of lees contact and wild yeast complexity, some of the finest wines in the region.

Agent: Trialto Wine Group

Framingham Wines

Characterful wines from the Wairau Valley, including one of the region’s top rieslings, and an exceptional chardonnay.

Review on WineAlign: 2009 Framingham Chardonnay

Agent: Charton Hobbs

Greywacke

Owner Kevin Judd worked with Ivan Sutherland and James Healy (now of Dog Point) at Cloudy Bay before breaking off to start Greywacke; his first vintage was 2009. Judd now buys 90% of his fruit from Dog Point Vineyards, and makes the wine at their facility. The large range of wines is consistently well above average in terms of quality.

Nautilus Estate

A consistent range of clean, modern, quality wines sourced from all three sub-regions of Marlborough.

Agent: B&W Wines

Vineyard Workers at Seresin Estate

Vineyard Workers at Seresin Estate

Seresin Estate

A region-leading, authentically biodynamic property making an exceptional range of characterful wines, not to mention beautiful olive oil and tasty vegetables. Seresin provides biodynamic preps to many of the other BD estates in the region. Minimal intervention in the winery occasionally results in idiosyncratic flavours, but these are wines of real depth and class, among the best in Marlborough.

Agent: Dionysus Wines & Spirits Ltd.

Staete Landt Vineyards

Dutch couple Ruud Maasdam and Dorien Vermass launched Staete Landt Vineyards with the 2000 vintage. They farm 21 hectares in the Wairau valley, producing a compelling range of wines at excellent prices. The Map Maker label is the very good entry range, while the estate range offers premium quality at fair prices.

Agent: Lifford Wine Agency

Other names to look for: Fromm, Hans Herzog, Te Whare Ra (pronounced ‘teh-FAR-eh-rah”).

North Canterbury

The wines of Canterbury, and particularly North Canterbury, were among the most exciting discoveries at Pinot2013. It’s one of the rare places on earth where limestone and clay come together in the right measure to be perfectly suited to pinot noir and chardonnay, along with an appropriate climate, rainfall, and most importantly, the right intrepid souls who are willing to exploit the potential. The region represents less than 1% of total NZ vineyard area, but I suspect that will change as the top wines become better known.

Pyramid Valley Vineyards

Mike Weersing & his limestone - Pyramid Valley Vineyards

Mike Weersing & his limestone – Pyramid Valley Vineyards

After a lengthy quest around the world searching for the right combination of soil and climate to produce meaningful pinot and chardonnay, Californians Mike and Claudia Weersing settled in a small farm on Pyramid Valley Road in 2000. Hundreds of holes dug into the dirt later, they planted 2.2 hectares of pinot noir and chardonnay on south and southwest facing slopes at 12,000 vines per hectare, un-grafted, and farmed biodynamically from day one. Weersing is a deeply thoughtful winegrower, with strong opinions on such things as biodynamics and screwcaps, yet is always willing to question and consider. His aim is to get as far out of the way as possible in winemaking, and nothing other than sulphur dioxide is used, and even that is dosed out as sparingly as possible. He latest searching has led to experiments with clay amphorae imported from Italy. Wines range from sublime to challenging, always intellectually demanding and multi-dimensional. The 800 or so cases produced from the “home” vineyards (Lion’s Tooth, Angel Flower, Earth Smoke and Field of Fire) are supplemented by the “Grower’s Collection”, a range of wines produced from grapes purchased from organic and biodynamically farmed vineyards throughout New Zealand.

Agent: The Living Vine

Bell Hill

Bell Hill is a tiny estate in the Weka Pass of North Canterbury, with just 2ha of super high-density planted vineyards (up to 11,363 vines/ha) on the unique limestone soils of the region. Vines are farmed organically with biodynamic principals employed; wines are bottled unfined and unfiltered. I’d put these are the very top of NZ’s wines.

Agent: The Living Vine

Reviews on WineAlign:

2008 Bell Hill Estate Chardonnay North Canterbury

2010 Bell Hill Estate Pinot Noir North Canterbury

2010 Bell Hill Old Weka Pass Road Pinot Noir North Canterbury

Waipara Valley

The Waipara Valley lies south through Weka Pass in a sheltered zone. The lower lying areas of the region are mostly free-draining gravelly moraines well suited to aromatic whites (riesling, gewürztraminer, pinot gris), while the hillsides sites are clay-limestone dominated, where pinot and chardonnay are at their best.

Mountford Estate Vineyard & Winery

A very good range of pinot noir and chardonnay, the best of which are from 20 year old vines planted on a steep, eastern, limestone-rich hillside of the Waipara Valley. “The Rise” and especially “The Gradient” are the vineyard names to watch for. Also exceptional late harvest riesling and pinot gris from the gravelly flats to rival top-notch examples from Alsace.

Agent: Lifford Wine Agency

Reviews on WineAlign:

2009 Mountford Estate Pinot Noir ‘The Gradient’

2011 Mountford Voluptueux Riesling

2011 Mountford Pinot Gris

Pegasus Bay

Matthew Donaldson - Pegasus Bay

Matthew Donaldson – Pegasus Bay

One of the original Waipara wineries established in the early 1980s by Ivan and Christine Donaldson, Pegasus bay continues to produce exception quality across their considerable range. It’s still family owned and operated, with sons Matt and Ed now looking after winemaking and marketing respectively. In addition to top notch riesling, pinot noir and chardonnay, the winery boasts one of the region’s best restaurants; during my lunch there I ran into legendary rock star Geddy Lee of Rush and his wife, having a quick bite and tasting – the man knows good food and wine as well as bass guitar and vocals.

Agent: Woodman Wines & Spirits

Bellbird Spring

An up-and-coming Waipara producer owned and operated by the porter family, making reasonable pinot noir, pinot gris and sauvignon blanc. Guy Porter, born in India, raised in the UK, with vineyard and winery experience in Australia, Italy, Spain, and California, has considerable know-how. Yet considering that his first vintage was just in 2008, the best is yet to come. Look for the River Terrace Pinot Noir and the Home Block White, an aromatic white blend.

Agent: The Case For Wine

Other wineries to look for: Tongue in Groove, The Crater Rim, Black Estate

Central Otago (and The Waitaki Valley)

Central Otago is most closely associated with New Zealand pinot noir, even if the first commercial wine to come out of the region was reportedly a riesling in 1986. And riesling remains the real insider’s secret, with some superb examples grown on the predominantly free draining, arid, brown-grey soils with low fertility but high mineral content (quartz, mica, calcium) over schistous bedrock, unique in New Zealand.  Riesling clearly loves it here.

But pinot is of course the main story, yet one that is far from fully developed. Otago is quite spread out, encompassing some 1900 square kilometers, of which 1790 hectares are planted to vines. Pinot accounts for three-quarters, so the emphasis is clear. Considering the large area, it’s not surprising that no fewer than six distinct sub-regions have already been identified, ranging from relatively hot and dry Alexandra which receives about 340mm of rain a year, to the considerably cooler and wetter sub-zone of Wanaka, or the cool and windy Gibbston Valley where pinot can struggle to ripen in some years. The bulk of the 60 or so commercial wineries are centered on Bannockburn, which lies somewhere in between climatically and geographically.  Bendigo and Lowburn are the other two zones.

Rippon Vineyards, Central Otago

Rippon Vineyards, Central Otago

Otago has New Zealand’s only true semi-continental climate, protected from prevailing west to east weather patterns by the Southern Alps, yet lying far enough inland (about a 2.5 hour drive) from the east coast that the maritime influence that affects every other NZ region is not felt here. As a result, humidity, and thus disease pressure is low, making organic viticulture far easier than elsewhere in the country. Add in high UV light and plenty of sunshine (the region lies at 45º South, meaning summer days are very long), and the result is thick-skinned, deeply coloured pinots with riper, darker fruit flavours than other parts of NZ, despite a marginally shorter growing season than, say, Martinborough. I particularly enjoyed the fineness of examples from Wanaka (biodynamically-farmed Rippon Vineyards is outstanding) and the Gibbston Valley (look for Valli).

In addition to climatic suitability, it certainly doesn’t hurt that Central Otago is also an astonishingly beautiful place, a fact that the region plays on to promote their wines. The winegrowers’ association tag line, “It’s like nowhere else on earth”, is appropriate. Though as a Canadian wandering around Queenstown, I was reminded of Banff, Alberta, which is of course, a good thing. Too bad vineyards wouldn’t survive in the Rockies.

