WineAlign

Find the right wine at the right price, right now.

John Szabo’s Vintages Preview for May 25, 2013

Germany; Consignment Corner: Italy; Top Ten Smart Buys

John Szabo, MS

John Szabo, MS

This week’s preview features the top VINTAGES releases for May 25, 2013 with a focus on Germany, as well as a few highlights available through the consignment program. These latter wines are available for purchase directly from the importing agent by case lot (6 or 12, depending on how the wine was shipped), and can be delivered straight to your home or office. It remains little known in Ontario that there are hundreds of wines available at any time outside the LCBO through this fashion. This is where smart sommeliers do their shopping to add unique, often limited production wines to their wine programs, and you can do the same for your cellar or cupboard. This week I revisited the latest releases from a couple of top Italian estates that I think are worth sharing with you.

Pinot noir from around the world is the other VINTAGES theme, but the selection is disappointing and expensive, the antithesis to the German releases, so I’ve nothing to report on. And finally, of course, there are the usual top smart buys.

Top Smart Buys

This week’s tour of smart bottles takes you to the southern Rhône, Alsace and the Loire Valley in France, and from there southeast to Austria and northern Italy and then west to Rioja. You’ll traverse the equator to reach the Yarra Valley in Victoria, Australia, and then cross the Pacific to the shores of Chile and head up the Aconcagua Valley to vineyards sitting under the southern hemisphere’s highest peak. Start your journey here.

Smart Germany

DR. HERMANN ÜRZIGER WÜRZGARTEN RIESLING AUSLESELooking for smart buys to sip this summer? Deutschland calls. Four of the six rieslings proposed by VINTAGES come highly recommended. Indeed, had I not chosen to list the German wines separately, these recommendations would have all made the top smart buys list. It’s hard to imagine a better summertime wine than the crisp, light, low alcohol and fragrant rieslings of Germany, and of the impossibly steep slate-covered slopes of the Mosel in particular. And while popularity and price lag behind quality, these are still some of the smartest buys in the world of wine. You need only reflect back to the late 19th century when the top rieslings of Germany fetched higher prices at auction and on restaurant wine lists than cru classé Bordeaux and vintage Port to get a sense of the changing whims of consumer preference. Smart drinkers, like smart investors, stay away from the over-fashionable.

In the off-dry category, the 2005 Dr. Hermann Ürziger Würzgarten Riesling Auslese ($21.95) is a well-balanced Auslese from the magnificent Würzgarten vineyard. It’s just starting to show some mature, smoky, caramelized fruit character and is drinking beautifully now.

Markus Molitor Wehlener Sonnenuhr Riesling KabinettSTUDERT-PRÜM RIESLING KABINETTA pair of slightly drier, kabinett-level rieslings from two of the most reliable producers in the Mosel are worthy of attention: 2011 Markus Molitor Wehlener Sonnenuhr Riesling Kabinett ($29.95) and 2011 Studert-Prüm Graacher Himmelreich Riesling Kabinett ($19.95). Markus Molitor is well known for his maniacal devotion to his vineyards and minimalist philosophy in the winery, with the sole aim of expressing the uniqueness of each site. It’s a refrain you’ll hear time and time again in the wine world, but not all walk the walk. Molitor does. His ’11 from the Sonnenuhr vineyard has more like spätlese level ripeness than kabinett, and the palate is a little softer than what I’ve come to expect from this estate, but the site expression and the length/complexity are compelling. Were there a Burgundian style classification of Mosel vineyards, the Sonnenuhr would be grand cru, and this is unquestionably top stuff, it’s a wine to enjoy relatively young, that is to say, now or over the next eight-ten years.

Vollenweider Wolfer Riesling 2011Stüdert-Prüm, not to be confused with the (excellent) estates of J.J. Prüm and S.A. Prüm, has a prized parcel of vines in the nearby Himmelreich vineyard (loosely translated as paradise, from himmel meaning heaven, and reich, meaning empire), which officially belongs to the town of Graach next to Wehlen. This ’11 is an absolutely textbook Mosel riesling, with lovely, fragrant perfume, and off-dry palate balanced by tight acids. Infinitely drinkable, nicely priced.

And the driest of the quartet is the 2011 Vollenweider Wolfer Riesling ($19.95) from the village of Wolf in the Mosel. Wines are made by the Swiss Daniel Vollenweider, who blames Egon Müller for his move to the Mosel. It was specifically a 1990 Müller Scharzhofberg Riesling Auslese that compelled Vollenweider to drop everything and move to the Mosel to purchase several sites classified as “steep” or “extremely steep”, planted to an unusually high percentage of ancient, ungrafted vines. Having tasted the Scharzhofberg, I can’t say I blame Vollenweider. But his wines are making their own waves amongst German riesling cognoscenti, and this village blend is a clean, intense, smoky and minerally example with what I’d describe as an authentic, natural, pure profile – there’s nothing contrived about this. The palate is lean and tight, essentially dry, and rivetingly acidic in the best sense, with excellent complexity. This is fine stuff.

Consignment Corner: Wine Beyond the LCBO

Read David Lawrason’s latest report laying out the ever-more compelling reasons for private wine shops in Ontario. Maybe in our lifetime we’ll be able to find wines like the ones I’ve highlighted below, and thousands more, in a privately run shop near you. Wouldn’t that be nice. Until then, get to know some of the best agents in the province.

Valdicava Brunellos

Last week Vincenzo Abbruzzese, proprietor of Valdicava in Montalcino, Tuscany, was in town to show off current releases and provide a retrospective on some old vintages of the estate’s top single vineyard Brunello, Madonna del Piano Riserva. Abbruzzese’s grandfather purchased Valdicava in 1953, and was instrumental, along with Franco Biondi-Santi, in establishing the appellation regulations for Brunello di Montalcino. At the time there were perhaps a dozen wine-producing estates in the zone; today there are over two hundred. Fortune has smiled on the once impoverished town of Montalcino. Yet Abbruzzese recalls the days when pici al ragù meant pasta with a sauce of moistened stale bread to the citizens of the town. Today, the ragù is rich and meaty, much like the wines of the DOCG.

Valdicava Madonna del Piano Riserva Brunello di MontalcinoThe Valdicava property lies on a 300m high plateau north of the town Montalcino in the valley of the same name. It’s curious to call a plateau at 300m a “valley” (“val”), that is, until you look down on it from the town of Montalcino at over 400m. Perspective is everything. It’s a notably cooler zone of the Brunello DOCG, much more prone to fog and mist than the southern portion, and largely sheltered from the warming influence of the Mediterranean. The temperature on the north side of Montalcino is often several degrees lower than the south. Valdicava has twenty-seven hectares planted exclusively to sangiovese grosso (aka brunello), all farmed organically, on some of the most prized land in the valley, surrounded by several other top Brunello names like Caparzo and Romitorio.

These are certainly not inexpensive wines, but they’re among the top stuff in an appellation where the mean quality is extremely high. As Abbruzzese points out, the stakes are simply too rich today, and only those with sufficient ante to get into the game can even contemplate making wine in Montalcino. The net result is a large collection of small, extremely well funded estates aiming for the top end of the market. Consumers likewise have to ante-up if they wish to drink Brunello, but if you are inexorably attracted to the deepest and most powerful expression of sangiovese, there is nowhere quite like Montalcino to get your fix.

When Abbruzzese asked whether I would categorize his Brunellos as “traditional” or “modern”, a common distinction in the region, I sat back and thought for a moment. I couldn’t rightly place them in either category, absent the obvious toasty wood and sumptuous black fruit of the modern camp, yet neither the pale garnet colour, pot-pourri and dried cherry scented expression of the best traditional styles. Valdicava hits a nice balance between the two, with plenty of rich, ripe fruit and supple tannins, without sacrificing the savory, dried porcini-like character and firm structure that made Brunello famous in the first place.  A good entry point to experience the quality level of Valdicava is the 2010 Rosso di Montalcino ($36.99). This is no easy drinking Rosso as most are, but rather one with substance, richness and considerable depth. It’s ripe yet rustic and earthy, with a real meaty-savoury note and complexity well above the average for the designation.

Valdicava Brunello di MontalcinoValdicava Rosso di Montalcino2005 was a cooler, generally lighter vintage in Montalcino, but in the case of the 2005 Valdicava Brunello di Montalcino ($99), that simply means more finesse and earlier enjoyment, and indeed this is a really fine and fragrant bottle of Brunello. It’s sultry, with wet clay and ripe, savoury black cherry flavours, and a whiff of wild herbs and dried roses. And while not the most powerful of vintages, it delivers immense pleasure with its authentically dry and dusty texture, suitable for mid-term ageing.

2006, on the other hand, is the vintage for those seeking more muscle. The 2006 Valdicava Brunello di Montalcino ($125) is a powerful and concentrated wine, full of savoury fruit notes, and loads of umami flavour like pure dried porcini mushrooms. The palate is still firm and compact, packed with ripe and solid tannins and supporting acid structure, making this a highly age worthy bottle. This should be best after 2016, and drink nicely for another decade after that if not longer. (This wine is currently available in the LCBO Classics Catalogue).

Azienda Agricola Accadia

Considering the amazing diversity and complexity of the top red wines of Italy, Italian whites are usually relegated to the second division. I attribute this view largely to the overwhelming acreage devoted to neutral grapes like trebbiano Toscano and catarratto. But a handful of native grapes stand above the sea of mediocrity: fiano, greco and falanghina from Campania, garganega from Soave, arneis from Piedmont, vermentino from Sardegna and the Tuscan-Ligurian coast come to mind. Then there’s Verdicchio, Le Marche’s contribution to the characterful white wines of Italy. It’s ironically related to trebbiano (of Lugana), but with far more character and class, excelling in styles ranging from bone dry to sweet, late harvest, even some sparkling versions. It has a wonderfully subtle floral side, often with a whiff of honey and almond, bright acids and the capacity to age.

Angelo Accadia manages a small, high quality operation in the Castelli di Jesi appellation that sits in an east-west valley that gives onto the Adriatic Sea. I recall visiting Accadia in 2006, and was impressed by the quality and the range of expressions of verdicchio on offer. Accadia is first an artist, a painter and sculpture to be precise, who happens to make wine. His works of art are on display throughout the estate, and he holds regular artistic symposia, inviting artists from across Italy to participate and further the culture of art in an open forum of exchange and sharing. His sense of artistry, balance, proportion, and authenticity seep into his winemaking philosophy.

Accadia Verdicchio Dei Castelli Di Jesi Classico Superiore "Cantorí"Accadia Verdicchio dei Castelli di Jesi Classico ConsonoYears later after my visit and the positive impression remains intact: the wines are still well priced and deliver great pleasure. For me they caused an almost instant retrieval of sunny Adriatic afternoons, vivid paintings and sensual sculptures from the recesses of my mind. The 2011 Azienda Agricola Accadia Verdicchio dei Castelli di Jesi Classico “Consono” ($15.95) is Accadia’s very good entry level verdicchio cropped at higher levels and harvested slightly earlier than his two other cuvées, and I find it the most authentic and food-friendly of the range. It’s bright, lively, crisp and bone dry, yet with a certain weight and palate richness that gives this better depth than the average. Aromas and flavours mix in the citrus, blanched almond and sweet green herbal spectrum, with a fine dose of wet stones.

2011 Azienda Agricola Accadia Verdicchio dei Castelli di Jesi Classico Superiore “Cantorí” ($22.95), on the other hand, is Accadia’s top end of the verdicchio range, from the highest elevation and lowest yielding vines (2.5 tons/hectare). There’s a distinctive late harvest-like richness here; the nose is powerful and ripe, full of custard pear, vanilla-poached pear, succulent ripe white peach and plenty of honeyed nuances, while the palate is viscous and dense, with a vague impression of sweetness firmed up by a streak of acids and a certain stony-mineral note. This is a verdicchio of real stature and class; try with luxury shellfish.

Valdicava is represented in Ontario by the Stem Wine Group and Accadia by Le Sommilier Inc. You can contact the agents directly regarding availability. For your convenience, wines on our site are linked to the agent’s profile page where you can find their contact info as well as Critic reviews of the wines they represent. Select  ‘All Sources’ and ‘Zero Inventory’ as some of these wines are not in retail stores.

That’s all for this week. See you over the next bottle.

John Szabo, MS

John Szabo, Master Sommelier

We invite our Premium Subscription members to use these links to find all of John Szabo’s reviews. Paid membership to WineAlign has its privileges – this is one of them. Enjoy!

From the May 25, 2013 Vintages release:

Top Ten Smart Buys
Smart Germany
All Reviews


Advertisements
Stags' Leap Cabernet Sauvignon 2008


Wineries of Niagara-on-the-Lake


Mcalean's Wine in Canada - WineAlign Offer

Filed under: News, Wine, , , ,

Maclean’s launches “Wine in Canada”; Special Offer for WineAlign Members

Wine in Canada – a tour of our country’s finest wine regions

To celebrate the passion, ingenuity and achievement of Canadian winemaking, Maclean’s has spent the past 12 months to develop “Wine in Canada”, the first annual national publication that takes Canadians on a tour of our country’s finest wine regions, their latest releases, innovative pioneers, hottest trends and hidden gems.

MacLean's "Wine in Canada"

Contributed by some of Canada’s leading sommeliers, including John Szabo MS, Rhys Pender MW, Kurtis Kolt, Treve Ring, and Erin and Courtney Henderson, “Wine in Canada” brings together the land, the people, the culture, the wine and the food through colourful photography and vivid articulations.

“WineAlign readers know that I take Canadian wine seriously. I’ve watched the industry boom over the past couple of decades, evolving from local curiosity to world-recognized wine producer. Maclean’s, one of the nation’s leading news media, has also identified Canadian wine as worthy of a critical and investigative eye – an important addition to our business and cultural landscape, and a sign of its coming of age. With two WineAlign team members consulting on the project, BC’s Treve Ring and myself, you can be sure that, from coast to coast, no stones were left unturned.” John Szabo MS

Raising Awareness

Together with industry partners, Wine Country Ontario and Wines of British Columbia, Maclean’s is committed to raising awareness of Canada’s wine and wine tourism industry. It has never been a better time to share the inspiration and potential of our Vineland.

MacLean's "Wine in Canada"“This was a great project to work on, the first to cover the Canadian wine scene from so many perspectives. From travel, tourism and local gastronomy, to the history and future of Canadian wine, its hard business realities, who the current movers and shakers are, and of course the most representative, currently available bottles from every wine producing region, this is a brilliant and timely resource for anyone with even a passing interest in locally grown wines, up to the die-hard supporters.” John Szabo MS

Special Online Offer

WineAlign members are invited to join this journey of discovery and savour the joy in each glass with Maclean’s.

Simply click here to order and receive a 25% discount off your purchase of “Wine in Canada” online today.

Special offer ends May 20.