Carrick Wines

After searching in several other parts of NZ, Steve Green settled on Bannockburn with the single-minded goal of producing pinot when he established Carrick Wines in the early 1990s. The estate now has 24ha of certified organic vineyards, of which 70% is pinot noir with the balance in riesling, chardonnay, pinot gris and sauvignon.  Winemaker Francis Hutt makes a solid range of ‘classic’ Otago pinots, with plenty of dark fruit flavours, but the surprise here was the excellent rieslings in dry, off-dry and medium-dry styles.

Agent: Lifford Wine Agency

Felton Road

Widely considered one of the leading wineries in New Zealand, Felton Road farms several vineyard sites in the Bannockburn and Cromwell areas using biodynamics. Viticulture is meticulous, and winemaking no less precise, even if winemaker Blair Walter’s approach has grown increasingly hands-off as confidence in vineyard sites has grown. The whole range is outstanding, with special thrills from the Block 2 Chardonnay and the Block 3 pinot noir.

Agent: Lifford Wine Agency

Mt. Difficulty Wines

Adventure sport enthusiast and skilled winemaker Matt Dicey crafts a fine range of wines from some of the oldest plantings in Bannockburn, the sub-region where Mt. Difficulty was established in 1992. “Roaring Meg” is the very good entry range; rieslings were a particular highlight, while three single-vineyard pinot noirs – Long Gully, Pipe Clay Terrace and Target Gully – make for a fascinating Burgundian-style terroir comparison.

Agent: Small Winemaker’s Collection

Quartz Reef

Austrian-born winegrower Rudi Bauer specializes in pinot noir, pinot gris and traditional method sparkling wine from his certified biodynamic vineyards in the Bendigo sub-region of Central Otago. The sparkling wine is a particular treat.

Agent: Amethyst Wine Agency

Two Paddocks

Actor Sam Neill showing off his Two Paddocks Pinot

Actor Sam Neill showing off his Two Paddocks Pinot

Established in 1993 by renowned actor Sam Neill, Two Paddocks is based in the sub-zone of Alexandra, making balanced, smooth and polished pinots at the riper end of the spectrum for Otago. Neill delivered one of the keynotes on day one of Pinot 2013, a memorable speech that included a hilarious video called Microdoodle #14: Cornucopia Vitis. The wines are a little more serious.

Agent: Glen-Ward Wines Inc.

Other Central Otago wineries to look for: Burn Cottage, Gibbston Valley Wines, Rippon, Terra Sancta, Valli Vineyards, Nanny Goat Vineyard

Waitaki Valley

The Waitaki Valley is New Zealand’s newest region, one that generated a lot of excitement at the Pinot 2013 conference. It really has nothing to do with Central Otago, but is lopped in under this heading since Otago is the closest region. The Waitaki Valley is about a 2-hour drive north from Otago, a valley carved by the Waitaki River itself through marine deposits. About eighty hectares of predominantly pinot noir, along with some aromatic whites, are planted in mainly limestone soils with a high degree of calcium – a soil type that pinot clearly enjoys. It’s cooler and more marine-influenced than Central, which is reflected in the lean, sharp, bright flavours of the pinots I tasted. The oldest vineyards date only to 2001, so there’s still much discovery and fine-tuning to be done, but the results are already exciting. Expect to hear a lot more about the Waitaki Valley in coming years.

Ostler Vineyards

Ostler is the leading producer based in the Waitaki Valley itself (though other fine wines are made by producers like Grant Valli and Dr. John Forrest, who own vineyards in the region but vinify at their home wineries). Jeff Sinnott and Jim Jerram planted their site in 2002 after a search for the confluence of cool climate and limestone soils led to Waitaki. These are decidedly delicate and refined wines, perfumed and tightly wound, vastly different from the pinots of central Otago. The quality already achieved here casts a positive light on the future of both Ostler and the entire region, with so much more yet to come.

Agent: The Living Vine

Other Waitaki Valley producers (wines) to look for: The Pasquale Kurow Winery, Forrest, Valli Vineyards.

For more information about New Zealand wine and The New Zealand Wine Fair visit nzwine.com.

Cheers!

John Szabo, MS

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German Wine Fair – Welcomes Trade and Consumers – May 28

Riesling & Co. World Tour stops in Toronto on May 28th at the Arcadian Loft

German Wine Fair - Toronto May 28To highlight their wines’ surprising flavours and top level food friendly versatility, the Riesling & Co. 2013 German wine fair returns to Toronto this spring.

On May 28 over 25 celebrated German winemakers and winery principals, offering 100+ wines, will assemble at the Arcadian Loft to offer guests the most extensive German wine tasting in Canada.

The “walk about” trade fair is open for attendance by professionals from the retail, media, and hospitality sectors during the day and by consumer wine enthusiasts during the evening. (See special offer for Wine Align subscribers below)

“What better way to discover the versatility of German Riesling and Pinots, than when matched with the passion of the visiting winemakers,” notes Ulrike Lenhardt of the German Wine Institute, who will be in Toronto for the event.

German Wine Queen and winemaker Julia Bertram

Julia Bertram

Winemaker Julia Bertram German Wine Queen

Guests will also have an opportunity to meet a real live QUEEN – German Wine Queen and winemaker Julia Bertram who will be attending to educate visitors on German wines!

German wines are generally heralded as great food friendly wines. This is a very bold statement, but most sommeliers and other food and wine professionals will agree.

Germany’s wines, while following strict wine laws, offer among the most variety, and one can find a wine for any occasion, matching any food and satisfying almost anyone.

The not-really secret here is the variety in styles (dry to sweet, sparkling or still), grape varieties (Riesling and Pinot Noir, to name the top ones of either white or red) and the distinct levels of richness (light to full, to honey-like) plus, based on the cooler climate, the wines generally have a good amount of acidity (considered vital for a great food wine) and lower levels of alcohol than warmer climate peers.

Another great thing about German wines with the higher acidity levels is that the wines last better than any other wines after they are opened. Hence don’t hesitate to open more than one bottle, taste and decide what will be the best for the occasion and return the other opened bottles to the refrigerator for later enjoyment.

Ours Sponsors“If you don’t love German wines, you just have not yet found the right one for you.”

Much has been written about food and wine pairing suggesting what goes and what does not go together. In the belief that enjoyment of food and wine is a very personal experience, we encourage everyone to experiment -and what better place than at the German Wine Fair!

To add to the fair, food pairings will be catered by Oliver and Bonacini and live music will be styled by BELLOSOUND.

And as an added incentive to join us, all trade and consumer registrants are eligible to win Rimowa Luggage valued $595.

Date and Location:

Tuesday, May 28th  – Arcadian Loft, 8Th Floor, 401 Bay Street, Toronto

Trade Tasting

2:00PM to 5:00 PM

Media and Trade professionals interested in attending the walk-about are encouraged to register at: www.germanwinefair.ca

NEW: Consumer Tasting

Calling all wine lovers! Meet over 25 winemakers and winery principals  and taste over 100 wines with food pairings by Oliver & Bonacini

7:00PM to 9:30 PM

Tickets $65 — all food and wine samples included

Wine Align subscribers receive $10.00 off the regular ticket price of $65.00.
Enter promo code: winealign

Order Tickets Here

Wine lovers are encouraged to visit: www.germanwinefair.ca for more information.


German Wine Fair - Toronto, May 28

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Lawrason’s Take on Vintages April 27 Release

Passing on Appassimento, France’s 2010s and Ten WOIs (Wines of Interest)

David Lawrason

David Lawrason

This is a large, rambling release with only one stylistic/regional theme – Italy’s appassimento wines. I will explain why I am lukewarm on appassimento wines, wherever they are made, then move on to more compelling topics. There are a handful of excellent 2010s from France, a vintage very much deserving to be on your radar. Then from there it’s a potpourri of ten WOIs – or Wines of Interest. They may be new, or rare, or surprising for any number of reasons, but all have made the list because their quality is high.

Why I Pass on Appassimento

Last week John Szabo penned a superb WineAlign essay on wines made by the appassimento technique of drying grapes toward raisin-hood in order to concentrate sugars and flavours. It leaves me nothing to do except explain, on a fairly subjective level, why I am not all that interested in the genre.

Appassimento particularly benefits reds made in cooler climates, so if all the world’s reds were made in Veneto or Ontario, I might be tempted to buy more appassimento. And when the world of Italian wine was much more narrow than it is today, amarone was indeed greeted as something magically rich and wonderful. But there are now simply far more choices in rich, buxom reds made elsewhere, particularly rich syrah/shiraz from Australia, South Africa, California, even B.C. And there are also many fully ripened reds from southern Italy and Spain that actually have similar flavour profiles to amarone. So, pass – especially when considering the next points.