 


Filed under: Featured Articles, Wine, , , ,

John Szabo’s Vintages Preview for May 11, 2013

Rosé; The Doctor Recommends; Highlights From Top Ten Smart Buys

John Szabo, MS

John Szabo, MS

This week’s report features a handful of rosés that shine above the rest for their quality/value/pleasure. Few producers take rosé production seriously, and finding the good stuff is like panning for gold. My selection includes a shiny range from $13 to $27; all are dry. I’ve nothing against sweet pinks – they’re great for spritzers. I also highlight a naturally low alcohol white made by a medical doctor in New Zealand who believes he’s hit on an innovative method (patent pending) to achieve full flavor at under 10% ABV, saving countless calories, livers and maybe even marriages. And the Top Ten Smart Buys this week include two astonishingly good $50 wines, which, if they hailed from Burgundy, Bordeaux or Napa, would easily cost in the $100s, plus a whole lot more. Read on.

Perilous Rosé

I know that rosé is a perilous category for wine consumers, fraught with the frustrations of trying to find what you’re looking for out of a jumble of radically different styles all lopped under the same loose heading. It’s kind of like tossing all fruits into one bin at the grocery store and letting shoppers muddle through, only they’re blindfolded and each fruit is wrapped in newspaper. Grab and hope. You’re as likely to find a green apple when looking for a juicy peach, or an avocado instead of a mango. So what can you do to navigate these murky waters? Not much I’m afraid, except find somebody you can trust who’s already tasted the wine, or stick to the regions and producers for whom rosé is not an afterthought or by-product of red wine, or worse yet, the dreaded “brand extension”. If you enjoy dry rosé with some authentic regional character, these are for you:

2012 Muga Rosé ($12.95). Garnacha, tempranillo and viura are blended in this well-priced, dry and lively rosé. 2012 was a warm and dry year in Rioja, conditions under which garnacha thrive. Muga’s vineyards in the cooler, higher elevations of the Rioja Alta also contributed to maintaining the impeccable balance here, and while this may be slightly riper than previous vintages, it’s still lean and crisp with low alcohol. Perfect for patios and paellas.

Muga Rosé 2012Château La Tour De L'évêque Rosé 2012Château Léoube Rosé De Léoube 2011No other region in the world is more closely associated with quality rosé than Provence in the south of France, and it’s still the source of the world’s best in my view. Château La Tour De l’Évêque makes regular appearances in Canadian stores and the 2012 Rosé ($18.95) is an arch-classic, dry, savoury, solidly built and concentrated example without sacrificing refreshment.

Taking it up a notch into a rarefied quality level for rosé is the 2011 Château Léoube “Rosé de Léoube” ($26.95); available through the agent The Case For Wine. Léoube is a 550 hectare property of dramatic beauty, nestled within sight of the Mediterranean with 62 hectares of organically farmed vineyards surrounded by forests and wild scrub. The English owners of Léoube launched Daylesford Organic foods in the UK over 25 years ago, so respect for the land runs deep in the house philosophy. Château Léoube’s winemaker is Romain Ott, originally of the highly respected Domaine Ott in Provence, who came to the property after the family estate was purchased by Champagne Roederer. He brings considerable experience to the Léoube project, with the know how to make rosé of the highest order. This classic blend of 40% Grenache, 40% cinsault and 10% each of syrah and mourvèdre is a rosé of considerable depth and class. Pale in colour but deep in flavour, it delivers a marvelous fragrance of white flowers, sweet herbs and fresh strawberry, while the palate offers a harmonious balance of acids and alcohol (13%), just hitting perfect drinking stride now. It’s a compelling example of how some time in bottle can do wonders for classically structured rosé, especially when built on genuine concentration rather than merely clever winemaking. Bottom line: it’s well worth the asking price.

Domaine Allimant Laugner Rosé Crémant d'AlsaceMas Des Bressades Cuvée Tradition Rosé 2012Next door to Provence on the other side of the Rhône delta is the AOC of Costières de Nîmes, where the Marès family has been making wine for six generations. Mas Des Bressades 2012 Cuvée Tradition Rosé ($14.95) is a reliable blend of Grenache, syrah and cinsault made in a dry style, reminiscent of Tavel with its generous 13.5% alcohol and powerful fruit.

And rounding out these five picks is the Domaine Allimant-Laugner Rosé Crémant d’Alsace ($19.95), from a region admittedly not known for rosé, but very much worth a look nevertheless because the adjectives good, bubbly, pink and under $20 are rarely found in the same sentence. Hubert Laugner is the 10th generation in a succession of winemakers in the Allimant-Laugner family farming twelve hectares spread over three villages. The Crémant rosé is a traditional method bubbly made from pinot noir, designed to be enjoyed young and fruity. It’s bright and fragrant, with red berry, raspberry, cherry and green apple aromatics, balanced palate and very good length, offering lots of pleasure.

The Doctor Recommends

Drs. John and Brigid Forrest operate Forrest winery in Marlborough, New Zealand, and also own prime parcels in the Gimblett Gravels in Hawke’s Bay, Bannockburn in Central Otago and the Waitaki Valley. Considering the Forrests’ medical training – John spent eight years at the Salk Institute studying neurology – there’s an extra measure of scientific rigor applied to the wines, along with a great deal of empiricism: learning through experimentation and observation, which has lead to many innovative techniques and new wines. The range is indeed huge and would seem impossible to stay on top of, that is, until you meet this energetic and indefatigable couple, the kind of people that make you feel as though you should’ve accomplished more today.

Dr John Forrest

Dr John Forrest, Forrest winery

John and Brigid launched the Doctors’ range to represent their growing roster of alternative grapes like arneis, gruner veltliner and St. Laurent, and to label the results of innovative winemaking techniques that have led to wines like the 2011 Forrest Estate The Doctors’ Sauvignon Blanc ($19.95). This dry wine clocks in at a featherweight 9.5% alcohol, naturally achieved, without chemical or mechanical de-alcoholization.

My conversation with Dr. Forrest on his methods quickly surpassed my knowledge of plant biology/physiology, touching on concepts such as the splitting and deviations of carbon rings as the plant grows grows – this is clearly a process that Forrest has studied deeply. He has drawn upon work done at the Geisenheim Research in Germany, where Professor Hans Schultz has been investigating methods to maintain the traditionally low alcohol style of German riesling in the face of global warming. According to Dr. Forrest, the initial step is to carefully select sauvignon blanc clones from specific vineyards and microclimates. Then, methods of vine de-vigoration are applied, such as the targeted removal of young basal leaves from vines at critical times, which are far more efficient at photosynthesis, leaving the less efficient older leaves to do all of the ripening work. The result is lower sugar accumulation but longer hang time, allowing full flavour development with less potential alcohol. This, and other “top secret” viticultural techniques, as well as less secretive winemaking techniques such as using low-efficiency yeast strains that pump out less alcohol per gram of sugar, have enabled Forrest to create this dry 9.5% alcohol sauvignon naturally, a first of its kind to my knowledge.

Forrest Estate The Doctors' Sauvignon Blanc 2011Forrest first applied his techniques to riesling with tremendous commercial success before turning his sights on Marlborough’s calling card variety. The 2012 is the third and most successful attempt to date, a wine in which he finally achieved the balance he was looking for.  Forrest needed one last little tweak: the addition of a small portion of slightly overripe/late harvested sauvignon to add a tropical fruit nuance that was missing from the previous trials.

While the Doctors’ sauvignon blanc may not make the angels sigh, I find it remarkably flavourful nonetheless, not to mention regionally and varietally accurate, for such a low alcohol wine – I have to marvel at the ingenuity of its production and the commercial potential. For anyone who enjoys Marlborough sauvignon blanc, or any other zesty-herbal white, and wants a low alcohol alternative with fewer calories and lower alcohol-related health (and moving violation) risks, this is worth trying. Forrest plans to share his research with others later this year.

Highlights From Top Ten Smart Buys

In this week’s top ten I’ve included two wines that are well above the price range normally recommended: 2010 Domaine Weinbach Riesling Grand Cru Schlossberg ($50.00) and 2007 Manzone Gramolere Barolo ($51.95). The reason is simple: these are great value wines, period.

Weinbach Grand Cru Schlossberg Riesling 2010Manzone Gramolere Barolo 2007The Schlossberg riesling is made by one of the most respected domaines in Alsace, from the world’s most noble white grape, grown in one of the top vineyard sites for the variety in all of northern Europe, in a classic vintage. $50 is actually a bargain. The 2010 is a pure marvel of the grape with a palpably gritty texture, riveting acids and striking salty minerality – this is all about vineyard expression with a minimum of winemaking interference. Be forewarned that this is not an immediately accessible wine, but rather one for both long ageing in the cellar and for terroir fanatics – a real intellectual challenge in the best sense. But those are precisely the qualities one looks for in premium wines – the fruity fluffy stuff can be made just about anywhere by anyone. (This wine is available in VINTAGES Classics Catalogue from February, so supply may be limited.)

I have a similar pitch for the Barolo: an historic estate making limited quantities of wine from Italy’s most aristocratic red grape grown in the legendary hilltop vineyard Gramolere in Monforte d’Alba, in a top, age-worthy vintage. ‘Nuff said. It’s just starting to open nicely now on the nose, showing its evident class and quality right off the top and textbook floral, red fruit, licorice, tar and violet aromatics. The palate is firm and very well structured, with wave after wave of palate-coating flavour and pleasantly grippy texture. It’s an expansive wine of genuine concentration and authentic complexity that can only derive from a unique combination of suitable conditions, i.e., a terroir wine.

Although $50 is a lofty price to pay for any bottle, I have to say that relative to the equivalent top wines of Bordeaux, Burgundy or the Napa Valley for example, you could argue that these are outright giveaways. I’d say it’s where the smart money goes if you’re into the premium category.

See below for the link to the rest of the top ten. You’ll find more smart white wine values from the Loire and the Mosel, one of my favorites whites from Campania, sturdy reds from Calabria, Spain and the Languedoc, and one of the best values from California I’ve encountered in some time.

That’s all for this week. See you over the next bottle.

John Szabo, MS

John Szabo MS

We invite our Premium Subscription members to use these links to find all of John Szabo’s reviews. Paid membership to WineAlign has its privileges – this is one of them. Enjoy!

From the May 11, 2013 Vintages release:

Top Ten Smart Buys
Rosé Selection
All Reviews


Advertisements
 Stags' Leap Cabernet Sauvignon 2008


German Wine Fair - WineAlign Offer

Filed under: News, Wine, , , , ,

Profiling New Zealand’s Top Producers, by John Szabo

Profiling New Zealand’s Top Producers

John Szabo, MS

John Szabo, MS

In light of the upcoming New Zealand Wine Fair rolling out across Canadian cities starting this week, this report takes you on a tour through New Zealand’s principal wine regions and highlights some of my top producers in each. All those listed below are represented (somewhere) in Canada, and I’ve listed the agents who represent them wherever possible. The fair hits Vancouver on April 29, Québec City on May 6, Montreal on May 7 and Toronto on May 9. There are both trade and consumer portions in each city, so plenty of access for all. Visit nzwine.com to see the list of producers who will be in each city and to register.

Some, but not all of my recommended producers will be represented at the fairs, so contact the agents directly to find out what’s currently in stock. I’ve also provided links to each producer’s website for your convenience, plus some individual links to reviews on WineAlign. For all my New Zealand wine reviews, please visit my Critic page on WineAlign. Make sure to check “Show wine with zero inventory” and “all Sources” as many of these are only available through the Agent listed.

John's Review - All sources

The bottom line: there’s so much more quality NZ wine available in Canada than what’s on liquor board shelves. Indeed, many of the top small producers are rarely found in government shops, and they’re often the ones most worth tracking down.

New Zealand: Regions & Recommended Producers

New Zealand has just over 34,000 hectares under vine, almost exactly the same acreage as in Champagne, France, to put it in perspective. Although official Geographical Indications are still being mapped out, the New Zealand Winegrowers Association recognizes ten regions in its annual report. For background details on each, visit nzwine.com. Heading roughly north to south, here are the main regions and some of the producers to look for.

Browse by Region: Auckland; Hawkes Bay, Gisborne; Wairarapa/Martinborough; Nelson; Marlborough, North Canterbury; Waipara; Central Otago, Waitaki Valley

Auckland/Northland

Auckland was likely developed as a wine region more for its proximity to a major city rather than particular suitability for viticulture. The climate is virtually sub-tropical, hot and humid, yet there are nevertheless a few exceptions that belie the rule. The region also officially encompasses Matakana and Waiheki Island, the latter a volcanic Island just off the coast from Auckland that’s producing some exceptional, if hard to find wines, with its own unique and highly favorable maritime growing conditions.

Kumeu River Wines

Kumeu River Wines, an estate established in 1944 by Croatian immigrants Mick and Katé Brajkovich, leads the pack in the Auckland area. Generally considered too warm to produce really top-notch wines, Mick’s grandson, winemaker Michael Brajkovich MW and his family continue to defy the odds and consistently deliver some of the best chardonnay in New Zealand.

Agent: Connexion Oenophilia

Review on WineAlign: Kumeu River Maté’s Vineyard Chardonnay 2008

Hawke’s Bay

Hawke’s Bay is New Zealand’s oldest and second largest wine region (14% of NZ vineyards), with a history stretching back to 1851. Today, it’s known principally for its red wines; the region accounts for nearly 85% of the country’s, cabernet, merlot and blends, as well as syrah. Hawke’s Bay is also home to the 800h hectare Gimblett Gravels sub-appellation, the world’s first based exclusively on soil type. It’s centered on the poor, free draining gravels laid down by the Ngaruroro River, which were exposed after a massive flood in the 1860s stripped away the overlying layers of silt and sand from a clearly delineated section of the plain. Yet it wasn’t until the 1980s that it was realized that grapevines could flourish on these barren soils, as they do on similar gravels on the Left bank of Bordeaux. The region has since taken off since, and pretty much the entire appellation is now planted.

Te Mata Wines

Craggy Range Te Muna Road Vineyard

Craggy Range Te Muna Road Vineyard

A venerable estate producing one of NZ’s most sought after reds, Coleraine, a cabernet-merlot blend. Also excellent chardonnay Elston and Bullnose syrah, among others.

Agent: Lifford Wine Agency

Reviews on WineAlign:

Te Mata Awatea Cabernet/Merlot 2010

Te Mata Coleraine 2010

Elephant Hill

A relatively new estate in the cooler coastal zone of Hawke’s Bay called Te Awanga. Owned by German couple Reydan and Roger Weiss. In 2006, Günter Thies, ex Managing Director of Schloss Johannisberg, was lured from the Rheingau to join as MD for Elephant Hill. Look for fresh and peppery syrah among other specialties.

Agent: H.H.D Imports

Trinity Hill

Celebrating nearly twenty years as a leading Gimblett Gravels winery, Trinity Hill makes an exciting range of wines from experimental plantings of tempranillo, arneis and montepulciano, as well as one of NZ’s top syrahs under the “Hommage” label. Trinity also makes an excellent “bay blend” of cabernet-merlot.

Agent: Connexion Oenophilia

Craggy Range

Terry Peabody and Steve Smith MW established Craggy Range in 1997, and they quickly moved into the top echelon of NZ producers. Craggy produces a large range of high quality, single vineyard wines from multiple regions in New Zealand. Gimblett Gravels Syrah and Sophia blend are particularly impressive from Hawke’s Bay (see also Martinborough).