The number two reason is price. By drying the grapes the yield per berry is lower and the price is justifiably higher. But increased weight and concentration does not always equate to higher quality to justify the price. I have had some great Italian amarones – and there are a couple of excellent ones on this release – but I have had far more not great Italian amarones that cost $30 to $60. Likewise, many of Ontario’s new appassimentos are quite expensive as well. Pass.

Le Arche Atesio Appassimento Rosso 2010Le Ragose Amarone Della Valpolicella Classico 2005The third reason is inconsistent quality. As John Szabo explains, the finished appassimento wine is only as good as the quality of the grapes going in. The process doesn’t manufacture quality; only weight and flavour concentration. And if the drying is not done carefully the grapes can develop volatile/acetic character which I find frequently in appassimento wines. So one has to be careful to choose the best producers, and nowadays in Veneto there are hundreds of producers of amarone and ripasso wines. And in Ontario the technique is sufficiently new and varied that a strong quality track record is not yet established.

Having said all that, here two recommended wines on this release. Le Ragose 2005 Amarone Della Valpolicella Classico is certainly not cheap at $62.95 but it is classic, mature, complex and compelling amarone that gets to the heart of the reason that the genre endures. And for those unwilling or unable to consider that price I also recommend Le Arche Atesio 2010 Appassimento Rosso at only $16.95. This is a wine that doesn’t try too hard to be an amarone; it is simply charming, youthful and well made.

France’s 2010 Vintage

In recent weeks and months we have begun to see the whites and reds of France’s excellent 2010 vintage arrive in some volume. No matter the region or grape variety any well-made 2010s have a certain energy, structure, purity and depth. I first noticed it a year ago when I spent a week in Alsace and tasted the new releases. There were dozens of scintillating whites. I moved on to Burgundy and the south of France directly after Alsace and found the same kind of tension and focus in the early releases there as well. Since then we have begun to see the first “minor” Bordeaux, the first premier cru Burgundy, and the bigger Chateauneuf-du-Papes. The winemakers of the Rhone are particularly excited.

Clos Du Roy 2010Domaine De Saint Siffrein Châteauneuf Du Pape 2010Delas Domaine Des Grands Chemins Crozes Hermitage 2010The weather was not uniform throughout all the French regions but there are some commonalities that begin to account for the quality. One is the lower than normal yield across the country thanks to a cold winter; with commensurate increase in flavour concentration (length of finish). The spring tended to be cool with a later start to the growing season, which was warm and balanced, with good warmth if not as sensationally hot and news-grabbing as 2009. With the later start, good fall weather was essential and Mother Nature delivered. So overall the grapes enjoyed a long, even ripening with natural acidity maintained, and tannin levels being in balance as well. And that’s what I really like about 2010 – the sense of balance and tension and evenness – not overripe, not underripe, not flabby, nor shrill. Here are some examples on this release.

Clos Du Roy 2010 Fronsac ($22.95) is a thoroughly impressive, solid yet forgiving and quite elegant young merlot-based red from the right bank of Bordeaux. Domaine De Saint Siffrein 2010 Châteauneuf-Du-Pape ($41.95) is another in a string of solid 2010 southern Rhones that are reserved now, but will bloom in the cellar over the next five years, and could last for over a decade. Delas Domaine Des Grands Chemins 2010 Crozes-Hermitage ($31.95) is a 100% syrah from the northern Rhone that is also showing classic, age-worthy structure. (This is an In-Store Discovery found only in the largest Vintages stores).

Five White Wines of Interest

Mount Riley Chardonnay 2011La Cappuccina Soave 2012Loan Wines Unwooded Special Reserve Semillon 2004Loan Wines 2004 Unwooded Special Reserve Semillon from the Barossa Valley of South Australia is jaw-droppingly stunning. And amazing value at $15.95. For years I have extolled the virtues and value of Australian semillon, but this organically grown, fully mature example is the exclamation point. If you are at all a wine explorer you cannot afford to not buy a bottle.

La Cappuccina 2012 Soave ($14.95) is an organically grown garganega that points to a real renaissance in quality within this once boring, industrialized category. The Tessari family has been making wine in the region since 1890, but in 1985 they began the conversion to “slow wine” and organic grape growing. The resulting energy, balance and refinement is palpable, and remarkable for $15.

Mount Riley 2011 Chardonnay ($17.95) from New Zealand is of interest not just due its price, but due to its tight, Chablis-like cool climate structure. New Zealand in general and Marlborough in particular tends to be over-looked as a chardonnay producer – largely due to the omni-presence of its sauvignons. But this is a very good buy, partially fermented in new oak, but not the least oaky.

Lammershoek Roulette Blanc 2010Lunae Colli Di Luni Vermentino 2011Lammershoek 2010 Roulette Blanc from the Swartland region of South Africa ($21.95) is one of the most intriguing and best white blends of the Cape – from naturally farmed bush vines growing chenin blanc, chardonnay, viognier and clairette. It is barrel fermented but the oaking is very well handled. It’s complex, age-worthy and performs well above its price.

Lunae 2011 Colli Di Luni Vermentino ($20.95) is one of the best examples of vermentino that I have ever encountered. Colli di Luni is an appellation in eastern Liguria on Italy’s north Mediterranean coast. Cantina Lunae is a widely heralded producer with 65 ha planted on sand and gravel slopes overlooking the Mediterranean. Great vitality, finesse and exotic flavours here.

Five Red Wines of Interest

Maycas Del Limarí Reserva Especial Syrah 2009Hidden Bench Terroir Caché Meritage 2009Hidden Bench 2009 Terroir Caché Meritage ($32.95) from the Beamsville Bench of Niagara Peninsula is a dramatic statement for pressing on with Bordeaux varieties in Niagara, if winemakers are prepared to commit to quality and consumers are willing to pay for it. This is a surprisingly fine and ripe example from “a lighter, cooler vintage”, and from a sub-region of Niagara that is much better known for riesling, chardonnay and pinot. And I would put it up against any $35 Bordeaux you could name.

Maycas Del Limarí 2009 Reserva Especial Syrah ($19.95) is very good value, and a peek at the evolving quality and styling of Chilean syrah. The grape is relatively new in the long thin land, so still in the process of finding itself. Many still smell and taste more like cabernet or carmenere than syrah, but the northern, Pacific-cooled regions of Limari (with some limestone) and Elqui are showing more typical syrah character.

Quartz Reef 2010 Pinot Noir ($44.95) is from the Bendigo sub-region of Central Otago, New Zealand. It is of interest to me on many levels, including the fact it represents a specific sub-appellation of Central Otago. After spending five days there I came to appreciate that Otago is indeed more than one region. It is also of interest because it is biodynamically produced and because it is a very refined pinot noir.

Quartz Reef Pinot Noir 2010Morgenster Lourens River Valley 2005Torrevento Vigna Pedale Riserva 2008Morgenster 2005 Lourens River Valley ($25.95) is a mature example of a very serious, cabernet focused, Bordeaux-inspired house with vineyards in the slightly cooler Helderberg sub district of Stellenbosch near Somerset West. Pierre Lurton of Bordeaux is the winemaking consultant. You may not be a fan of Stellenbosch reds with their distinctive rubber band/tarry character – and you will find it here – but there are so many other attributes on display, for a shockingly low price.

Torrevento 2008 Vigna Pedale Riserva ($20.95) is from the Castel del Monte appellation of Puglia on the heel of Italy – an appellation that has been on my value radar for years. This red is from a low-yielding local grape called uva di troia, but it becomes a Wine of Interest largely due to its unique, exotic spiciness. And by the way, I would easily buy three bottles of this over one bottle of fine amarone.

That’s it for this edition. See you back here before the May 11 release. May warm weather wine drinking be with us all soon.

David Lawrason
VP of Wine

From the April 27, 2013 Vintages release:

David’s Featured Wines
All Reviews


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Stags' Leap Cabernet Sauvignon 2008


New Zealand Wine Fair - Toronto May 9

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Tutored Tasting with Stoneleigh Winemaker – Jamie Marfell

Stoneleigh Logo

WineAlign is pleased to present an exclusive tutored tasting with Stoneleigh Chief Winemaker – Jamie Marfell

Jamie Marfell

Stoneleigh Chief Winemaker, Jamie Marfell

This summer, Stoneleigh will introduce Canadians to Stoneleigh Latitude, the latest addition to the Stoneleigh family from New Zealand’s highly-regarded ‘Golden Mile’. To celebrate, Stoneleigh will break open its vault for WineAlign members during a special tasting with Head Winemaker Jamie Marfell.