Agent: Lifford Wine Agency

Alpha Domus

Alpha Domus first planted in the Bridge Pa sub-zone of Hawke’s Bay in 1991. Today, the winery makes a solid range of fresh, balanced wines with particularly successful malbec and syrah, along with more traditional Bay Blends.

Agent: Connexion Oenophilia

Sileni Estates

A large but quality-oriented producer in Hawke’s Bay, with vineyards also in Marlborough. The Cellar Selection range offers excellent value in general; the Estate Collection is a step up in quality and price.

Agent: The Kirkwood Group

Other wineries to look for: Sacred Hill, Esk Valley, East Hope Winegrowers.

Gisborne

James Millton & all the necessary equipment of a vigneron

James Millton & all the necessary equipment of a vigneron

Gisborne is among the warmest viticultural areas in the country. It was also once the largest wine region in NZ, from the early mid seventies until the mid-eighties, based mostly on the short-lived success of Muller-Thurgau sold in bulk. Gisborne has since fallen to 4th largest, accounting accounts for 5% of NZ’s vineyards, but quality has risen dramatically. Loamy alluvial soils with high levels of calcium, boron and magnesium washed down from the upper hills produce voluptuous chardonnay and aromatic whites (viognier and gewürztraminer). Few reds are grown, but at least one-producer, Millton, proves that it can be done at the very highest level. There are only about four estate wineries; the rest under the Gisborne label are made from purchased fruit, or from contract growers, and bottled outside the region.

Millton Vineyards

James and Anne Millton have been growing grapes for 30 years in Gisborne, farming organically from the start. The shift to biodynamics occurred when the Milltons hired a Dutch intern in 1980 to develop an Integrated Pest management program. The intern happened to be trained in biodynamics and left a book behind for the Milltons to read, and they haven’t looked back since. James, by his own admission, is a Virgo, a “control freak”. He’s firmly in the iconoclast category of winemakers, never shy with opinions, yet neither close-minded. There’s a sense of constant searching in Millton, and his wines have shown a philosophical evolution, moving ever-more minimalist over the years. The musical taste of his cellar hands remains in the seventies, however, as evinced by the greatest hits of Bob Dylan and the Rolling Stones blasting in the winery as they’re bottle the 2011 Chenin Blanc and I’m tasting with James. Wines from the Clos Ste. Anne vineyard are the top range, and indeed the entire region.

Agent: The Living Vine

Review on WineAlign: Millton Crazy By Nature Dry Flint Chenin Blanc 2009

Other producers to look for: Vinoptima

Wairarapa (Martinborough)

Wairarapa, which means “glistening waters” in Maori, is composed of three distinct growing regions: Masterton, Gladston, and the most important in terms of acreage (2/3), Martinborough. The first vineyards were planted in 1980 on the edge of town by Ata Rangi, Martinborough Vineyards and Dry River. This is the driest region on the North Island, lying in a rain-shadowed valley tucked between two mountain ranges, inland and north from Wellington. And like Wellington, it’s very windy, and crops are naturally low. Sauvignon blanc, for example, regularly crops at half the average tonnage per acre you’d find in Marlborough. It’s also telling that although Wairarapa accounts for 3% of NZ’s vineyard acreage, it contributes only 1.6% of the national volume.

Helen Masters, winemaker at Ata Rangi

Helen Masters, winemaker at Ata Rangi

Soils are mostly gravel-based alluvials, free draining, though with more water holding capacity than the Gimblett Gravels. Irrigation is not generally needed, especially for older vines. This is a region of mostly small wineries. Pinot noir is the strength of the region, representing about half of plantings. Here the grape yields a concentrated, structured, less fruity and decidedly more savoury style of wine.

Ata Rangi

A pioneering winery in Martinborough established by Clive Paton in 1980, Ata Rangi (“dawn sky”, or “new beginning”) has been farmed using organic sprays from the start, and fully organically since 2010. This is an outstanding range across the board crafted by winemaker Helen Masters, with top NZ Pinot Noir and Chardonnay, among others.

Agent: Lifford Wine Agency

Reviews on WineAlign:

Ata Rangi Petrie Vineyard Chardonnay 2011

Ata Rangi Crimson Pinot Noir 2011

Craggy Range

Established by Terry Peabody and Steve Smith in 1997, Craggy Range has grown to become one of New Zealand’s leading premium producers making wines from multiple regions. Both the Martinborough Te Muna Road Pinot Noir and Sauvignon Blanc are excellent, though the whole gamut is worth a taste.

Agent: Lifford Wine Agency

Palliser

One of the largest yet still quality-oriented producers in Martinborough, established two decades ago. The Pencarrow range offers good value; the estate range is more serious.

Agent: Pacific Wines and Spirits

Dry River

Ultra-concentrated wines from among the oldest vines in the region, with great depth and purity, built to age.

Agent: Alto Vino

Cambridge Road

Cambridge Road is a small, 5.5-acre estate on the so-called “Martinborough Terrace”, with some of the oldest pinot plantings in Martinborough, up to 30 years. Winegrower Lance Redgwell practices a natural approach to winegrowing, incorporating biodynamic principals, inspired initially by James Millton in Gisborne. These are pure and impressive wines.

Agent: The Living Vine

Other Producers to look for: Escarpment Vineyard, Kusuda Wines, Schubert.

Nelson

Vines first arrived in Nelson in the mid-1800 with German settlers, though the modern era dates to the 1960s, when Viggo du Fresne was granted the 2nd winemaking license on the South Island. Other pioneers followed: Seifried in 1973, Neudorf in 1978. Today the region is still rather isolated across the hills to the west of Marlborough, and most operations are still family owned. 185 hectares are planted, divided between the unofficial sub-zones of the Moutere Hills, with its heavier, low fertility soils, with enough clay to hold water so that irrigation is not necessary, and the Waimea Plains and its low-lying flatlands, composed of free-draining floodplains and riverbeds, with gravels under alluvial silt loams, where irrigation is essential.

High sunshine hours, coupled with a long, moderate season thanks to warm air flow from Tasman Bay, and cool nights and reasonable rainfall, contribute to making Nelson well-suited to aromatic varieties such as riesling, pinot gris and sauvignon blanc.

Neudorf Vineyards

Neudorf has been considered a regional leader since Tim and Judy Finn established the winery on a shoestring budget in 1978. The estate has recently converted to organic farming, and the benefits of old vines are evident: these wines are dense and concentrated, not to mention age-worthy.  Chardonnay and pinot noir are highlights.

Agent: Lifford Wine Agency

Marlborough

Much has been written about Marlborough, so I’ll skip the historical details. The region is still NZ’s largest by a wide margin, its 24,000 hectares representing 66% of NZ’s vineyards. Despite the international success with sauvignon blanc, which still dominates plantings, I got a real sense of innovative spirit permeating even the thickest corporate walls in the region when I visited in February of this year. By their own admission, Marlborough pinot noir growers are ten years behind Martinborough and Central Otago in terms of clonal and site selection and vineyard management. Most of what was planted in the early days in the flat, gravelly soils is best suited for sparkling wine, or at best light and fruity pinot noir – not what most would consider serious or age-worthy pinot. And growers treated the grape as if it were sauvignon blanc, which is like trying to make soufflé and pound cake from the same recipe. But one gets the sense they will catch up quickly, as indeed some growers already have.

James Healy & Ivan Sutherland - Dog Point Wines

James Healy & Ivan Sutherland – Dog Point Wines

The serious pinot action since the early 2000s has moved into the heavier soils of the (north-facing) Southern Valleys, an unofficial sub-zone of the region that really should be called Southern Hills, since that’s where most of the best vineyards are situated. This drier, sunnier side of Marlborough was unplantable until recently due to a lack of water, a situation that was addressed just a decade or so ago by an irrigation scheme. Suitable Dijon clones are replacing earlier clones, planting densities have increased, and farming techniques have been adapted to the foibles of pinot. Some of the results are excellent. At any rate, the Marlborough style is distinct from other regions in NZ, characterized by fresh, red fruit-driven wines with light tannins and bright acids, versus the darker fruit character of Otago or the savoury Martinborough style, for example.

Marlborough sauvignon blanc is also undergoing a radical make-over by serious producers, in an effort both to distinguish their own brands, and to add diversity to what has been a fairly straightforward and homogenous offer from Marlborough for the past twenty years. The cookie-cutter, pungent, overtly grassy, grapefruit and asparagus flavours are being traded in for riper, richer tropical fruit tones, lees contact, and quite often barrel fermentation in mostly old oak, in an effort to add layers of complexity and make the wines more age-worthy. It’s mostly a question of reducing yields and tweaking the harvest time, in addition to of course being in the right site in the first place, and fermenting with wild (or neutral) yeasts as opposed to the commercial yeast strains selected to pump up volume of thiols (the compounds responsible for the sweaty grapefruit aromas). In the words of Ivan Sutherland and James Healy of Dog Point Vineyards, ““If all you’re doing is chasing the cat’s piss [aromas/flavours], you’re going to find yourself with a wine that unravels pretty quickly. Thiols are a short-lived wine aroma component.”

I suspect we’ll see sub-appellations emerge in the not too distant future, as the differences across the region can be quite dramatic where all other things are equal. Already we’ve started to see unofficial sub-regional designations such as Awatere Valley, Wairau Valley and the Southern Valleys appear on labels, and we haven’t even begun to add on further refinements like “upper” and “lower” to these.

Finally, one of the un-written stories about Marlborough, and of New Zealand in general, is the astonishing quality of the chardonnays. Now that it’s cool to like (cool climate) chardonnay again, don’t miss some of the great examples from Marlborough and elsewhere in the country. This pliable variety has adapted well to various conditions, and more serious attention to sites, clones and winemaking techniques is resulting a remarkable range of quality examples. Get these now while the prices for all but the top end wines remain relatively accessible.

Astrolabe

Established in 1996 with winegrower Simon Waghorn at the helm. Grapes are sourced throughout Marlborough, but emphasis on vineyards in the slightly cooler Awatere Valley gives Astrolabe’s sauvignon a particularly pungent, pleasantly herbaceous character.

Agent: Rogers & Company

Aunstfield

Marlborough’s first commercial winery with a 100-year history, Aunstfield focuses on single vineyard wines from sites in the Southern Valleys. These are solid, savoury wines with plenty of character.

Agent: DB Wine & Spirits Inc.

Churton Wines

Sam Weaver - Churton Wines

Sam Weaver – Churton Wines

A former London wine trader and Master of Wine candidate (he passed the tasting), Sam Weaver and his wife Mandy established Churton Wines in 1997 in the Southern Valleys of Marlborough. Sam has plenty of winemaking experience, too, including a stint as chief winemaker for Stoneleigh. The Weavers farm their Southern Valleys vineyard biodynamically, and all wines are 100% estate. Yields are well below the regional average and the range is excellent, with an extra measure of depth and concentration, and purity, across the board.

Agent: Le Sommelier Inc.

Clos Henri

Clos Henri is the antipodean outpost of Sancerre producer Henri Bourgeois, crafting very fine sauvignon blanc and pinot noir from vineyards in the Wairau Valley. The style of sauvignon is neither Loire Valley nor typically grassy Marlborough, but a fine meeting point of old and new world.

Agent: Charton Hobbs

Cloudy Bay Vineyards

Cloudy Bay Vineyards is of course the winery that put Marlborough on the world map back in the late 1980s. After a slight dip in quality, Cloudy bay is back on form with a strong set of recent releases. The 2012 sauvignon is one to watch for, while the Te Koko Sauvignon, wild fermented in barrel with full malolactic was one of the first wines in the region to launch this new style (as discussed in the intro above).

Dog Point Vineyard

Margaret and Ivan Sutherland purchased land at the convergence of the Brancott and Omaka Valleys in 1979 and planted vines. The fruit was initially sold to Cloudy Bay, where Sutherland and his future partner James Healy worked together, until 2003, when the pair left to launch Dog Point Vineyards. Their 100 hectares are farmed organically and hand picked (a rarity in Marlborough). Some fruit still goes to Cloudy Bay, but Sutherland and Healy keep the top, hillside vineyard fruit for their own label. The style is intense and edgy, with lots of lees contact and wild yeast complexity, some of the finest wines in the region.

Agent: Trialto Wine Group

Framingham Wines

Characterful wines from the Wairau Valley, including one of the region’s top rieslings, and an exceptional chardonnay.

Review on WineAlign: 2009 Framingham Chardonnay

Agent: Charton Hobbs

Greywacke

Owner Kevin Judd worked with Ivan Sutherland and James Healy (now of Dog Point) at Cloudy Bay before breaking off to start Greywacke; his first vintage was 2009. Judd now buys 90% of his fruit from Dog Point Vineyards, and makes the wine at their facility. The large range of wines is consistently well above average in terms of quality.

Nautilus Estate

A consistent range of clean, modern, quality wines sourced from all three sub-regions of Marlborough.

Agent: B&W Wines

Vineyard Workers at Seresin Estate

Vineyard Workers at Seresin Estate

Seresin Estate

A region-leading, authentically biodynamic property making an exceptional range of characterful wines, not to mention beautiful olive oil and tasty vegetables. Seresin provides biodynamic preps to many of the other BD estates in the region. Minimal intervention in the winery occasionally results in idiosyncratic flavours, but these are wines of real depth and class, among the best in Marlborough.

Agent: Dionysus Wines & Spirits Ltd.

Staete Landt Vineyards

Dutch couple Ruud Maasdam and Dorien Vermass launched Staete Landt Vineyards with the 2000 vintage. They farm 21 hectares in the Wairau valley, producing a compelling range of wines at excellent prices. The Map Maker label is the very good entry range, while the estate range offers premium quality at fair prices.

Agent: Lifford Wine Agency

Other names to look for: Fromm, Hans Herzog, Te Whare Ra (pronounced ‘teh-FAR-eh-rah”).

North Canterbury

The wines of Canterbury, and particularly North Canterbury, were among the most exciting discoveries at Pinot2013. It’s one of the rare places on earth where limestone and clay come together in the right measure to be perfectly suited to pinot noir and chardonnay, along with an appropriate climate, rainfall, and most importantly, the right intrepid souls who are willing to exploit the potential. The region represents less than 1% of total NZ vineyard area, but I suspect that will change as the top wines become better known.

Pyramid Valley Vineyards

Mike Weersing & his limestone - Pyramid Valley Vineyards

Mike Weersing & his limestone – Pyramid Valley Vineyards

After a lengthy quest around the world searching for the right combination of soil and climate to produce meaningful pinot and chardonnay, Californians Mike and Claudia Weersing settled in a small farm on Pyramid Valley Road in 2000. Hundreds of holes dug into the dirt later, they planted 2.2 hectares of pinot noir and chardonnay on south and southwest facing slopes at 12,000 vines per hectare, un-grafted, and farmed biodynamically from day one. Weersing is a deeply thoughtful winegrower, with strong opinions on such things as biodynamics and screwcaps, yet is always willing to question and consider. His aim is to get as far out of the way as possible in winemaking, and nothing other than sulphur dioxide is used, and even that is dosed out as sparingly as possible. He latest searching has led to experiments with clay amphorae imported from Italy. Wines range from sublime to challenging, always intellectually demanding and multi-dimensional. The 800 or so cases produced from the “home” vineyards (Lion’s Tooth, Angel Flower, Earth Smoke and Field of Fire) are supplemented by the “Grower’s Collection”, a range of wines produced from grapes purchased from organic and biodynamically farmed vineyards throughout New Zealand.

Agent: The Living Vine

Bell Hill

Bell Hill is a tiny estate in the Weka Pass of North Canterbury, with just 2ha of super high-density planted vineyards (up to 11,363 vines/ha) on the unique limestone soils of the region. Vines are farmed organically with biodynamic principals employed; wines are bottled unfined and unfiltered. I’d put these are the very top of NZ’s wines.

Agent: The Living Vine

Reviews on WineAlign:

2008 Bell Hill Estate Chardonnay North Canterbury

2010 Bell Hill Estate Pinot Noir North Canterbury

2010 Bell Hill Old Weka Pass Road Pinot Noir North Canterbury

Waipara Valley

The Waipara Valley lies south through Weka Pass in a sheltered zone. The lower lying areas of the region are mostly free-draining gravelly moraines well suited to aromatic whites (riesling, gewürztraminer, pinot gris), while the hillsides sites are clay-limestone dominated, where pinot and chardonnay are at their best.

Mountford Estate Vineyard & Winery

A very good range of pinot noir and chardonnay, the best of which are from 20 year old vines planted on a steep, eastern, limestone-rich hillside of the Waipara Valley. “The Rise” and especially “The Gradient” are the vineyard names to watch for. Also exceptional late harvest riesling and pinot gris from the gravelly flats to rival top-notch examples from Alsace.

Agent: Lifford Wine Agency

Reviews on WineAlign:

2009 Mountford Estate Pinot Noir ‘The Gradient’

2011 Mountford Voluptueux Riesling

2011 Mountford Pinot Gris

Pegasus Bay

Matthew Donaldson - Pegasus Bay

Matthew Donaldson – Pegasus Bay

One of the original Waipara wineries established in the early 1980s by Ivan and Christine Donaldson, Pegasus bay continues to produce exception quality across their considerable range. It’s still family owned and operated, with sons Matt and Ed now looking after winemaking and marketing respectively. In addition to top notch riesling, pinot noir and chardonnay, the winery boasts one of the region’s best restaurants; during my lunch there I ran into legendary rock star Geddy Lee of Rush and his wife, having a quick bite and tasting – the man knows good food and wine as well as bass guitar and vocals.

Agent: Woodman Wines & Spirits

Bellbird Spring

An up-and-coming Waipara producer owned and operated by the porter family, making reasonable pinot noir, pinot gris and sauvignon blanc. Guy Porter, born in India, raised in the UK, with vineyard and winery experience in Australia, Italy, Spain, and California, has considerable know-how. Yet considering that his first vintage was just in 2008, the best is yet to come. Look for the River Terrace Pinot Noir and the Home Block White, an aromatic white blend.

Agent: The Case For Wine

Other wineries to look for: Tongue in Groove, The Crater Rim, Black Estate

Central Otago (and The Waitaki Valley)

Central Otago is most closely associated with New Zealand pinot noir, even if the first commercial wine to come out of the region was reportedly a riesling in 1986. And riesling remains the real insider’s secret, with some superb examples grown on the predominantly free draining, arid, brown-grey soils with low fertility but high mineral content (quartz, mica, calcium) over schistous bedrock, unique in New Zealand.  Riesling clearly loves it here.

But pinot is of course the main story, yet one that is far from fully developed. Otago is quite spread out, encompassing some 1900 square kilometers, of which 1790 hectares are planted to vines. Pinot accounts for three-quarters, so the emphasis is clear. Considering the large area, it’s not surprising that no fewer than six distinct sub-regions have already been identified, ranging from relatively hot and dry Alexandra which receives about 340mm of rain a year, to the considerably cooler and wetter sub-zone of Wanaka, or the cool and windy Gibbston Valley where pinot can struggle to ripen in some years. The bulk of the 60 or so commercial wineries are centered on Bannockburn, which lies somewhere in between climatically and geographically.  Bendigo and Lowburn are the other two zones.

Rippon Vineyards, Central Otago

Rippon Vineyards, Central Otago

Otago has New Zealand’s only true semi-continental climate, protected from prevailing west to east weather patterns by the Southern Alps, yet lying far enough inland (about a 2.5 hour drive) from the east coast that the maritime influence that affects every other NZ region is not felt here. As a result, humidity, and thus disease pressure is low, making organic viticulture far easier than elsewhere in the country. Add in high UV light and plenty of sunshine (the region lies at 45º South, meaning summer days are very long), and the result is thick-skinned, deeply coloured pinots with riper, darker fruit flavours than other parts of NZ, despite a marginally shorter growing season than, say, Martinborough. I particularly enjoyed the fineness of examples from Wanaka (biodynamically-farmed Rippon Vineyards is outstanding) and the Gibbston Valley (look for Valli).

In addition to climatic suitability, it certainly doesn’t hurt that Central Otago is also an astonishingly beautiful place, a fact that the region plays on to promote their wines. The winegrowers’ association tag line, “It’s like nowhere else on earth”, is appropriate. Though as a Canadian wandering around Queenstown, I was reminded of Banff, Alberta, which is of course, a good thing. Too bad vineyards wouldn’t survive in the Rockies.

Carrick Wines

After searching in several other parts of NZ, Steve Green settled on Bannockburn with the single-minded goal of producing pinot when he established Carrick Wines in the early 1990s. The estate now has 24ha of certified organic vineyards, of which 70% is pinot noir with the balance in riesling, chardonnay, pinot gris and sauvignon.  Winemaker Francis Hutt makes a solid range of ‘classic’ Otago pinots, with plenty of dark fruit flavours, but the surprise here was the excellent rieslings in dry, off-dry and medium-dry styles.

Agent: Lifford Wine Agency

Felton Road

Widely considered one of the leading wineries in New Zealand, Felton Road farms several vineyard sites in the Bannockburn and Cromwell areas using biodynamics. Viticulture is meticulous, and winemaking no less precise, even if winemaker Blair Walter’s approach has grown increasingly hands-off as confidence in vineyard sites has grown. The whole range is outstanding, with special thrills from the Block 2 Chardonnay and the Block 3 pinot noir.

Agent: Lifford Wine Agency

Mt. Difficulty Wines

Adventure sport enthusiast and skilled winemaker Matt Dicey crafts a fine range of wines from some of the oldest plantings in Bannockburn, the sub-region where Mt. Difficulty was established in 1992. “Roaring Meg” is the very good entry range; rieslings were a particular highlight, while three single-vineyard pinot noirs – Long Gully, Pipe Clay Terrace and Target Gully – make for a fascinating Burgundian-style terroir comparison.

Agent: Small Winemaker’s Collection

Quartz Reef

Austrian-born winegrower Rudi Bauer specializes in pinot noir, pinot gris and traditional method sparkling wine from his certified biodynamic vineyards in the Bendigo sub-region of Central Otago. The sparkling wine is a particular treat.

Agent: Amethyst Wine Agency

Two Paddocks

Actor Sam Neill showing off his Two Paddocks Pinot

Actor Sam Neill showing off his Two Paddocks Pinot

Established in 1993 by renowned actor Sam Neill, Two Paddocks is based in the sub-zone of Alexandra, making balanced, smooth and polished pinots at the riper end of the spectrum for Otago. Neill delivered one of the keynotes on day one of Pinot 2013, a memorable speech that included a hilarious video called Microdoodle #14: Cornucopia Vitis. The wines are a little more serious.

Agent: Glen-Ward Wines Inc.

Other Central Otago wineries to look for: Burn Cottage, Gibbston Valley Wines, Rippon, Terra Sancta, Valli Vineyards, Nanny Goat Vineyard

Waitaki Valley

The Waitaki Valley is New Zealand’s newest region, one that generated a lot of excitement at the Pinot 2013 conference. It really has nothing to do with Central Otago, but is lopped in under this heading since Otago is the closest region. The Waitaki Valley is about a 2-hour drive north from Otago, a valley carved by the Waitaki River itself through marine deposits. About eighty hectares of predominantly pinot noir, along with some aromatic whites, are planted in mainly limestone soils with a high degree of calcium – a soil type that pinot clearly enjoys. It’s cooler and more marine-influenced than Central, which is reflected in the lean, sharp, bright flavours of the pinots I tasted. The oldest vineyards date only to 2001, so there’s still much discovery and fine-tuning to be done, but the results are already exciting. Expect to hear a lot more about the Waitaki Valley in coming years.

Ostler Vineyards

Ostler is the leading producer based in the Waitaki Valley itself (though other fine wines are made by producers like Grant Valli and Dr. John Forrest, who own vineyards in the region but vinify at their home wineries). Jeff Sinnott and Jim Jerram planted their site in 2002 after a search for the confluence of cool climate and limestone soils led to Waitaki. These are decidedly delicate and refined wines, perfumed and tightly wound, vastly different from the pinots of central Otago. The quality already achieved here casts a positive light on the future of both Ostler and the entire region, with so much more yet to come.

Agent: The Living Vine

Other Waitaki Valley producers (wines) to look for: The Pasquale Kurow Winery, Forrest, Valli Vineyards.

For more information about New Zealand wine and The New Zealand Wine Fair visit nzwine.com.

Cheers!

John Szabo, MS

Filed under: Featured Articles, Wine, , , , , ,

John Szabo’s Vintages Preview for April 27, 2013

The Dangers of Appassimento; a look at Organic/Biodynamic Wines and Top Ten Smart Buys

John Szabo, MS

John Szabo, MS

Appassimento: Smart technique or lazy cure-all? My report for April 27 takes a look at the ancient technique of drying grapes, called appassimento in Italian, and how it’s taking hold in Ontario, for better or for worse. Appassimento wines are the main feature for the VINTAGES release, and I select my top ones below. Organic-biodynamic wine is the other theme, and there are some terrific bottles hitting the shelves on the 27th, highlighted herein. By now I’ve gathered so much personal anecdotal evidence that farming organically/biodynamically is not only better for the planet, but also results more often than not in better wine, that it seems a matter of course to find the logo of one of the organic/BD certification bodies on the back label of a bottle that’s just excited me. The Top Ten Smart Buys this week is likewise full of 90+ quality at the $20 mark and under. Welcome to Spring.

The Best of the Organic-Biodynamic Line Up

La Cappuccina Soave 2012Loan Wines Unwooded Special Reserve Semillon 2004Wittmann Riesling Trocken 2011Speaking of electrifying excitement, the 2011 Wittmann Riesling Trocken Rheinhessen ($20.95) is very fine and pure example of dry riesling from this top producer in the Rheinhessen who has farmed biodynamically since 2004. This has outstanding depth and flavour intensity for the price category, with tight acids and plenty of liquid rock flavour next to just-ripe orchard fruit, nectarine, apple and yellow plum. Terrific length, too.

The 2004 Loan Wines Unwooded Special Reserve Semillon, Barossa Valley, South Australia ($15.95) caused a minor sensation in the LCBO tasting room, with most of us left wondering how you can offer a nine year-old wine with so much complexity and depth for under $16. Ahh, the magic of Aussie Semillon. It was also suggested that this is very much a “wine writers’/sommeliers’ wine”, meaning that it’s too far out of the mainstream to appeal to General Q. Public. Bollocks I say to that. Pick up a bottle and see if you aren’t just as riveted and fascinated as all of the experts.

Frog's Leap Chardonnay 2011Grgich Hills Estate Cabernet Sauvignon 2009Also smart value is the 2012 La Cappuccina Soave, Veneto, Italy ($14.95). It’s far less quirky than the semillon to be sure, with its pleasant fresh pear and cherry blossom flavours, and will appeal to both demanding winos and casual imbibers – a safer party wine. La Cappuccina has been farming organically since 1985, long before it became fashionable, so you know their motivations are pure.

And rounding out the recommended bio wines are two perennial favorites from the Napa Valley: 2011 Frog’s Leap Chardonnay ($36.95) and 2009 Grgich Hills Estate Cabernet Sauvignon ($74.95). Each time I taste wines from either of these estates I’m struck by just how original the wines are, how timeless. It’s as though neither winery has a radio, Internet connection, nor subscribes to any form of wine news, and they just go about their business doing what feels right rather than what someone has told them is right.

Highlights From Top Ten Smart Buys

Pretty much all ten wines are worth highlighting this week, but considering the organic theme, I’ll point out the unique and authentic 2010 Lammershoek Roulette Blanc, Swartland, South Africa ($21.95). Lammershoek can by all rights be considered in the organic category – official conversion started in 2010 – but they go even beyond organic, into the realm of natural wine, which could be described as a recent winemaking trend developed some 8,000 years ago. Roulette Blanc is a blend of old, un-irrigated, bush vine chenin blanc, chardonnay, viognier and clairette to which winegrower Craig Hawkins does as a little as possible. The only thing added to wine is S02 at bottling for stabilization; everything else – alcoholic and malolactic fermentation, clarification – etc – happens naturally, the only necessary agent is time. The result is a compelling wine that generates the desire to return for another sip, immediately. Besides, any winery that has hárslevelu planted has to be at least worth a look.

Gaia Thalassitis Assyrtiko 2011Huff Estates Pinot Gris 2011Lammershoek Roulette Blanc 2010Winemaker Frédéric Picard at Huff Estates seems to have nailed down a tidy style for pinot gris with the 2011 Huff Estates Pinot Gris, Ontario ($19.95). It’s a blend of 60% County and 40% Niagara fruit, though it’s the chalky County portion that leads the flavour profile. Picard tells me that the 2013 will be 100% County, something I’m looking forward to.

Long-time readers won’t be surprised to find the 2011 Gaia Thalassitis Assyrtiko, Greece ($21.95) in my smart buys list, my disproportionate love for the volcanic wines of Santorini being by now well documented. If you’re yet to experience the taste of liquid rocks, try this.

Also in the Smart buys this week you’ll find champagne quality at crémant prices, another majestic 2010 Châteauneuf-du-Pape, a marvelously savoury and ultra-premium Tuscan red that will set you back less than a parking ticket (and provide infinitely more pleasure), a zesty Ligurian vermentino hand made in Italy for grilled fish, a bold, spicy, floral Apulian red for times when Amarone is not in the budget, and a pair of memorable, fine value Bordeaux reds from the highly touted 2010 vintage that will remind you what made the region worth knowing in the first place. Check them all out here.

The Main Feature: Appassimento. Smart Business or Lazy Cure-All?

This VINTAGES release features wines made using partially dried grapes. Appassimento is the Italian term for the technique, the purpose of which is to concentrate sugars, and thus increase the alcohol and/or residual sugar, and body, in the finished wine, as well as to develop more complex aromas and flavours. The technique has been practiced for probably as long as grapes have been turned into wine.