What makes Stoneleigh so unique? Produced in the Marlborough region, Stoneleigh vineyards are scattered with stones left by an ancient riverbed. The stones soak up the warmth of the sun’s rays by day and radiate that heat to help ripen the grapes by night. This natural phenomenon, coupled with the free-draining stony soils, inspires a distinctively crisp, fresh and elegant wine.

Join WineAlign to preview Latitude with winemaker Jamie Marfell, and taste some of Stoneleigh’s other award-winning wines – some of which are not available in the Canadian market. Tickets are available now for $30 including wine tasting and appetizers.

Joining Stoneleigh Chief Winemaker Jamie Marfell will be our own David Lawrason.

Wines to be tasted:

- Stoneleigh Sauvignon Blanc
- Stoneleigh Pinot Noir
- Stoneleigh Latitude Sauvignon Blanc
- Stoneleigh Latitude Pinot Noir
- Rapaura Sauvignon Blanc
- Rapaura Pinot Noir
- Rapaura Chardonnay 2003
- Stoneleigh Chardonnay 2005

Event Details:

Wednesday, May 8, 2013

Location:  Crush Wine Bar (455 King St. W)

Reception: 6:30pm

Tutored tasting: 7:00pm – 8:30pm

Enjoy remaining wines with appetizers: 8:30pm – 9:00pm

Order Tickets online: $30.00 ($35.64 after taxes and fees)

About Stoneleigh

Sun Stones

Stoneleigh’s distinctive sunstones

The natural environment of Stoneleigh vineyards, Rapaura soils and distinctive sunstones create a wine style that is elegant and crisp, yet intense – the flavour of Stoneleigh. It is these sunstones and the unique stony riverbed soil structure that are renowned for delivering quality and flavour to Stoneleigh wines.

Started by nature and finished by the talents of the Stoneleigh winemakers, whose philosophy of minimum intervention in the winery ensures that the vibrant flavours of Stoneleigh are captured in each and every bottle.

The Stoneleigh team is committed to sustainable practices and is accredited under the Sustainable Winegrowing New Zealand (SWNZ) scheme.

About Jamie Marfell

Winemaking was an inevitable career choice for Jamie who grew up on a farm overlooking a valley of grapevines in Marlborough and whose holiday employment was usually spent planting or pruning vines, depending on the season.

Following the completion of a degree in agricultural science and a postgraduate diploma in viticulture and oenology at the University of Lincoln, New Zealand, Jamie began his career as a trainee winemaker with Pernod Ricard, in 1990.

Based in his hometown of Blenheim for the first two years of his career, Jamie moved to Auckland and worked on the company’s acclaimed sparkling wine range. This was interspersed with vintages in Gisborne, Marlborough and several vintages in Germany’s Mosel and Rhine Hessen wine regions.

In 2002 Jamie returned to Stoneleigh, Blenheim, to concentrate on crafting distinctive Marlborough Sauvignon Blanc.

About Crush Wine Bar

Crush Wine Bar

Located in Toronto’s trendy King West entertainment district, CRUSH Wine Bar offers a blend of casual fine food and winning wines in a vibrant atmosphere.

From organic meat, fresh fruits and vegetables from surrounding local farms, Executive Chef Trista Sheen constructs a menu rooted in the French style but highlighted with continental flair. Sommelier Tiffany Jamieson-Horne is on hand to guide guests through the extensive wine collection to enhance the flavours of Chef Sheens’ simple yet stunning dishes.

Our winemaker events have been consistently and quickly selling out.  If you are interested in attending then we advise you to purchase your tickets as soon as possible to avoid disappointment.


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The County Comes to the City

A Terrific Try before you Buy event returns to Toronto

David Lawrason

David Lawrason

The winemaking folk of Prince Edward County like it there – tucked far from the madding crowds on their “virtual island” offshore in Lake Ontario just west of Kingston. It’s a place that moves to its own rhythms. It is governed by the slow march of history, and the seasons, and how different one season is from the next. A few of the County folk have grown up there, but most have actually moved from the city (Toronto or Ottawa) and they are now even more fervent about the County than the locals.

So they must be feeling some anxiety in returning for the second annual “County in the City” tasting this Thursday at the Berkeley Church on Queen St east of Sherbourne St. The location may seem odd to city folks – an historic church remade into an event space. But the County folks will surely be more comfortable in this rustic setting, east of Yonge Street, and closer to home. Most will likely high tail it down the 401 in the darkness as soon as the event closes at 9 pm.

County in the City at Berkeley ChurchBut this event is a commercial necessity. For as attractive as the County has become to citified agri-tourists – with almost 40 wineries, its craft brewery (Barley Days) and new distillery (Gilead); its very fine restaurant scene; its myriad small inns and B&Bs; and its twice-yearly wine events in Picton’s “Crystal Palace” – it is still, after over ten years on the wine map, unknown to a large swath of urbanites.

And more importantly this year, the Berkeley Church event will allow guests to try the wines then place orders on the spot. No, you still can’t walk out with bottles under your arm, but the wineries will arrange free direct deliveries to your home and office. And most are wines you will never see at the LCBO.

At last count, 15 wineries were signed on to pour, and they represent an interesting cross-section of the larger, more well established wineries like Grange of Prince Edward, Huff Estates, Rosehall Run and Norman Hardie,  plus newer, tiny operations like Exultet, Stanners, Devils Wishbone, Lighthall and Half Moon Bay. But they all share the same  MO – incorrigible idealists who worked themselves to the bone to hew vineyards out of the tough, limestone gravel strewn soils, all in order to make tiny amounts of light bodied, fragrant and elegant pinot noir, chardonnay, pinot gris and perhaps sparkling wine from vines with impossibly low yields.

So if you have not experienced the County and its wines, and you find yourself with time on Thursday between 5pm and 9pm, click here for tickets. It is $39 all in – the cost of one fine bottle of County pinot – with an opportunity to try dozens of wines, have a bite to eat and enjoy some live music as well. And if you can’t make it Thursday, set aside the weekend of May 25 to visit the County itself for the annual Terroir event in Picton.

Cheers,

David Lawrason
VP of Wine


Try & Buy Great Prince Edward County Wines

Back for its second year, County in the City is a great “TRY and BUY” event. Many of these wines are not available in Toronto retail outlets. All wines purchased at this event will be delivered right to your door – with FREE shipping.

And it gets better – all wine samples are included in the ticket price!

County in the City

Here are the details you need to know:

Event Name: County in the City

Date: Thursday, April  25, 2013

Time: 5:00 p.m. – 9:00 pm

Venue: The Berkeley Church, 315 Queen Street East, Toronto

Tickets are available now: $39 in advance (online tickets sent as a PDF in a confirmation email), $50 at the door (subject to availability)

Order Tickets Now

Have a look at some of the amazing Prince Edward County wineries who will be pouring at the event:

By Chadsey’s Cairns
Casa Dea
Closson Chase
Devil’s Wishbone
Exultet Estates
Grange of Prince Edward County Vineyard and Estate Winery
Half Moon Bay Winery
Huff Estates Winery
Karlo Estates
Keint-He Winery and Vineyard
Lighthall Vineyard
Norman Hardie
Rosehall Run
Sandbanks Winery
Stanners Vineyard

Follow County in the City on Twitter @winefestival

County in the City - April 25

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“So, You Think You Know Wine?” Episode 3.4

WineAlign is pleased to present Episode 3.4 of “So, You Think You Know Wine?”

Season 3 showcases some of Canada’s most widely recognized, award-winning sommeliers and wine critics. WineAlign’s own David Lawrason, Sara d’Amato, Steve Thurlow and Master Sommelier John Szabo are joined and challenged by Master Sommelier Jennifer Huether, Master Sommelier Bruce Wallner, Zoltan Szabo (Sommelier at Trump Tower), William Predhomme (Sommelier at Canoe) and Bill Zacharkiw (Montreal Gazette).

Our critics have to rely on skill and talent as they use their nose, eyes and palette to identify the flavours, aromas and general characteristics of a wine to correctly determine five elements about the wine. For a wine critic, a blind taste test is the ultimate challenge.