The Veneto in Italy’s northeast corner is the region most closely associated with appassimento-style wines, and more specifically, the bold red Amarone della Valpolicella. But the practice is done all over the world: various muscats and mavrodaphnes, and Vin Santo from Greece; vin de paille from the Jura and the Rhône Valley and Jurançon in France; the strohwein (Schilfwein) of Austria and Germany; the PX sherries and moscatels of Spain, among others, not to mention the many other dried grape wines from Italy itself such as vinsanto from Tuscany and other regions, the Sforzato della Valtellina, the picolit of Friuli, Recioto di Soave, and the various aleaticos of Lazio and Puglia, to name but a very few. The drying techniques vary, but the majority of these wines are destined to be sweet. A few, however, like Amarone and Sforzato, are fermented into full-bodied dry wines.

Ontario, too, has recently invested significant resources into researching different grape drying techniques. As in northern Italy, the goal in Ontario has chiefly been to find a way to make the production of dry red wines more consistent and of better quality, in the style of Amarone. It’s thought that “Technologies that mitigate red wine production risks and improve red wine quality present enormous sustainability and growth opportunities for Ontario wine production”, according to a Brock U. CCOVI research brief.

“The goal of appassimento winemaking”, continues the paper, “is to further ripen the fruit off-vine to concentrate sugars and flavours without increasing acidity to develop a full-bodied high quality wine.” And ultimately, it’s hoped that “Investment in appassimento-style wine production capacity will allow our vintners to produce high quality wines even in growing seasons that do not allow the complete maturation of grapes.”

Ontario wineries that have already released commercial wines made using one form or another of partial drying, or are involved in the research, include Cave Spring, Foreign Affair, Reif Estates, Colaneri, Pillitteri, Organized Crime, Burning Kiln, Angels Gate and Rennie Estate. Considering the growing interest, the appassimento technique is obviously gaining local momentum and it appears to be here to stay.

There’s More Than One Way to Dry A grape

There are several ways to turn grapes into raisins. Bunches can be left on the vine late into the season until they become naturally desiccated, or they can be harvested and set out to dry in the sun or in a sheltered environment, or rapidly dehydrated using a source of heat and a dehumidifier. In Valpolicella, grape drying is still largely done in the traditional method, that is, a slow dehydration process done at ambient temperatures, historically in drafty barns controlled by opening and closing windows, but more often today in modern, regulated drying facilities.

The permitted technique for drying grapes for Amarone is indeed tightly controlled by appellation regulation. By law, “The drying process of grapes should be conducted in appropriate environment and can be helped by the use of air conditioning systems as long as they operate with temperatures similar to those that can be found during the natural drying process. Any dehumidifying or heating system is not allowed.”

Modern drying room at Alberto Longo's winery in Puglia. Photo by J. Szabo

Modern drying room at Alberto Longo’s winery in Puglia

Such a process results in a slow dehydration of grapes over a period of approximately three months, during which bunches lose about one-third of their original weight to water evaporation. The slow process also results in a significant modification of aromas and flavours.  It’s essential that the varieties submitted to this treatment be perfectly healthy and ripe at harvest, since appassimento concentrates everything in the grape, good or bad. Thick-skinned varieties, like corvina and rondinella used for Amarone, are preferable, as thin-skinned grapes tend to break down and allow molds to infiltrate.

In Ontario, four techniques are being investigated by COVVI, drawing from other agricultural sectors: “kiln-drying making use of technology from the tobacco industry (fast drying at Reif Estates Winery); greenhouse drying using technology from the floriculture industry (medium length drying at European Planters); barn-drying with circulating airflow as a traditional appassimento technique (slow drying at Cave Spring Cellars); and prolonged hang-time on the vine to desiccate the fruit naturally, drawing from Icewine production.”

The results of the studies, which will include analysis of biochemical changes as well as sensory characteristics of the wines, have not yet been released. But it has already emerged that the different techniques result in significant differences in the wines: “Wine from the various drying treatments differed in their chemical profile and had distinctive sensory profiles.”

While we can all look forward to more and better Ontario appassimento style wines in the future as the techniques become better understood and are fine-tuned, there is also cause for concern in the enthusiastic embrace of this ancient technique. The results of appassimento are anything but universally successful. The danger in Ontario, as in any other cool climate grape-growing region, including the Veneto, is that vintners will turn to appassimento as a cure for poor quality grapes. Dilute, under ripe grapes from over-cropped, poorly farmed vineyards cannot be magically ripened by artificial concentration. On the contrary, the drying process only exacerbates green, under ripe flavours.

And genuine complexity can only derive from naturally concentrated grapes, which is to say that grapes with simple flavours (low concentration of flavor precursors in tech talk) will not develop miraculous complexity by force-drying them. Appassimento, in short, is not a panacea, and some of the results are downright unhappy, like bitter ratatouille in a glass. Elevated volatile acidity (vinegar or nail polish aromas) is also a constant danger with dried grape wines of any kind, as are bitter, astringent tannins in red and occasionally white wines, to name but a few of the potential sideways deviations.

As such, it’s alarming to hear wineries speak of the blanket ‘premiumization’ of production, as though appassimento is the solution to viable business. Jamie Slingerland, director of viniculture at Pillitteri Estates Winery, is quoted in the December 2012 issue of The Grower as saying: “The method allows us to take a reserve wine to grand reserve status, and in some instances, to triple the price point from $20 to $60”. While appassimento can and does produce top-notch wines, most of what I’ve tasted from Ontario has not been successful and is not worth a premium.

To be fair, much of what comes out of Veneto is likewise poor quality, with notable exceptions, for the same reasons. The point is, that the technique does not result in consistent quality, or rather, that the resulting quality is only as consistent as the quality of the base grapes in the first place. So we’re back to square one. The quality must be there before the concentration process begins. The kilning technique gaining popularity in Ontario, which is the fastest and least risky, also seems to be the worst suited for quality, not allowing time for the interesting biochemical changes to take place, just straight up withering. But I eagerly await the results of the COVVI study.

Resorting to drying grapes also presupposes that bigger, more concentrated wines are inherently better than lighter and leaner wines. That’s a complex presupposition that goes well beyond winemaking techniques and into the realm of consumer tastes, trends, marketing, and beyond, but worth pondering in any case. Is bigger always better? Considering the growing consumer backlash against higher alcohol wines, such wisdom is questionable.

And leaning on grape drying to produce consistent quality also begs the question of whether you’ve got the right grapes planted in the first place. If it’s a struggle to ripen cabernet or merlot consistently, artificial ripening/drying isn’t the answer. Planting a shorter cycle, earlier ripening, more reliable variety is far more logical, at least in my view (see my recent interview with Ann Thrupp Ph.D. sustainability director of Fetzer Vineyards in California for more on the subject). There are no short cuts to quality. I sincerely hope that the Ontario market doesn’t get flooded with a rash of unbalanced, green, raisin-flavoured wines.

But since appassimento seems to be here to stay, let’s hope the technique gets put to good use on quality grapes in order to create a new category of worthy, complex wines that are worth a premium, like top Amarone. There are many models to follow, and others to avoid. Of the wines being released on April 27th, none were truly mind-blowing, but here are the ones I’d look to as the most successful examples:

2007 Monte Del Frá Lena Di Mezzo Amarone Della Valpolicella Classico ($48.95)

Monte Del Frá Lena Di Mezzo Amarone Della Valpolicella Classico 2007

2010 Remo Farina Montecorna Ripasso Valpolicella ($19.95)

Remo Farina Montecorna Ripasso Valpolicella Classico Superiore 2010

2009 Masi Grandarella Igt Rosso Delle Venezie, ($25.95)

Masi Grandarella 2009

That’s all for this week. See you over the next bottle.

John Szabo, MS

John Szabo, Master Sommelier

From the April 27, 2013 Vintages release:

Top Ten Smart Buys
Best of the Organic
All Reviews


Advertisements
Stags' Leap Cabernet Sauvignon 2008


New Zealand Wine Fair - Toronto May 9


County in the City

Filed under: News, Wine, , , ,

John Szabo gets technical with Ann Thrupp from Fetzer and Bonterra Vineyards

An interview with Ann Thrupp, Ph.D., manager of Sustainability and Organic Development at Fetzer and Bonterra Vineyards since 2003.

John Szabo, MS

John Szabo, MS

In mid-April I sat down with Ann Thrupp during her visit to Toronto to chat about sustainability and some of Fetzer’s recent innovations in the field. Fetzer is recognized as an industry-leading company in the realm of sustainable winegrowing, and has been for well over two decades. Thrupp provides technical assistance and information, and organizes educational events about organic and sustainable practices for growers, wineries, government agencies, the food/beverage industry, and the public on behalf of Fetzer/Bonterra, so she was the ideal candidate to give some relevant background and share the latest developments in sustainability.

Following is my very loose transcription of parts of our conversation, edited for clarity and brevity [these are not Thrupp’s exact words], but enough to give a flavour of the discussion. And see below for links to my reviews of recent Fetzer wine releases.

How do you/does Fetzer define sustainability?

Ann Thrupp, Fetzer

Ann Thrupp, Fetzer

We use the definition that’s broadly accepted in the industry: it’s the intersection of practices that are environmentally responsible, socially responsible, and economically feasible. It’s a holistic approach. It’s a concept that also means continuing improvement over time to ensure long-term viability. At Fetzer we use the term “e3”, which stands for: environment, equity and economics. It’s a term we came up with long before sustainability became popular; we’ve been doing it for a long time. We find it’s easier to talk about “e tres” with our many Spanish-speaking employees than “sostenebilidad”. It has become our motto.

Is there a governing body that certifies and monitors sustainability?

There are three bodies in California that have sustainability programs. We’re part of Certified California Sustainable Winegrowing (CCSW), which is third-party monitored. It’s not overseen by government, however. Other countries, like Australia, Chile, South Africa and New Zealand have their own programs with specific requirements. We look at it as healthy competition, because we’re all working to make a difference. But the challenge is that there are multiple certifications and multiple interpretations.

Nevertheless, a similar definition of sustainability is now used internationally. It’s a nice thing that there’s been alignment on what the term means. There are certification programs that define what steps need to be taken for particular regions, but there isn’t a worldwide regulatory body. And people do use the term in different ways, sometimes without the level of comprehensiveness that we apply.

What’s the difference between sustainable and organic farming?

Organic farming is like a subset of sustainable farming. Organic requirements are defined by law, and are much more strictly defined. And there are regulatory bodies involved. There is alignment, for example between Canada and the United States in recognizing the same organic standards, and it’s the same in the EU. Internationally there’s much more cohesion around organics than around sustainability.

But the difference between the environmental part of sustainability and organic certification is that the definition of organics doesn’t take into account things like water, energy and soil conservation for example. Organic farmers don’t have to account for carbon emissions; most organic farmers are certainly conscious of these sorts of things, but they aren’t defined by law. Sustainability tries to take all of these things into account, even if there isn’t a strict definition, on, say, how much carbon you can emit. But at least it’s trying to encompass climate, water, energy usage and other issues as part of the definition, not to mention the social and economic dimensions.

The CCSW, for example, also considers aspects like, waste management, recycling, air quality. It’s a broader concept than organics. That doesn’t mean that organics is somehow lesser, but the emphasis is strictly on the environmental dimension, mostly having to do with farming inputs.

What percentage of California’s grapes is grown sustainably?

I don’t have the figure off the top of my head, but it’s a very high percentage statewide in California, and it has increased a lot recently. I believe about 60% of the acreage is farmed by growers who are enrolled in one of the sustainability programs. It doesn’t mean that they’re all certified, but it means that they’re active participants in the program and they’re getting education and doing self-evaluations. At least they’re on the path to increasing sustainability. [12.3% of the 535,000 total acres in California are Certified California Sustainable, according to the CCSW website – JS]

Bonterra Vineyards

Bonterra Vineyards

Pioneers like Fetzer have been open to sharing information. We’ve been involved since the very beginning, and been involved in delivering and sharing educational programs. It’s caught on that doing good business is about being sustainable.

There is certainly a risk that some will jump on the bandwagon, and not all may be aiming for the same authentic sustainability as others, so I think it’s really important for both the media and consumers to look closely at what a company means when they say they are sustainable, since there’s a very general definition.

Do you think it would be impractical to have one standard definition of sustainability worldwide?

That’s one of the challenges. For example, there are different water and energy issues in different parts of the world. So it makes it very hard to establish categorically what is sustainable across the world. A perfect example is water. In California, there are very strict regulations on the amount of water you use, given the resource scarcity. It’s essential. But on the east coast, they have too much water for growing grapes in most cases. So there wouldn’t be the same need to restrict water usage there as severely in order to be sustainable. By its very nature, sustainability means adaptability, over time, and over different regions. What’s sustainable here may not be sustainable there, and what’s sustainable today may not be sustainable tomorrow.

How can a consumer distinguish sustainably produced wines?

That’s a really good question. It’s hard for a consumer to know. Having the certification programs help, but putting the CCSW logo on the bottle is not yet allowed. It’s a complex issue. I think if you’re interested in that aspect of a wine, you have to dig deeper. You can go to the producer’s website, do some research and find out. You can also go to California Sustainable Winegrowing Alliance where there’s a list of CCSW certified wineries and a description of all of our practices. It shows that we’re authentic.

What are the most challenging aspects of implementing a sustainability program?

It’s an effort that requires collaboration between many departments within a winery, but I have to say that I don’t really see any major challenges. That’s why more and more are catching on. Once people realize what sustainability means, they see that there are so many advantages, including wine quality. It’s not something that people tend to resist. It makes sense for so many reasons. Ten years ago, you saw far more widespread use of herbicides and pesticides. Now, people have changed that approach. And they’ve also realized that it makes for better wine.

Is it more expensive to farm sustainability?

There can be some up front capital costs for innovative tools, like solar panels, but these gives long-term financial savings, and they also give future stability, not to mention reducing reliance on fossil fuels. Sustainability is about seeking win-win situations. Some of the workers’ social benefits can also cost more money off the top, but it’s returned with things like increased productivity and employee loyalty, and less liability. Sustainable practices can also reduce costs. An obvious example is the reduced use of inputs like sprays in the vineyard, if the minimum, sustainable amounts are used rather than spraying to a calendar cycle. There are now efforts to more fully document the cost and risk reductions of sustainability.

 Fetzer/Bonterra Chickens and weed control

Chickens and weed control

A nice example of the win-win-win scenario is the lighter weight bottles that Fetzer introduced in 2008. There are obviously huge environmental advantages of moving to lighter weight bottles throughout the entire supply chain (less energy to produce, less materials used, lower carbon emissions to transport, less energy to recycle), as well as an economic advantage to the company in lower cost. And we didn’t even consider the social benefits: people don’t have to carry around heavy cases of wine.

What advice would you give to a winery or a wine region looking to become sustainable?

Start with an education program, not with obligations. It’s important for people in the industry to first learn and to evaluate their own practices before introducing a strict code to follow. Forcing people to become sustainable can lead to cutting corners. Many are likely already practicing sustainable standards without necessarily being conscious of it – it makes business sense. It’s a question of giving people the knowledge to improve on what they’re already doing, and to continually seek to improve.

It’s not often brought up, but to achieve real sustainability, you also have to be growing the right grapes in the right place! Varieties that are particularly susceptible to diseases shouldn’t be planted in high disease pressure areas. That’s just logical.

What do you foresee to be the greatest future challenges in maintaining or improving your sustainability code?