Division “A”, Round 2

The new episode is posted and ready to go, so pour yourself a glass of wine and tune in here: Episode 3.4

In this episode, Division ‘A’ is back for Round 2. John, Will and Steve have no problem heading straight to Australia with this wine. But whose nose knows for sure what it is to score the maximum points! Watch and see.

So, You Think You Know Wine? - Episode 3.4

Recap and Scorecard

In Episode 3.3, Division ‘C’ contestants David, Zoltan and Jennifer were all in the same camp on grape variety with the 2011 Whitehaven Sauvignon Blanc. However, it was David who picked up the most points for not letting this winemaker’s style take him away from New Zealand.

Here’s how the score sits after Episode 3.3:

Score after 3.3

There’s more to come

Additional episodes of “So, You Think You Know Wine?” will be posted on WineAlign over the coming weeks. We hope you enjoy them as much as we did making them and encourage you to share them with your friends.

Past Episodes are always available under Videos within the Discuss tab on the WineAlign Home page.


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Liberty School Chardonnay

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John Szabo’s Vintages Preview for April 27, 2013

The Dangers of Appassimento; a look at Organic/Biodynamic Wines and Top Ten Smart Buys

John Szabo, MS

John Szabo, MS

Appassimento: Smart technique or lazy cure-all? My report for April 27 takes a look at the ancient technique of drying grapes, called appassimento in Italian, and how it’s taking hold in Ontario, for better or for worse. Appassimento wines are the main feature for the VINTAGES release, and I select my top ones below. Organic-biodynamic wine is the other theme, and there are some terrific bottles hitting the shelves on the 27th, highlighted herein. By now I’ve gathered so much personal anecdotal evidence that farming organically/biodynamically is not only better for the planet, but also results more often than not in better wine, that it seems a matter of course to find the logo of one of the organic/BD certification bodies on the back label of a bottle that’s just excited me. The Top Ten Smart Buys this week is likewise full of 90+ quality at the $20 mark and under. Welcome to Spring.

The Best of the Organic-Biodynamic Line Up

La Cappuccina Soave 2012Loan Wines Unwooded Special Reserve Semillon 2004Wittmann Riesling Trocken 2011Speaking of electrifying excitement, the 2011 Wittmann Riesling Trocken Rheinhessen ($20.95) is very fine and pure example of dry riesling from this top producer in the Rheinhessen who has farmed biodynamically since 2004. This has outstanding depth and flavour intensity for the price category, with tight acids and plenty of liquid rock flavour next to just-ripe orchard fruit, nectarine, apple and yellow plum. Terrific length, too.

The 2004 Loan Wines Unwooded Special Reserve Semillon, Barossa Valley, South Australia ($15.95) caused a minor sensation in the LCBO tasting room, with most of us left wondering how you can offer a nine year-old wine with so much complexity and depth for under $16. Ahh, the magic of Aussie Semillon. It was also suggested that this is very much a “wine writers’/sommeliers’ wine”, meaning that it’s too far out of the mainstream to appeal to General Q. Public. Bollocks I say to that. Pick up a bottle and see if you aren’t just as riveted and fascinated as all of the experts.

Frog's Leap Chardonnay 2011Grgich Hills Estate Cabernet Sauvignon 2009Also smart value is the 2012 La Cappuccina Soave, Veneto, Italy ($14.95). It’s far less quirky than the semillon to be sure, with its pleasant fresh pear and cherry blossom flavours, and will appeal to both demanding winos and casual imbibers – a safer party wine. La Cappuccina has been farming organically since 1985, long before it became fashionable, so you know their motivations are pure.

And rounding out the recommended bio wines are two perennial favorites from the Napa Valley: 2011 Frog’s Leap Chardonnay ($36.95) and 2009 Grgich Hills Estate Cabernet Sauvignon ($74.95). Each time I taste wines from either of these estates I’m struck by just how original the wines are, how timeless. It’s as though neither winery has a radio, Internet connection, nor subscribes to any form of wine news, and they just go about their business doing what feels right rather than what someone has told them is right.

Highlights From Top Ten Smart Buys

Pretty much all ten wines are worth highlighting this week, but considering the organic theme, I’ll point out the unique and authentic 2010 Lammershoek Roulette Blanc, Swartland, South Africa ($21.95). Lammershoek can by all rights be considered in the organic category – official conversion started in 2010 – but they go even beyond organic, into the realm of natural wine, which could be described as a recent winemaking trend developed some 8,000 years ago. Roulette Blanc is a blend of old, un-irrigated, bush vine chenin blanc, chardonnay, viognier and clairette to which winegrower Craig Hawkins does as a little as possible. The only thing added to wine is S02 at bottling for stabilization; everything else – alcoholic and malolactic fermentation, clarification – etc – happens naturally, the only necessary agent is time. The result is a compelling wine that generates the desire to return for another sip, immediately. Besides, any winery that has hárslevelu planted has to be at least worth a look.

Gaia Thalassitis Assyrtiko 2011Huff Estates Pinot Gris 2011Lammershoek Roulette Blanc 2010Winemaker Frédéric Picard at Huff Estates seems to have nailed down a tidy style for pinot gris with the 2011 Huff Estates Pinot Gris, Ontario ($19.95). It’s a blend of 60% County and 40% Niagara fruit, though it’s the chalky County portion that leads the flavour profile. Picard tells me that the 2013 will be 100% County, something I’m looking forward to.

Long-time readers won’t be surprised to find the 2011 Gaia Thalassitis Assyrtiko, Greece ($21.95) in my smart buys list, my disproportionate love for the volcanic wines of Santorini being by now well documented. If you’re yet to experience the taste of liquid rocks, try this.

Also in the Smart buys this week you’ll find champagne quality at crémant prices, another majestic 2010 Châteauneuf-du-Pape, a marvelously savoury and ultra-premium Tuscan red that will set you back less than a parking ticket (and provide infinitely more pleasure), a zesty Ligurian vermentino hand made in Italy for grilled fish, a bold, spicy, floral Apulian red for times when Amarone is not in the budget, and a pair of memorable, fine value Bordeaux reds from the highly touted 2010 vintage that will remind you what made the region worth knowing in the first place. Check them all out here.

The Main Feature: Appassimento. Smart Business or Lazy Cure-All?

This VINTAGES release features wines made using partially dried grapes. Appassimento is the Italian term for the technique, the purpose of which is to concentrate sugars, and thus increase the alcohol and/or residual sugar, and body, in the finished wine, as well as to develop more complex aromas and flavours. The technique has been practiced for probably as long as grapes have been turned into wine.

The Veneto in Italy’s northeast corner is the region most closely associated with appassimento-style wines, and more specifically, the bold red Amarone della Valpolicella. But the practice is done all over the world: various muscats and mavrodaphnes, and Vin Santo from Greece; vin de paille from the Jura and the Rhône Valley and Jurançon in France; the strohwein (Schilfwein) of Austria and Germany; the PX sherries and moscatels of Spain, among others, not to mention the many other dried grape wines from Italy itself such as vinsanto from Tuscany and other regions, the Sforzato della Valtellina, the picolit of Friuli, Recioto di Soave, and the various aleaticos of Lazio and Puglia, to name but a very few. The drying techniques vary, but the majority of these wines are destined to be sweet. A few, however, like Amarone and Sforzato, are fermented into full-bodied dry wines.

Ontario, too, has recently invested significant resources into researching different grape drying techniques. As in northern Italy, the goal in Ontario has chiefly been to find a way to make the production of dry red wines more consistent and of better quality, in the style of Amarone. It’s thought that “Technologies that mitigate red wine production risks and improve red wine quality present enormous sustainability and growth opportunities for Ontario wine production”, according to a Brock U. CCOVI research brief.

“The goal of appassimento winemaking”, continues the paper, “is to further ripen the fruit off-vine to concentrate sugars and flavours without increasing acidity to develop a full-bodied high quality wine.” And ultimately, it’s hoped that “Investment in appassimento-style wine production capacity will allow our vintners to produce high quality wines even in growing seasons that do not allow the complete maturation of grapes.”

Ontario wineries that have already released commercial wines made using one form or another of partial drying, or are involved in the research, include Cave Spring, Foreign Affair, Reif Estates, Colaneri, Pillitteri, Organized Crime, Burning Kiln, Angels Gate and Rennie Estate. Considering the growing interest, the appassimento technique is obviously gaining local momentum and it appears to be here to stay.