Water is a big issue, especially in California. At Fetzer, when we’re replanting, we’re looking at more drought resistant varieties, or using more drought resistant rootstocks. It’s caused us to be more proactive.

Cover crops

Cover crops

We’ve also just introduced a new cleaning protocol using paracetic acid that has allowed us to reduce our water usage in the winery – mainly from washing out tanks – by 140,000 gallons per year – that’s significant. We also recycle waste-water  wine lees are sent out to be recycled into vinegar, or turned into distilled spirits; diatomaceous earth goes into composting. There are all sorts of innovations that have allowed us to reduce waste, and we’re continually evaluating new opportunities.

Moving to sell wine in kegs, for example, to be served on tap in restaurants can also reduce packaging.  We’re always exploring new ways to conserve energy, too. One small thing is that we’re rolling out bicycles to be used to get around at Fetzer, reducing vehicles on site. There’s always a way to improve.

Sustainability Tips

Want to be more earth friendly? Here are few of the many simple sustainability tips found on Fetzer’s website (source: http://www.fetzer.com/Earth-Friendly-Tips)

  • Make sure your home insulation is up to par.
  • Car pool with others to work or school.
  • Instead of driving your kids to school, have them ride the school bus.
  • Cancel delivery of unwanted newspapers and donate old magazines
    to waiting rooms.
  • Plant a tree.
  • Paper or plastic? Neither. Bring your own canvas bag to the grocery.
  • Take shorter showers. That can save 700 gallons of water a month.
  • Properly maintain your heating and cooling equipment, including regularly replacing filters.
  • Set your mower to keep grass longer, which crowds out weeds and helps the grass retain moisture.
  • Don’t throw away old batteries or electronics – recycle them.
  • Line-dry your laundry every now and then.
  • Organic/Biodynamic Wine TagStart a compost pile in your backyard for turning kitchen scraps and yard
    waste into enriched mulch for gardening.
  • Use the cold water cycle of your washing machine for all laundry.
  • Defrost your freezer. A freezer that is free of accumulated ice
    uses less energy.
  • Purchase bio-degradable dish and laundry soaps.
  • Turn off lights when not in use.
  • Unplug electronic devices with stand-by features.
  • Use your bicycle when traveling short distances.
  • Buy food that is locally produced.
  • Buy products which advertise green and recycled production. 

And how are the wines?

I have included a few links to some recently tasted Fetzer wines below. You can search all Fetzer and Bonterra wines on WineAlign the Google custom search tool, or jump to the Organic/Biodynamic Tag from our Home page for even more organic producers.

Fetzer Pinot Grigio 2011

Jekel Vineyards Gravelstone Chardonnay 2010

Sanctuary Usibelli Vineyards Cabernet Sauvignon 2009

Sanctuary Mariah Vineyard Mendocino Ridge Zinfandel 2009

John Szabo, MS

John Szabo, M.S.

Photo of Ann Thrupp by John Szabo, others as posted by Fetzer/Bonterra on California Sustainable Winegrowers Alliance 

Filed under: Featured Articles, Wine, , , , ,

John Szabo’s Vintages Preview for April 13, 2013

Iconic New Zealand; Bargain Portugal; Smart Buys from the Jura and for the Cellar, and more.

John Szabo, MS

John Szabo, MS

New Zealand is the main feature of the April 13 VINTAGES release, but of eleven wines offered, only four producers are represented, and ten of the wines are from Marlborough. A fair representation it is not, and it comes across as a very corporate assortment. Nevertheless, Cloudy Bay and Dog Point are the clear quality leaders, and I highlight their best releases in this report.

And where the LCBO falls short, private consignment agents have stepped in to fill the gaps. For those interested in the true inside scoop on what to buy, stay tuned for a comprehensive report on New Zealand’s top producers by region, all represented in Ontario, to be released prior to the upcoming New Zealand Wine Fair. For more background, re-visit my piece on what it’s like to travel in New Zealand, and for the really keen, my piece with thoughts on the New Zealand wine industry.

Pairing Food & Wine for DummiesThis report also highlights five fine values from Portugal, the other theme of the release, as well as the Top Ten Smart Buys, including a pair for the cellar and a fantastic ‘terroir’ wine from the little-known Jura. Pour yourself a glass and check out my video interview on “Pro and Kon” with writer and CBC radio host Konrad Ejbich about Pairing Food and Wine [for Dummies].

Highlights From Top Ten Smart Buys

Sommelier’s Choice: The Jura

The Jura is a small, 80-kilometer long sliver of eastern France opposite Burgundy’s Côte d’Or on the other side of the Bresse plain, framed to the east by the foothills of the Alps and the nearby Swiss border. It belongs to the greater region known as Franche Comté, once part of the Duchy of Burgundy, but later under Spanish rule thanks to the expansion of Carlos V’s empire. The Spanish influence of this period is still felt strongly in the peculiar wine style for which the Jura is known, Vin Jaune, a savagnin-based wine aged under a veil of yeast, just like Fino Sherry.

Vin Jaune Ageing in Barrel

Vin Jaune Ageing in Barrel

But chardonnay, planted in the Jura since the 15thC, can also be extraordinary, not surprisingly, since the Jura is, after all within sight of Burgundy with similar limestone-based soils. Yet wine style and labeling confusion has held exports in check. Chardonnay from the Jura comes in either the sherry-like oxidative style called locally “typé or traditionelle“, while others are more modern and reductive, called “fruité” or “floral” in local parlance. Both can be excellent, but often there’s no way to know what to expect from the label alone. So Jura wines remain largely insiders’ picks for those in the know, at least for now. They’re what sommeliers love to drink on their days off, given the remarkable terroir expression at non-Burgundian prices.

Château-Châlon Vineyards

Château-Châlon Vineyards

Henry Le Roy is the Paris-born owner of Domaine de l’Aigle à Deux Têtes in Vincelles, in the southern part of the region. I had lunch with him in Château Châlon last fall – he’s a quietly confident man who competed in two world kayaking championships. He’s still fit.

Le Roy fell in love with the Jura, as many who come here to holiday do. But it wasn’t easy to make the move from Paris and establish his domaine. “An outsider is someone who comes from more than 10kms away” he remarks somewhat sardonically. “To be considered a local you must have at least five generations in the cemetery.” Being from Paris makes him the ultimate outsider, but he has managed to acquire some top terroirs and is crafting excellent wines.

Le Roy’s 2009 ‘En Griffez’ Chardonnay Côtes Du Jura ($23.95) is made from 50+ year old vines planted on a ludicrously steep, 40% south facing grade with fully calcareous stony soils and fermented with wild yeast (bien sûre). It’s a lovely, earthy-mineral wine, with slightly soft texture thanks to the warm 2009 vintage, and beautifully integrated old wood spice flavours. 12.6% alcohol is deceptive – this is powerful and stony wine for fans of top notch Burgundian style chardonnay and shouldn’t be missed.

Comparative Tasting

Bachelder Bourgogne ChardonnayAnd speaking of Burgundian chardonnay, for a truly decadent and educational soirée, compare the En Griffez above with the 2010 Bachelder Bourgogne Chardonnay ($29.95) from Canadian Thomas Bachelder. He’s another outsider who has found a home, at least part of the time, in Burgundy, that is when he isn’t making chardonnay in Niagara or in Oregon. This is a very fine Bourgogne Blanc to be sure, from a vintage I like very much, well above the average quality for the generic appellation. It offers intriguing green peach and nectarine, green walnuts and lime-lemon citrus flavours alongside old wood spices like cinnamon and cassia bark, with really well-balanced, mid-weight palate, crisp but also creamy, and exceptional length for the category.

A Pair For the Cellar

Collectors seeking age worthy wines should consider this pair that will make for brilliant drinking in a decade. The 2009 Château Latour Martillac, Pessac-Léognan, Cru Classé ($53.85) is a refined and aristocratic Bordeaux, in which the ripeness and concentration of the 2009 vintage is evident. It has perfectly ripe but fresh red and black fruit tied to the warm earth/terra cotta notes typical of Péssac, classically styled, yet still supple and balanced. It’s temptingly delicious now, though will really be in full swing by the end of the decade.

Château Latour Martillac 2009Domaine Durieu Châteauneuf Du Pape 2010The 2010 Domaine Durieu Châteauneuf-Du-Pape ($35.95) is likewise an intense, dense and terrifically complex southern Rhône, traditionally styled, aged entirely in large concrete vats. It offers rich, succulent black cherry and baked strawberry fruit allied to black olive tapenade, dried resinous herbs and orange peel spice, while tannins are firm but fully coated in fruit extract, acids balanced and alcohol generous but also in check (14.5% declared). This should be best after 2018.

Also featured in the top ten you’ll find an excellent Rioja, a well-priced, classically styled Bourgogne Rouge, solid and satisfying reds from Mendoza and Sicily, and a pair of wonderfully fragrant whites from cool climate Europe. See them all here.

Marlborough, New Zealand: The Connection between Cloudy Bay and Dog Point Vineyards

Cloudy Bay, and especially Dog Point, are the wines from New Zealand to look for on April 13th, and there’s an interesting connection between them. Cloudy Bay Vineyards, established in 1985 by David Hohnen, co-founder of Cape Mentelle in Western Australia, is the winery that put Marlborough on the world map back in the late 1980s. The style of sauvignon blanc for which the region would become famous was developed by winemaking team of Ivan Sutherland, James Healy, and Kevin Judd. Much of the fruit for Cloudy Bay’s celebrated sauvignon came from Sutherland’s personal property at the convergence of the Brancott and Omaka Valleys in the southern part of the region, which he and his wife Margaret purchased and planted in 1979.

Dog Point Vineyard Sauvignon Blanc 2012Dog Point Section 94 Sauvignon Blanc 2010Dog Point Chardonnay 2011Sutherland and Healy stayed at Cloudy Bay until 2003, when the pair left to launch Dog Point Vineyard. Today, their 100 hectares, including some of the original plantings, are farmed organically and hand picked (a rarity in Marlborough). Some of the fruit still goes to Cloudy Bay, but according to Sutherland and Healy, they (sensibly enough) keep the top, hillside vineyard fruit for Dog Point. The style is intense and edgy, with lots of lees contact and wild yeast complexity, some of the finest wines in the region in my view.

Kevin Judd, incidentally, also left Cloudy Bay in 2009 to start his own, very good label called Greywacke, and he gets 95% of his fruit from the Sutherland vineyard, and makes his wine at the Dog Point winery.

Cloudy Bay Te Koko Sauvignon BlancCloudy Bay Sauvignon Blanc 2012Cloudy Bay remains a top player in the region, however. The iconic winery was bought by luxury goods firm LVMH in 2003, the same year Healy and Sutherland moved on. And after a dip in quality when production of the sauvignon blanc was ramped up to over 100,000 cases by the end of the decade, Cloudy Bay appears to be back on form with a strong set of recent releases. The 2012 sauvignon is the classic one to watch for, while the Te Koko Sauvignon, wild fermented in barrel with full malolactic, is a relatively new expression of Marlborough sauvignon, one that is gaining in popularity as producers look to distinguish their offerings and move away from the ubiquitous (and rather homogenous) pungently grassy style.

Wines to try:

2009 Cloudy Bay Te Koko Sauvignon Blanc ($47.95)

2012 Cloudy Bay Sauvignon Blanc ($29.95)

2011 Dog Point Chardonnay ($39.95)

2010 Dog Point Vineyard Section 94 ($39.95)

2012 Dog Point Vineyard Sauvignon Blanc ($23.95)

Five Best Buys From Portugal

Portugal is the other theme of the April 13 release and there are some excellent bargains on offer. Topping the list for value is the 2010 Ramos Pinto Duas Quintas ($16.95). It’s a typical Douro blend of tinta roriz, touriga franca and touriga nacional from two (duas) farms (quintas): the Quinta de Ervamoira in the heart of the Douro with its warm micro climate and schist soils, and the Quinta dos Bons Ares at cooler elevation and on granite soils. The result is a wine with terrific complexity and structure for the money.

2009 Quinta De Ventozelo Reserva Douro Tinto ($21.95) is a more bold and ripe, intensely fruity and expressive blend of mainly touriga nacional with 20% each of touriga franca and tinta roriz (tempranillo) that drinks nicely now. The palate is suave and polished, yet with sufficient grip and structure to ensure development over at least the short to mid term.

Ramos Pinto Duas Quintas 2010Quinta De Ventozelo Reserva Douro Tinto 2009Delaforce Touriga Nacional 2009Monte Vilar Reserva 2011Deu La Deu Alvarinho Vinho Verde 2011

Also worth a look from the Douro is the 2009 Delaforce Touriga Nacional ($18.95), while the 2011 Monte Vilar Reserva Vinho, Regional Alentejano ($14.95) from further south delivers plenty of character and satisfaction for under $15. Fans of bright, fragrant-floral whites will enjoy the 2011 Deu La Deu Alvarinho, Vinho Verde ($19.95).

That’s all for this week. See you over the next bottle.

John Szabo, MS

From the April 13, 2013 Vintages release:

Top Ten Smart Buys
Best Buys from Portugal
All Reviews


Advertisements

Stags' Leap Winery Cabernet Sauvignon 2008


Malbec World Day


County in the City

Filed under: News, Wine, , , ,

18 Defining California Wineries; Critic Picks

A Playbook for the California Wine Fairs coming to Canada in April

California Wine Fairs will roll through six cities across Canada in April, with over 150 participating wineries at the largest events. WineAlign has decided to profile eighteen wineries that fair-goers should visit this year – an arbitrary number on the one hand, but a somewhat realistic number for any fair-goer to tackle in one evening. And undoubtedly others will grab your attention along the way, as they should.

WineAlign critics Anthony Gismondi, John Szabo and David Lawrason have each chosen six. They had a chance to taste California in-depth during the recent five-day Vancouver International Wine Festival where California was the theme region (so there is no Vancouver fair in April). That exercise – which included several seminars and regional tastings – yielded new discoveries and rekindled some old relationships.

The reasons for their selection are varied – from appreciation of the wine style, to the philosophy and outlook of the wineries, to those who are simply doing things very well. Each has also highlighted a wine or three that can be located through WineAlign. And most will also be poured at the California wine fairs. For a full list of wineries in each city, as well as ticket information use this link to the California Wine Fair 2013 website.

Anthony Gismondi’s Six

Anthony Gismondi

Anthony Gismondi

Kendall Jackson, Sonoma County

Sommeliers are often a fine source of information regarding unknown obscure producers making fascinating, one-off wines but sometimes they brush off wineries they shouldn’t. Point in question Kendall Jackson. KJ as it’s known to its peeps is a vastly underrated producer of California wine that is often lumped in with large commercial producers who simply are not in the same ballpark. While some wine companies were busy acquiring other wine companies over the last two decades, KJ was busy buying land, as in 10,545 acres of coastal and mountainside vineyards. That allows the family to claim that all the chardonnay grapes used in a bevy of labels are grown on vineyards the family controls. That’s an amazing 2.4 million cases of control from vineyard to bottle. The current structure of Kendall-Jackson’s chardonnay empire (don’t bet against more evolution) begins with the calling card of Vintner’s Reserve 2010 made from individual lots of grapes blended from multiple appellations. Stepping up in intensity and complexity of flavour is the Grand Reserve label. It’s made from a severe selection estate grown grapes blended from one or two appellations, in this case Monterey and Santa Barbara Counties. Its pinnacle chardonnays are labelled Kendall-Jackson Highland Estates, wines that showcases specific estate vineyard sites located on “mountains, ridges, hillsides and benchland influenced by the cool coast of California.” Two examples well worth seeking out are the Kendall-Jackson Chardonnay Grand Reserve 2010 and the newest food friendly Kendall-Jackson Avant Chardonnay 2011 (The former is an almost even split of Monterey and Santa Barbara fruit while the Avant is a slimmer juicier style that has impressed us with its early releases, the 2011 is t quite up to those releases but all in all good value.