There’s More Than One Way to Dry A grape

There are several ways to turn grapes into raisins. Bunches can be left on the vine late into the season until they become naturally desiccated, or they can be harvested and set out to dry in the sun or in a sheltered environment, or rapidly dehydrated using a source of heat and a dehumidifier. In Valpolicella, grape drying is still largely done in the traditional method, that is, a slow dehydration process done at ambient temperatures, historically in drafty barns controlled by opening and closing windows, but more often today in modern, regulated drying facilities.

The permitted technique for drying grapes for Amarone is indeed tightly controlled by appellation regulation. By law, “The drying process of grapes should be conducted in appropriate environment and can be helped by the use of air conditioning systems as long as they operate with temperatures similar to those that can be found during the natural drying process. Any dehumidifying or heating system is not allowed.”

Modern drying room at Alberto Longo's winery in Puglia. Photo by J. Szabo

Modern drying room at Alberto Longo’s winery in Puglia

Such a process results in a slow dehydration of grapes over a period of approximately three months, during which bunches lose about one-third of their original weight to water evaporation. The slow process also results in a significant modification of aromas and flavours.  It’s essential that the varieties submitted to this treatment be perfectly healthy and ripe at harvest, since appassimento concentrates everything in the grape, good or bad. Thick-skinned varieties, like corvina and rondinella used for Amarone, are preferable, as thin-skinned grapes tend to break down and allow molds to infiltrate.

In Ontario, four techniques are being investigated by COVVI, drawing from other agricultural sectors: “kiln-drying making use of technology from the tobacco industry (fast drying at Reif Estates Winery); greenhouse drying using technology from the floriculture industry (medium length drying at European Planters); barn-drying with circulating airflow as a traditional appassimento technique (slow drying at Cave Spring Cellars); and prolonged hang-time on the vine to desiccate the fruit naturally, drawing from Icewine production.”

The results of the studies, which will include analysis of biochemical changes as well as sensory characteristics of the wines, have not yet been released. But it has already emerged that the different techniques result in significant differences in the wines: “Wine from the various drying treatments differed in their chemical profile and had distinctive sensory profiles.”

While we can all look forward to more and better Ontario appassimento style wines in the future as the techniques become better understood and are fine-tuned, there is also cause for concern in the enthusiastic embrace of this ancient technique. The results of appassimento are anything but universally successful. The danger in Ontario, as in any other cool climate grape-growing region, including the Veneto, is that vintners will turn to appassimento as a cure for poor quality grapes. Dilute, under ripe grapes from over-cropped, poorly farmed vineyards cannot be magically ripened by artificial concentration. On the contrary, the drying process only exacerbates green, under ripe flavours.

And genuine complexity can only derive from naturally concentrated grapes, which is to say that grapes with simple flavours (low concentration of flavor precursors in tech talk) will not develop miraculous complexity by force-drying them. Appassimento, in short, is not a panacea, and some of the results are downright unhappy, like bitter ratatouille in a glass. Elevated volatile acidity (vinegar or nail polish aromas) is also a constant danger with dried grape wines of any kind, as are bitter, astringent tannins in red and occasionally white wines, to name but a few of the potential sideways deviations.

As such, it’s alarming to hear wineries speak of the blanket ‘premiumization’ of production, as though appassimento is the solution to viable business. Jamie Slingerland, director of viniculture at Pillitteri Estates Winery, is quoted in the December 2012 issue of The Grower as saying: “The method allows us to take a reserve wine to grand reserve status, and in some instances, to triple the price point from $20 to $60”. While appassimento can and does produce top-notch wines, most of what I’ve tasted from Ontario has not been successful and is not worth a premium.

To be fair, much of what comes out of Veneto is likewise poor quality, with notable exceptions, for the same reasons. The point is, that the technique does not result in consistent quality, or rather, that the resulting quality is only as consistent as the quality of the base grapes in the first place. So we’re back to square one. The quality must be there before the concentration process begins. The kilning technique gaining popularity in Ontario, which is the fastest and least risky, also seems to be the worst suited for quality, not allowing time for the interesting biochemical changes to take place, just straight up withering. But I eagerly await the results of the COVVI study.

Resorting to drying grapes also presupposes that bigger, more concentrated wines are inherently better than lighter and leaner wines. That’s a complex presupposition that goes well beyond winemaking techniques and into the realm of consumer tastes, trends, marketing, and beyond, but worth pondering in any case. Is bigger always better? Considering the growing consumer backlash against higher alcohol wines, such wisdom is questionable.

And leaning on grape drying to produce consistent quality also begs the question of whether you’ve got the right grapes planted in the first place. If it’s a struggle to ripen cabernet or merlot consistently, artificial ripening/drying isn’t the answer. Planting a shorter cycle, earlier ripening, more reliable variety is far more logical, at least in my view (see my recent interview with Ann Thrupp Ph.D. sustainability director of Fetzer Vineyards in California for more on the subject). There are no short cuts to quality. I sincerely hope that the Ontario market doesn’t get flooded with a rash of unbalanced, green, raisin-flavoured wines.

But since appassimento seems to be here to stay, let’s hope the technique gets put to good use on quality grapes in order to create a new category of worthy, complex wines that are worth a premium, like top Amarone. There are many models to follow, and others to avoid. Of the wines being released on April 27th, none were truly mind-blowing, but here are the ones I’d look to as the most successful examples:

2007 Monte Del Frá Lena Di Mezzo Amarone Della Valpolicella Classico ($48.95)

Monte Del Frá Lena Di Mezzo Amarone Della Valpolicella Classico 2007

2010 Remo Farina Montecorna Ripasso Valpolicella ($19.95)

Remo Farina Montecorna Ripasso Valpolicella Classico Superiore 2010

2009 Masi Grandarella Igt Rosso Delle Venezie, ($25.95)

Masi Grandarella 2009

That’s all for this week. See you over the next bottle.

John Szabo, MS

John Szabo, Master Sommelier

From the April 27, 2013 Vintages release:

Top Ten Smart Buys
Best of the Organic
All Reviews


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WineAlign National Wine Awards of Canada now accepting entries

WineAlign National Wine Awards of Canada now accepting entries

National Wine Awards of CanadaWineAlign, Canada’s largest and most popular online wine site, today announced that the National Wine Awards of Canada (NWAC) “The Nationals” is now accepting entries.  WineAlign invites Canadian wine producers to compete annually to assess the current state of Canadian wine.  The Nationals tastings will be held June 16-22, 2013 at Niagara-on-the-Lake, Ontario.  In 2014 they will be held in British Columbia.

The Nationals pull together many of Canada’s leading wine commentators and critics lending it a truly national perspective on wine.  The awards are expected to be the largest and most comprehensive look at Canadian wine with over 1,200 expected entries.  Our goal is to make the Nationals a modern, highly-responsive and definitive Canadian perspective on wine for use by both domestic and international audiences.

“If you want serious recognition for your Canadian wine this is the one wine show you shouldn’t miss,” says head judge Anthony Gismondi; “It builds on the success of more than a decade of previous awards with a new, greatly expanded, national reach. Results of The Nationals will be released earlier than ever to increase their marketing potential in the key wine buying months of the fall and fully integrated into WineAlign allowing award winners to be recognized during the normal process of searching and browsing our database. With over one million unique visitors in the last year, WineAlign’s audience is large, growing and engaged.  In addition, we are in the final stages of signing an agreement with a national print media partner, to further engage millions of readers across the country as we rollout the results.

Why you should enter your wines?

Support the country’s most significant efforts to shine the light on Canadian wine

Benchmark your wines against Canada’s best wines and critics

- As the leading National competition entries are compared with the best wines produced from all of Canada
- The most influential, experienced, and geographically representative panel of judges
- To measure your quality peer to peer in terms of individual wines and your winery as a whole

Gain exposure for your wines to the largest audience possible

- WineAlign will have approximately 1.5M unique visitors in 2013
- Nationwide publicity as the judges are all popular and influential wine writers
- Results will be featured in a national print magazine
- Medalists tend to be selected for publication by wine media in general

For For more information on the awards, our judges and the entry process please visit:  http://www.WineAlign.com/Awards  or email:  awards@WineAlign.com.

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John Szabo gets technical with Ann Thrupp from Fetzer and Bonterra Vineyards

An interview with Ann Thrupp, Ph.D., manager of Sustainability and Organic Development at Fetzer and Bonterra Vineyards since 2003.

John Szabo, MS

John Szabo, MS

In mid-April I sat down with Ann Thrupp during her visit to Toronto to chat about sustainability and some of Fetzer’s recent innovations in the field. Fetzer is recognized as an industry-leading company in the realm of sustainable winegrowing, and has been for well over two decades. Thrupp provides technical assistance and information, and organizes educational events about organic and sustainable practices for growers, wineries, government agencies, the food/beverage industry, and the public on behalf of Fetzer/Bonterra, so she was the ideal candidate to give some relevant background and share the latest developments in sustainability.

Following is my very loose transcription of parts of our conversation, edited for clarity and brevity [these are not Thrupp’s exact words], but enough to give a flavour of the discussion. And see below for links to my reviews of recent Fetzer wine releases.

How do you/does Fetzer define sustainability?

Ann Thrupp, Fetzer

Ann Thrupp, Fetzer

We use the definition that’s broadly accepted in the industry: it’s the intersection of practices that are environmentally responsible, socially responsible, and economically feasible. It’s a holistic approach. It’s a concept that also means continuing improvement over time to ensure long-term viability. At Fetzer we use the term “e3”, which stands for: environment, equity and economics. It’s a term we came up with long before sustainability became popular; we’ve been doing it for a long time. We find it’s easier to talk about “e tres” with our many Spanish-speaking employees than “sostenebilidad”. It has become our motto.

Is there a governing body that certifies and monitors sustainability?

There are three bodies in California that have sustainability programs. We’re part of Certified California Sustainable Winegrowing (CCSW), which is third-party monitored. It’s not overseen by government, however. Other countries, like Australia, Chile, South Africa and New Zealand have their own programs with specific requirements. We look at it as healthy competition, because we’re all working to make a difference. But the challenge is that there are multiple certifications and multiple interpretations.

Nevertheless, a similar definition of sustainability is now used internationally. It’s a nice thing that there’s been alignment on what the term means. There are certification programs that define what steps need to be taken for particular regions, but there isn’t a worldwide regulatory body. And people do use the term in different ways, sometimes without the level of comprehensiveness that we apply.

What’s the difference between sustainable and organic farming?

Organic farming is like a subset of sustainable farming. Organic requirements are defined by law, and are much more strictly defined. And there are regulatory bodies involved. There is alignment, for example between Canada and the United States in recognizing the same organic standards, and it’s the same in the EU. Internationally there’s much more cohesion around organics than around sustainability.

But the difference between the environmental part of sustainability and organic certification is that the definition of organics doesn’t take into account things like water, energy and soil conservation for example. Organic farmers don’t have to account for carbon emissions; most organic farmers are certainly conscious of these sorts of things, but they aren’t defined by law. Sustainability tries to take all of these things into account, even if there isn’t a strict definition, on, say, how much carbon you can emit. But at least it’s trying to encompass climate, water, energy usage and other issues as part of the definition, not to mention the social and economic dimensions.

The CCSW, for example, also considers aspects like, waste management, recycling, air quality. It’s a broader concept than organics. That doesn’t mean that organics is somehow lesser, but the emphasis is strictly on the environmental dimension, mostly having to do with farming inputs.

What percentage of California’s grapes is grown sustainably?

I don’t have the figure off the top of my head, but it’s a very high percentage statewide in California, and it has increased a lot recently. I believe about 60% of the acreage is farmed by growers who are enrolled in one of the sustainability programs. It doesn’t mean that they’re all certified, but it means that they’re active participants in the program and they’re getting education and doing self-evaluations. At least they’re on the path to increasing sustainability. [12.3% of the 535,000 total acres in California are Certified California Sustainable, according to the CCSW website – JS]

Bonterra Vineyards

Bonterra Vineyards

Pioneers like Fetzer have been open to sharing information. We’ve been involved since the very beginning, and been involved in delivering and sharing educational programs. It’s caught on that doing good business is about being sustainable.

There is certainly a risk that some will jump on the bandwagon, and not all may be aiming for the same authentic sustainability as others, so I think it’s really important for both the media and consumers to look closely at what a company means when they say they are sustainable, since there’s a very general definition.

Do you think it would be impractical to have one standard definition of sustainability worldwide?

That’s one of the challenges. For example, there are different water and energy issues in different parts of the world. So it makes it very hard to establish categorically what is sustainable across the world. A perfect example is water. In California, there are very strict regulations on the amount of water you use, given the resource scarcity. It’s essential. But on the east coast, they have too much water for growing grapes in most cases. So there wouldn’t be the same need to restrict water usage there as severely in order to be sustainable. By its very nature, sustainability means adaptability, over time, and over different regions. What’s sustainable here may not be sustainable there, and what’s sustainable today may not be sustainable tomorrow.

How can a consumer distinguish sustainably produced wines?

That’s a really good question. It’s hard for a consumer to know. Having the certification programs help, but putting the CCSW logo on the bottle is not yet allowed. It’s a complex issue. I think if you’re interested in that aspect of a wine, you have to dig deeper. You can go to the producer’s website, do some research and find out. You can also go to California Sustainable Winegrowing Alliance where there’s a list of CCSW certified wineries and a description of all of our practices. It shows that we’re authentic.

What are the most challenging aspects of implementing a sustainability program?

It’s an effort that requires collaboration between many departments within a winery, but I have to say that I don’t really see any major challenges. That’s why more and more are catching on. Once people realize what sustainability means, they see that there are so many advantages, including wine quality. It’s not something that people tend to resist. It makes sense for so many reasons. Ten years ago, you saw far more widespread use of herbicides and pesticides. Now, people have changed that approach. And they’ve also realized that it makes for better wine.

Is it more expensive to farm sustainability?

There can be some up front capital costs for innovative tools, like solar panels, but these gives long-term financial savings, and they also give future stability, not to mention reducing reliance on fossil fuels. Sustainability is about seeking win-win situations. Some of the workers’ social benefits can also cost more money off the top, but it’s returned with things like increased productivity and employee loyalty, and less liability. Sustainable practices can also reduce costs. An obvious example is the reduced use of inputs like sprays in the vineyard, if the minimum, sustainable amounts are used rather than spraying to a calendar cycle. There are now efforts to more fully document the cost and risk reductions of sustainability.

 Fetzer/Bonterra Chickens and weed control

Chickens and weed control

A nice example of the win-win-win scenario is the lighter weight bottles that Fetzer introduced in 2008. There are obviously huge environmental advantages of moving to lighter weight bottles throughout the entire supply chain (less energy to produce, less materials used, lower carbon emissions to transport, less energy to recycle), as well as an economic advantage to the company in lower cost. And we didn’t even consider the social benefits: people don’t have to carry around heavy cases of wine.

What advice would you give to a winery or a wine region looking to become sustainable?

Start with an education program, not with obligations. It’s important for people in the industry to first learn and to evaluate their own practices before introducing a strict code to follow. Forcing people to become sustainable can lead to cutting corners. Many are likely already practicing sustainable standards without necessarily being conscious of it – it makes business sense. It’s a question of giving people the knowledge to improve on what they’re already doing, and to continually seek to improve.

It’s not often brought up, but to achieve real sustainability, you also have to be growing the right grapes in the right place! Varieties that are particularly susceptible to diseases shouldn’t be planted in high disease pressure areas. That’s just logical.

What do you foresee to be the greatest future challenges in maintaining or improving your sustainability code?

Water is a big issue, especially in California. At Fetzer, when we’re replanting, we’re looking at more drought resistant varieties, or using more drought resistant rootstocks. It’s caused us to be more proactive.

Cover crops

Cover crops

We’ve also just introduced a new cleaning protocol using paracetic acid that has allowed us to reduce our water usage in the winery – mainly from washing out tanks – by 140,000 gallons per year – that’s significant. We also recycle waste-water  wine lees are sent out to be recycled into vinegar, or turned into distilled spirits; diatomaceous earth goes into composting. There are all sorts of innovations that have allowed us to reduce waste, and we’re continually evaluating new opportunities.

Moving to sell wine in kegs, for example, to be served on tap in restaurants can also reduce packaging.  We’re always exploring new ways to conserve energy, too. One small thing is that we’re rolling out bicycles to be used to get around at Fetzer, reducing vehicles on site. There’s always a way to improve.