Kendall Jackson Grand Reserve Chardonnay

Joseph Phelps Vineyards (Freestone), Napa Valley, Sonoma Coast

Joseph Phelps Vineyards, founded in 1973 has been around most of my wine drinking life. Founded by Joe Phelps at St. Helena in the Napa Valley, the winery now works with or owns some 375 acres of vines on eight estates in Napa Valley and in 1999 expanded that number with some ultra-cool chardonnay and pinot noir producing vines grown near the town of Freestone on the Sonoma Coast. There is no doubt the fame of Phelps is closely linked to its signature Napa Valley blend, Insignia, but there is little to suggest its Freestone estate on the western Sonoma Coast won’t become equally valued in the decades to come. The family is so pleased with the early wines it has already reworked the original Freestone winery labels adding the Joseph Phelps brand name and highlighting Freestone Vineyards as an estate designation. Joe Phelps was always a fan of the cooler weather that moderates the Sonoma Coast and he was sure that top –flight pinot noir and chardonnay could be made there. He was right. I just love the Freestone wines the electricity in the Joseph Phelps Chardonnay Freestone Vineyards 2010 is crazy good and a benchmark for the future. Similarly the red brother Joseph Phelps Pinot Noir Freestone Vineyards 2010 entices with its sleeker cooler leaner style.

Joseph Phelps Pinot Noir Freestone Vineyards

Rodney Strong Vineyards, Sonoma County

Rodney Strong, the dancer turned winemaker is long gone but his spirit and foresight remains evident at his eponymous Sonoma County winery located just outside the picturesque town of Healdsburg. What Strong started, San Francisco businessman Tom Klein seems determined to finish or at least bring to fruition. Klein has built an impressive team of people led by chief winemaker Rick Sayre. Sayre’s first harvest was 1979 and over 30 years later Rodney Strong has become a beacon of the Alexander Valley, a region often said to be too warm to produce high quality reds. Sayre’s team has dismissed that fallacy and more with a trio of excellent hillside, single vineyard reds. The iconic and now revamped Alexander’s Crown Cabernet Sauvignon, the Rockaway Cabernet Sauvignon and the Brothers Ridge Cabernet Sauvignon each tell a story of terroir and exposition that would make Rodney the dancer fly through the air.

Sayre is also responsible for establishing the “Winery within the Winery’ at Rodney Strong. The blocks, be they single clones, or grapes grown on a special soil type, are tracked from the minute they enter the winery until they are bottled. Sayre’s sidekick is the youthful Greg Morthole who began working at Rodney Strong in 2005, and has quickly progressed to become the “Winery within a Winery” winemaker and is now responsible for another Klein family acquisition, the boutique Russian River pinot noir and chardonnay winery Davis Bynum. If anyone winery in Sonoma has helped to turn around the image of modern California chardonnay among the masses Rodney Strong is it. There are two labels to look for: the Rodney Strong Chardonnay Chalk Hill 2010 from white ash soils of the Chalk Hills appellation, and slightly rustic but intense and ageworthy the Rodney Strong Cabernet Sauvignon 2010.

Rodney Strong Chalk Hill Chardonnay

Signorello Estate, Napa Valley

Ray Signorello Jr. appears much younger than his years but don’t be fooled by the boyish grin. Signorello has more than 25 Napa Valley vintages to his credit and that makes him more establishment than newcomer in his beloved Napa. Signorello is a student of fine wine, young and old. His experience and observation with great wines from around the globe have shaped his thinking and the steady rise of quality at Signorello Vineyards. Cabernet sauvignon is the largest single grape variety planted on the Signorello hillsides. Signorello cabernet is all about finesse and balance no easy task in a region that wrestles with ripe fruit. His goal is to make complex reds that age gracefully a la the great bottles of Bordeaux, Burgundy, Barolo and more.

Signorello has a pair of talented Frenchmen helping him make the wine Pierre Birebent and Luc Morlet and while he says he is not making French wine, quality has its benchmarks and Bordeaux is never far from their minds. I’m a fan of understated Napa cabernet and Signorello makes just that. Padrone is a salute to his father and founding partner is fast becoming wine to reckon with in all of Napa Valley. Signorello Padrone 2009 is all Napa Valley with concentration and intensity but with finesse and restraint youthful tannins on the finish need 3-5 years to soften. Signorello Cabernet Sauvignon 2009 is a surprisingly fine wine given the difficult vintage in Napa. With only cabernet franc in the mix now the regular cab is just beginning to hit its stride.

Signorello Padrone Proprietary Red

Schug Carneros Estate, Sonoma County

Walter Schug began his winemaking career as the original winemaker at Joseph Phelps Vineyards in 1973 – think Insignia, Backus and Eisele Vineyards cabernets. His move to Carneros in 1980 signalled a longing for a cooler maritime climate and a focus his true love pinot noir and chardonnay. By 1992 he was making estate chardonnay and pinot noir and the rest is history. In 1995 Sonoma-born winemaker Michael Cox joined Walter and a year later took over the reins. Walter Schug has a clear vision of what his wines should be and it begins with elegance and finesse. Always understated and refined the Schug chardonnay was modern long before the rest of Sonoma caught on. It’s easy to say Schug is European old school until you consider he was working with some 600 independent growers and several thousand acres of prime vineyards in Napa, Sonoma, Mendocino and Lake Counties in 1966. His journey continues with his 50th crush this season and I for one can’t wait to taste his latest chardonnays and pinot noirs because they represent some of the best value, intriguing, food friendly wines in America. Schug Sauvignon Blanc 2011 is exceptional, proving that Walter Schug understands the essence of Sonoma County freshness, minerality and electricity and he has all three running through this bottle. The Schug Pinot Noir Carneros 2010 is a mix of cool Sonoma Coast vineyards: rhubarb, raspberry, carrot top and caraway mark this juicy style pinot with excellent fruit and finesse.

Schug Sauvignon Blanc

Marimar Estate, Sonoma County

You only have to meet Marimar Torres once to understand she has never taken no for an answer when it comes to wine. Fluent in six languages she made her way from Spain to America after first selling the family wines in Europe and then North America. She settled in California in 1975 and by 1986 she was planning her beloved Don Miguel Vineyard situated in the Green Valley sub-appellation of the Russian River Valley. Today the 81 acre site is planted to 30 acres of chardonnay and 30 acres of pinot noir. She also has another 20 acres of a 180-acre property planted to pinot noir between Freestone and Occidental in cool West Sonoma County. Torres is busy converting her vineyards from organic to biodynamic while technical director Bill Dyer, (Sterling Vineyards, Burrowing Owl, Church and State) is cranking out exceptional chardonnay and pinot noir. The wines are not European but like Schug, Phelps, Kendall Jackson, Rodney Strong and Signorello the wines of Miramar Torres use the California sun in measured amounts and balance that with a daily dose of cool air and fog. The result is wines you will not want to miss. Marimar Estate Pinot Noir Don Miguel Vineyard La Masia 2009 is a very complex wine from the Russian River. It could use a few years in bottle and it’s excellent value. Even more attractive is the Marimar Estate Chardonnay Don Miguel Vineyard Acero Unoaked 2010 also from the Russian River. Expect honey, floral, spicy, baked peach and orange muscat flavours that should appeal to many especially when served with Asian seafood dishes.

Marimar Estate La Masía Pinot Noir

John Szabo, MS

John Szabo, MS

John Szabo’s Six

Bonny Doon Vineyard, Santa Cruz

Randall Grahm may have started out on his wine journey as an “insufferable wine fanatic” (his words) searching for the “Great American Pinot Noir”, but his path led him instead into a thicket of Rhône and Italian grapes. He purchased land in the quaintly named Bonny Doon area of the Santa Cruz Mountains in 1981, and has since gone on to create nothing short of an amazing array of wines that stretch both the palate and the mind. He is almost single-handedly responsible for the “Rhône Rangers” movement, proving that Mediterranean grapes are shockingly well suited to California, and he was recently awarded a lifetime achievement award by the Rhone Rangers organization. His philosophical musings are legendary in the wine community, and 350,000+ followers surely makes him the Ashton Kutcher of the wine twitterverse (sorry, Randall). Don’t forget to read the labels when you stop by the table to taste. The following will be at the California Wine Fair: 2010 Le Cigare Blanc Roussanne/Grenache Blanc Beeswax Vinyard; 2010 Contra Carignane/Syrah; 2009 Le Pousseur Syrah; and the 2008 Le Cigare Volant Grenache/Mourvedre/Syrah/Cinsault. (Bonny Doon Vineyard Le Cigare Volant 2006)

Bonny Doon Vineyard Le Cigare Volant

Bonterra Organic Vineyards, Mendocino County

The original vineyards now belonging to Bonterra were once part of Fetzer’s holdings in Mendocino County. Bob Blue, the founding and current head winemaker, crushed his first harvest at Bonterra in 1990. Blue had worked under seminal American organic/biodynamic winemaking figures Paul Dolan and Dennis Martin at Fetzer, and has never looked back. It’s striking that fully one-quarter of Mendocino County’s vineyards are organically farmed, compared to 3% overall in California. Bonterra now farms an astonishing 915 acres of vines both organically and biodynamically. I’ve always appreciated the freshness and balance of Bonterra’s range, as well as the value. (Bonterra Pinot Noir 2010).

Bonterra Cabernet Sauvignon 2010

Dierberg and Star Lane Vineyards, Santa Barbara County

I visited Dierberg and Star Lane Vineyards, owned by Jim and Mary Dierberg, in the fall of 2011. The winery is tucked up in the upper hills of Santa Barbara County in what’s known today as the Happy Canyon AVA, where conditions are ideal for Bordeaux varieties. The winery itself is a remarkable structure that would be the envy of many Napa Valley wine temples, and the wines, too, are worth the detour inland. Both the Star Lane and Dierberg labels are made at this facility, equipped with every gadget a winemaker could dream of, but Star Lane is reserved for sauvignon blanc, merlot and cabernet sauvignon, and a red blend called Astral, all grown in Happy Canyon, while Dierberg focuses on a range of chardonnay, pinot noir and syrah in the cooler AVAs of Santa Maria Valley, Santa Ynez Valley and the Sta. Rita Hills. These are intense and highly polished wines. (Dierberg Chardonnay 2008)

Dierberg Chardonnay 2008

Flowers Vineyard & Winery, Sonoma County

In 1989, Joan and Walt Flower purchased 321 acres of land on a ridge top a stone’s throw from the Pacific Ocean in northern Sonoma. Flowers Vineyards is thus one of the ‘true’ Sonoma Coast AVA properties, and with vineyards that top out at almost 600 meters, winegrowing is extreme. The focus is (almost) exclusively on chardonnay and pinot noir, from both the Camp Meeting ridge and Seaview Ridge estate vineyards, as well as other select sites from the coolest corners of Sonoma. These are finely etched, pure and precise expressions, with more than a slight nod back to the old world. (Flowers Sonoma Coast Chardonnay 2010)

Flowers Sonoma Coast Chardonnay 2010

Grgich Hills Estate, Napa Valley

Miljenko “Mike” Grgich has some history in the business. He was the winemaker of the 1973 Château Montelena chardonnay that shocked the wine world by placing first in the famous “Judgment of Paris” tasting in 1976. Grgich Hills was established shortly after in 1977, and Mike was inducted in the Vintner’s Hall of Fame in 2008. For the last decade, all of Grgich Hills’ wines are made from 100% estate fruit, farmed organically and biodynamically. The complexity derived from wild yeast fermentations and the purity encouraged by gentle oak ageing are the hallmarks of these balanced and elegant Napa wines. Stop by and pass on your best wishes to Mike, who turns 90 on April 1st. (Grgich Hills Chardonnay 2009 and Grgich Hills Estate Cabernet Sauvignon 2008).

Grgich Hills Chardonnay 2009

Stags’ Leap Winery, Napa Valley

Stags’ Leap Winery (not to be confused with Stag’s Leap Wine Cellars), is, unsurprisingly, in the Stag’s Leap district AVA. There’s something special about this appellation: it could be the volcanic-derived soils; it could be the cool air that funnels through in late afternoon from San Pablo Bay. In any case, the wines are distinctive, and this is a reliable producer. The wines have always been very good, but since Frenchmen Christophe Paubert took over as winemaker in late 2009, the quality has risen further. You can still expect the richness and intensity of fruit for which Napa is known, but the wines have a degree of refinement and elegance that makes these more subtle, complex and drinkable than the average. (Stags’ Leap Winery Viognier 2011Stags’ Leap Winery Petite Sirah 2008Stags’ Leap Winery Cabernet Sauvignon 2008).