Sustainability Tips

Want to be more earth friendly? Here are few of the many simple sustainability tips found on Fetzer’s website (source: http://www.fetzer.com/Earth-Friendly-Tips)

  • Make sure your home insulation is up to par.
  • Car pool with others to work or school.
  • Instead of driving your kids to school, have them ride the school bus.
  • Cancel delivery of unwanted newspapers and donate old magazines
    to waiting rooms.
  • Plant a tree.
  • Paper or plastic? Neither. Bring your own canvas bag to the grocery.
  • Take shorter showers. That can save 700 gallons of water a month.
  • Properly maintain your heating and cooling equipment, including regularly replacing filters.
  • Set your mower to keep grass longer, which crowds out weeds and helps the grass retain moisture.
  • Don’t throw away old batteries or electronics – recycle them.
  • Line-dry your laundry every now and then.
  • Organic/Biodynamic Wine TagStart a compost pile in your backyard for turning kitchen scraps and yard
    waste into enriched mulch for gardening.
  • Use the cold water cycle of your washing machine for all laundry.
  • Defrost your freezer. A freezer that is free of accumulated ice
    uses less energy.
  • Purchase bio-degradable dish and laundry soaps.
  • Turn off lights when not in use.
  • Unplug electronic devices with stand-by features.
  • Use your bicycle when traveling short distances.
  • Buy food that is locally produced.
  • Buy products which advertise green and recycled production. 

And how are the wines?

I have included a few links to some recently tasted Fetzer wines below. You can search all Fetzer and Bonterra wines on WineAlign the Google custom search tool, or jump to the Organic/Biodynamic Tag from our Home page for even more organic producers.

Fetzer Pinot Grigio 2011

Jekel Vineyards Gravelstone Chardonnay 2010

Sanctuary Usibelli Vineyards Cabernet Sauvignon 2009

Sanctuary Mariah Vineyard Mendocino Ridge Zinfandel 2009

John Szabo, MS

John Szabo, M.S.

Photo of Ann Thrupp by John Szabo, others as posted by Fetzer/Bonterra on California Sustainable Winegrowers Alliance 

Filed under: Featured Articles, Wine, , , , ,

Malbec World Day by David Lawrason

Promoting the malbec grape of Argentina

David Lawrason

David Lawrason

Every grape, it seems, has its day. Malbec World Day on April 17 is a recent phenomenon to promote the malbec grape of Argentina. This late ripening variety is actually from southwest France (Cahors) but the hot, even climate on the high steppes of Mendoza has given it a perfect home, and malbec is now a household name in North America and South.

Indeed it has achieved a formidable presence in the Canadian market; fulfilling predictions that it would be “the next big thing” – like Australian shiraz. But as shiraz has gone through a downturn in mass market affection, might malbec be experiencing the same thing? Or, put another way, has malbec already had its day?

I was in my local store in Toronto on the weekend checking out how much malbec is available. There is a ton. When you go to WineAlign and search Malbec-Argentina-All Prices you will find a whopping 64 brands in current inventory at the LCBO. Similarly there are 65 showing in British Columbia. But a look at the small print on the price tags showed that many of the brands in the LCBO’s Vintages stores are showing release dates of weeks or months ago, especially if they are more expensive.

And I noted something else – many of the labels were unfamiliar, even to one who follows such things more closely than the average punter. It’s as if, at one point, Vintages just threw out a net and imported any malbec that wanted to be exported – whether good or not. So without my WineAlign iPhone app allowing me to check out my own reviews I wouldn’t know what to buy either.

I do enjoy malbec when I want a big, swarthy red. Barbecue season is such a time, and it’s no co-incidence that most Argentines drink malbec with their ubiquitous slabs of grilled and heavily smoked beef. And I like it a lot when it shows off its lovely floral, blackberry fruit unencumbered by too much oak, alcohol, meatiness or stemminess.

But I do find lower priced malbec rather homogenous, and many are heavy, coarse and unbalanced. This is partially because many are released too soon. Australia seemed able to get away with releasing very young shiraz that was more or less in balance – the syrah grape is inherently softer – but young, inexpensive malbec is not quite as affable or quaffable.

On the other hand, more expensive malbecs, although showing better complexity and depth of flavour, often don’t seem all that different in flavour profile or balance. And high alcohol can continue to be a problem.

So how to spot the good ones? I am looking at two things.

First, I am finding more elegance and floral lift in malbecs from higher altitude Uco Valley at (900 to 1200 metres). The recently developed region is a sea of vines up against the Andes, with one flashy new winery after another that makes it feel like Napa, at least in terms of its energy. In particular I am looking at the labels for mentions of some of the best sub-regions like La Consulta, Altamira, Vista Flores and Tunuyan and especially the highest region called Gualtallary near Tupungato. These ‘appelations’ are no yet official but they are beginning to appear on labels.

Second, I am looking for certain producers that I have come to know and respect. With so many producers (Argentina has over 2000 wineries) this is a slow process; but having visited there late in 2011 and paying attention since then, my go to list is developing. And I share it with you for Malbec World Day, with links to some of my favourite wines still on the shelf.

Altocedro Reserva Malbec 2009Altamira De Los Andes Reserve Malbec 2009Altamira De Los Andes Reserve Malbec 2009

This is made entirely from grapes grown in La Consulta and Vista Flores, two sub-regions of higher altitude in the Uco Valley. And it catches the floral charm I have come to expect of these regions. Lavish blackberry, violet fruit is nicely couched in moderated oak, vanillin and black licorice. It’s thick. elegant, sweetish and young with some alcohol kick, but essentially well composed, and excellent quality. Tasted February 2013.

Altocedro Reserva Malbec 2009

From the southern and higher reaches of the Uco Valley in La Consulta, this dark malbec has a lovely nose of mulberry, violets, chocolate and a hint of meatiness. It’s full bodied, smooth and very rich, with fine-grained tannin and considerable alcohol heat. Quite luscious with smoked meat finish. Excellent length. Best now to 2016. Tasted July 2012.

Versado Malbec 2010Cicchitti Edición Limitada Malbec 2008Angulo Innocenti Malbec 2010Versado Malbec 2010

Versado is small, new Canadian-owned winery in Argentina, with Niagara’s Ann Sperling and Peter Gamble at the winemaking helm. They have wrought some complexity here that’s often missing in malbecs at this price – combining woodsy, leathery notes amid the ripe berry-dried fig fruit. It’s medium-full bodied, fairly dense and refined, with some drying tannin. The length is very good. Tasted March 2013.

Cicchitti Edición Limitada Malbec 2008

This is very deep ruby-purple-black. The nose is generous, sweet and very ripe with mulberry, vanilla, coffee/chocolate and pepper. It’s full bodied, sweet, creamy and thick, with a tarry, smoky finish. Excellent length. It has great curb appeal, but Euro fans will find it too sweet. Tasted November 2012.

Angulo Innocenti Malbec 2010

La Consulta is a higher altitude sub-region at the upper end of the Uco Valley, expressing a somewhat more floral aroma and more delicate feel in this example. It is still very deep black-purple colour. It has a lovely floral fragrance with blackberry and gentle wood spice. It’s quite thick but not heavy with some woodsy tannin and pepper on the finish. Very good to excellent length. Fine now or over the next three years while the fruit is in bloom. Tasted March 2013.

Benmarco Malbec 2009Bodega Séptima Séptimo Día Malbec 2011Bodega Séptima Séptimo Día Malbec 2011

Septimo is owned by Spain’s famed cava producer Codorníu. It’s 135 hectares of vineyards are located in the Agrelo and Uco Valley.Young winemaker Paula Borgo has the reins at a state of the art winery. The result here is a rather vivacious, intense and almost racy malbec, whereas many are heavy and plodding. But that is not to say it is light because there is good weight and density and excellent length. The flavours are intense with very ripe currant-cherry fruit, very generous tarry, smoky oak and some of malbec’s florality. The length is excellent, the finish warm and a touch youthfully gritty. Lots here for $16; but I would give it a year for tannin to soften and oak to integrate. Tasted April 2013

Benmarco Malbec 2009

This has a very good stuffing, colour and fruit density – easily worth the money. It’s only lacking a bit of tension to put it over 90 – slightly low acidity with a touch of over-ripeness. Otherwise, enjoy the generous plummy, violet and chocolate aromas and flavours. It’s medium-full bodied, supple and rich with fine tannin. Very good to excellent length. Best 2012 to 2015. Tasted November 2011.

For more information on Malbec World Day you can visit the official Website, follow the activities on #MalbecWorldDay on Twitter, or see if there are still tickets to the VINTAGES event tomorrow night in Toronto.

Cheers,

David Lawrason
VP of Wine

Filed under: Featured Articles, Wine, , , ,

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Coldstream Hills Pinot Noir 2008
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