Stags' Leap Winery Viognier 2011

David Lawrason

David Lawrason

David Lawrason’s Six

Etude Wines, Sonoma County

“The state of pinot in California is strong; it’s on fire as a matter of fact. The availability of quality-based Dijon clones and matching them to micro-climates and terroirs is making all the difference. The growing range is also expanding, and it’s become so popular. It’s becoming a better wine overall”. So said Etude winemaker Jon Priest at a pinot noir seminar in Vancouver. Priest is very much at the forefront of California’s pinot revolution. With owner Tony Soter and viticulturalist Franci Ashton, he oversees a small, unique volcanic soiled vineyard in the northwest corner of the Carneros appellation. Over 20 pinot clones, including ten that he describes as ‘heirloom’ clones are planted. The pinots are big and profound yet nuanced and sensitive, and in my books, modern treasures – I have rated the 2010 Heirloom not yet available in Canada at 94 points. Etude also makes Napa cabernet, Pinot Gris, Pinot Blanc and Merlot. (Etude Pinot Noir 2009, Carneros)

Etude Pinot Noir

Seghesio Family Vineyards, Sonoma County

Peter Seghesio is the outspoken, almost irascible winemaker of Seghesio, a family enterprise with roots in Sonoma dating back to 1895. He is also in charge of over 300 acres of vineyard in Alexander Valley, Dry Creek Valley and Russian River Valley – most of it zinfandel, most of it old vines. In Vancouver he compared zin to pinot noir saying “both are thin skinned, expressive of their site, have red fruit flavours, and they are high maintenance”. It was so refreshing to hear someone speak with reverence and almost fond annoyance about zin – whereas so many nowadays make cheap zin as a candy bar wine and talk about its worth in SKUs. What’s more Seghesio makes zinfandels that try so hard to transpose this grape into the glass, while sculpting them to a balanced modern style. In Vancouver I swooned over the small production single vineyard zins like the burly, granitic 2010 Rockpile grown above the fog-line in the Alexander Valley appellation, and the elegant rich and seductive 2010 Cortina Vineyard from the Dry Creek Valley. (Seghesio Sonoma Zinfandel 2010Seghesio Old Vine Zinfandel 2009)

Seghesio Sonoma Zinfandel 2010

Heitz Cellars, Napa Valley

I have always been a big fan of Heitz, just like everyone else who cares about fine wine. Joe Heitz was a true Napa pioneer, starting into the business when Napa had only eleven wineries. He made his first vintage in 1966, from grapes purchased – to this day – from the 35 acre Oakville vineyard of Tom and Martha May. It was a later ripening site, and Joe noticed the distinctive style and quality of the cabernet that was to become Napa’s first vineyard designated wine – Martha’s Vineyard. (I tasted the silken 2001 Martha’s in Vancouver and it had barely begun its life’s journey). If they are not pouring Martha’s Vineyard freely at the Wine Fairs cut them some slack, as it’s a $215+ wine. But you should look for their Trailside and Fay Vineyard wines as well. And don’t miss the surprisingly stylish, complex and deep 2011 Sauvignon Blanc, a variety they only began to producer in 2006. I loved this sauvignon, and it put Heitz back on my radar. No currently available Heitz wines are reviewed on WineAlign, a situation we hope changes as a result of Heitz’s return to Canada through the Wine Fairs. (Heitz Cabernet Sauvignon Martha’s Vineyard 2001)

Heitz Cabernet Sauvignon Martha's Vineyard

Chateau St. Jean, Sonoma County

The intriguing thing about Chateau St. Jean is its historic attachment to chardonnay. Yes, I like its pinot noirs, and I understand what makes its red Bordeaux blend called Cinq Cepages a collectors favourite, even though it has never thrilled me. But this is a house – actually a very elegant chateau in Sonoma Valley – that chardonnay built. It made its reputation on single vineyard chardonnays from growers like Robert Young as far back as the early 1970s. Today they still make three vineyard designate wines – Robert Young, Belle Terre and Durell Vineyards. What I admire throughout the range, even in the widely available Sonoma County Chardonnay – that proved a challenge in Episode 3.2 of WineAlign’s blind tasting video called “So, You Think you Know Wine” is the wonderfully balanced, rich yet delicate winemaking of Margo Van Staaveren, who has made Chateau St. Jean wines for over 30 years. To me they define Sonoma chardonnay. (Chateau St. Jean Chardonnay 2011)

Chateau St. Jean Chardonnay

Justin Vineyards, Paso Robles

It has taken me a long time to “get” Justin. I found the wines odd, somehow idiosyncratic and over-marketed and over-hyped. But I have been captivated by recent releases, including the flagship 2009 Isoceles, and the “regular” 2010 Cabernet Sauvignon and 2010 Syrah. Justin was founded in 1981 by an international banker named Justin Baldwin who at the time wanted to replicate Bordeaux in California (he was not alone in this mindset). Whether through shrewdness or dumb luck I think he may have actually ended up planting his Bordeaux varieties in an ideal site at higher, cooler elevation on the western flank of the Paso Robles appellation. Elsewhere in Paso Robles syrah and Rhone varieties are important, but syrah is only a minor part of his portfolio. Iscoceles is a “left-bank” Bordeaux inspired blend based heavily on cabernet sauvignon and it impressed me with richness, uniqueness and poise. And I almost hate to say this, but at $80 it is a very good value compared to some iconic, triple digit Napa cabs.

Justin Vineyards Isosceles

Robert Mondavi Winery, Napa Valley

A year ago I would not have included Robert Mondavi on a list like this. It’s a winery I know well and have visited and tasted often from 1978 onward, with an especially memorable pinot tasting with Tim Mondavi in 1984, then some of Napa’s first “sub-appellation tastings with Michael Mondavi during the 90s. When the ambitious, adventurous and much beloved Robert Mondavi sold to Constellation brands a few years ago, I too let go, and frankly thought the wines floundered thereafter. But after re-visiting in January 2011, then tasting Mondavi again in Vancouver in some depth, I realized I really liked at least five of the company’s wines. The flagship 2009 Cabernet Sauvignon Reserve is outstanding, and so is the stunning 2010 Pinot Noir Reserve. And the Fume Blanc Reserve remains one of California’s great white wines. Then, when I gave excellent ratings to the basic 2010 Chardonnay and 2010 Pinot Noir, I realized that Mondavi, and the work of winemaker Genevieve Janssens, was actually very much worth noting.

Robert Mondavi Reserve Cabernet Sauvignon


Advertisements
County in the City

Filed under: Featured Articles, Wine, , , , ,

John Szabo’s Vintages Preview for March 30, 2013: Southern France and Top Ten Smart Buys

This week’s report takes a look at the south of France and some of its key appellations, linked to recommended releases hitting the shelves of the LCBO on March 30th. If you’re planning to have lamb for Easter, the best of these savoury, sturdy French reds are a perfect fit. In fact, from bubbly to crisp whites and full-bodied reds, you could spend your entire Easter dinner in the south of France. The Top Ten Smart Buys this week include the release of Versado, Ann Sperling and Peter Gamble’s elegant interpretation of Argentine malbec, as well as a pair of volcanic and a pair of limestone-derived wines to taste and compare, among others. See them all below.

John Szabo, MS

John Szabo, MS

Touring in the Languedoc Roussillon

The focus of the LCBO’s March 30th release is southern France, and more specifically, the Languedoc-Roussillon. I’ve written much in the past on this swath of the Mediterranean that runs from the western side of the Rhône Valley all the way to the Pyrenees and the Spanish border, south of the Massif Central. It’s an area I know pretty well, having stayed for a summer just outside of Béziers while working in the kitchen of a Michelin-starred restaurant called Chez Léonce in the tiny village of Florensac. It was the year France won the World Cup – 1998 – and I remember watching Zidane’s Cup winning goals against Brazil in the final on a tiny television we had installed in the kitchen. The restaurant, of course, was empty, save for a German couple on holiday who obviously had no reason to watch the game. The rest of France was glued to the TV – even the French took the night off from fine dining.

South of FranceThroughout the summer, during the staff meals after lunch service, Laurent, the sommelier at Chez Léonce, would bring out a handful of local wines for me to taste, tell me the stories behind the labels, and explain the differences between the various appellations. That’s how I was first introduced to AOCs like Corbières, Saint-Chinian and Picpoul de Pinet, which were little known even in France at the time, let alone in Canada. I thought then that the wines of the region were extraordinary values. Fifteen years later, picpoul has yet to become a household name, and the wines are still great values.

It’s curious that the wines of the neighboring Rhône Valley, which are very similar in style and use largely the same grapes as the Languedoc for whites, reds and rosés, have achieved so much more international recognition. It obviously helps to have a high-profile appellation like Châteauneuf-du-Pape drive the fortunes of an entire region. And Rhône wines also benefit no doubt from the legions of holidaymakers that pass through the region on their way down to the pastel shaded light and lavender perfume of Provence.

The wines of the Languedoc and Roussillon can be every bit as compelling as anything from the Rhône, but without an immediately recognizable appellation, and being generally off the beaten path of tourists, they’ve languished in the shadow of their neighbor in the south. Maybe there’s even some lingering suspicion that the Languedoc is still overrun with heretic Cathares, a Christian sect that was eradicated from Occitania in the Crusades of the 12th century. The name of the region, the Languedoc, after all, is derived from lingua d’Oc, “the country of the Occitan language”.

Heretic or crusader, if you’re seeking good value wines with distinct regional character and strong personality, the Languedoc is a smart place to be. Here are a few appellations to look for on shelves, along with recommended examples from the March 30th LCBO-Vintages release.

AOC/AOP Limoux

Domaine J. Laurens Le Moulin BrutThe Limoux appellation lies about 25 km south of the walled medieval city of Carcassonne, nestled in the upper valley of the Aude department. The region is sheltered by the Pyrenees from the extremes of maritime influence, and enjoys a benevolent Mediterranean climate. Yet since vineyards sit at higher elevations than most of the rest of the Languedoc, cooler climate varieties thrive here. Chardonnay, pinot noir, riesling and chenin blanc, for example, do better here on the clay-limestone plateaus than virtually anywhere else in the hot south of France.

Limoux’s most famous wine is sparkling, both in the ancestral and traditional methods. Blanquette de Limoux is reputed to be France’s first intentionally effervescent wine, produced a couple hundred years before Dom Pérignon did his pioneering work on how to stop the bubbles from forming in his wine. Sparkling from Limoux comes in three types: Crémant, a traditional method wine from chardonnay and chenin blanc, Blanquette, also a traditional method from at least 90% mauzac, and Blanquette Methode Ancestrale, a 100% mauzac bottled before the primary fermentation has finished, thus the wine retains some bubbles, though it’s less effervescent than the traditional method. It’s also often a little cloudy, slightly sweet and low in alcohol.

One to try: Domaine J. Laurens Le Moulin Brut Blanquette De Limoux ($16.95). An enjoyable bubbly with the typically appley flavours of the mauzac grape used and pleasant toasty-yeasty notes. Good length; nice value.

AOC/AOP Languedoc Picpoul de Pinet

Jeanjean Ormarine Picpoul De PinetPicpoul de Pinet refers to the picpoul grape, an ancient Mediterranean variety whose name means literally “tongue stinger” thanks to its high natural acid, which grows around the town of Pinet and surrounding communes, a stone’s throw from the sea. It’s considered a cru of the greater AOP Languedoc. Picpoul is the wine we served at Chez Léonce with the raw seafood and shellfish platter, harvested from the nearby Thau basin. It’s a lemony, zesty, crisp and fresh white that many consider the Muscadet of the south.

One to try: 2011 Ormarine Picpoul De Pinet ($12.95)

AOC/AOP Corbières

Château De Treviac 2010Corbières is the Languedoc’s largest appellation, with 13,500ha under vine. It stretches from the gates of Carcassonne to the sea, and from the foothills of the Pyrenees to the base of the Montagne Noire. It’s not surprising that no fewer than eleven distinct terroirs have been identified. The area is wild and sparsely populated, and most of the land is covered either by vines or the highly perfumed Mediterranean scrub brush known as garrigue. Often dominated by carignan, the best of the Corbières reds have an attractively savage and savoury profile, full of garrigue aromas and spicy black fruit. Grenache, syrah, mourvèdre and cinsault make of the rest of the blend.

One to try: 2010 Château De Treviac Ap Corbières ($15.95)

This is smoky and savoury with lots of fresh-turned earth and garrigue spice, dense and full on the palate, reminiscent of Châteauneuf-du-Pape, and as such, a nice little value. Drink lightly chilled to tone down the alcohol.

AOC/AOP Minervois

Château Agnel Cuvée Philippe MinervoisThe Minervois is another large region that forms an amphitheatre bordered by the Canal du Midi to the south, the Montagne Noire to the north, and bounded to the east and west by the cities of Narbonne Carcassonne. Four rivers, the Clamoux, Argent Double, Ognon and the Cesse all tumble down from the Montagne Noire to join the Aude and, over time, have carved out a series of terraces. Terroirs vary between stones, clays, schist, limestone and clay marls. One ‘cru’ has been officially identified: Minervois La Livinière, but more could soon follow.

I find the wines of the Minervois to be among the more polished of the Languedoc – there’s a critical mass of modern-leaning producers, relying heavily of the ‘cépages améliorateurs’ the grapes such as syrah and mourvèdre, introduced into the Languedoc in order to improve the quality of local wine relative to the product of some of the lesser varieties left over from the days of mass bulk wine production. Rosé, white and sweet wines are produced, but the highlights are most often red.

One to try: 2009 Château Agnel Cuvée Philippe Minervois ($15.95)

This is a delicious, spiced cherry-flavoured, zesty, firm red, reminiscent of Italian/Piedmontese dolcetto with its chunky tannins and saliva-inducing acidity. Try with rustic grilled merguez sausages.

AOC/AOP Saint Chinian

Cave De Roquebrun La Grange Des CombesSaint Chinian is northwest of Béziers in the Hérault department, at the foot of the Massif du Caroux. It is in reality at least two separate terroirs divided by the Rivers Orb and the Varnazobres. Limestone is the story in the south, producing, fine, perfumed reds from Grenache, Syrah and Mourvèdre, Carignan and Cinsault. In the north, it’s practically all schist and sandstone with little water retention, stressing the vines and yielding much firmer, more structured and minerally reds. For my money, Saint Chinian from the northern zone, along with neighboring AOP Faugères, are among the south of France’s most terroir-driven and identifiable reds.

One to try: 2010 Cave De Roquebrun La Grange Des Combes ($17.95)

The village of Roquebrun, perched on a small plateau in the foothills of the Massif du Caroux, gives its name to an official sub-appellation in the northern zone of St. Chinian. High elevation vineyards with a big diurnal temperature shift yield balanced, finely etched wines with abundant minerality. This example is a syrah-led blend with mourvèdre and Grenache. It’s highly perfumed and smoky-savoury, with marked floral components, zinc oxide, black pepper and other intriguing mineral notes, while the palate is fullish, balanced, with fresh acidity, integrated (14%) alcohol, and firm, fine, sandy tannins. This has style, class and regional character in spades – a terrific value.

For more information on wines from Southern France, visit http://www.sud-de-france.com. If you’re still up for more exploring see my full list of recommended southern French reds from the March 30th release.

Top Ten Smart Buys

Versado Arrives!

Versado Malbec 2010Versado Reserva Malbec 2009Well worth pointing out is the long-awaited release of Versado, the Argentine project of Canadians Ann Sperling (Southbrook, Sperling Family Vineyards), her highly respected consulting husband Peter Gamble, and local guru Roberto de la Mota. Their 2010 Versado Malbec ($24.95) delivers on the promise of refinement and class from high elevation vineyards in the Luján de Cuyo sub-region of Mendoza. This is finely structured, with light wood spice, fine-grained but grippy tannins, lively acids and moderate alcohol (13.8%) and very good length. But more importantly, infinitely drinkable.

A definite step up in both price and quality is their 2009 Versado Reserva Malbec ($59.95). It’s a rare Argentine ‘reserve’ malbec that doesn’t sacrifice drinkability for raw power and excessive ripeness/wood flavour. This is certainly dense, rich and compact, and still some ways from prime drinking, yet it retains a sense of proportion and balance, with sufficient fruit intensity to match the tannic structure, and fresh, natural and integrated acids. It’ll be best after 2015 I’d suspect.

Volcanic Wines

Elsewhere, there’s a fine range of values arriving on March 30th. In the spirit of terroir, here are two smart buys from volcanic soils:

2008 Donato D’angelo Aglianico Del Vulture ($20.95) and 2010 I Campi Campo Vulcano Soave Classico ($18.95).

Donato D'angelo Aglianico Del VultureI Campi Campo Vulcano Soave Classico 2010Domaine Fouassier Les Grands Groux SancerreChavet & Fils La Dame De Jacques Coeur Menetou

Limestone Wines

Compare the volcanic wines with this pair of sauvignons from limestone soils: 2010 Domaine Fouassier Les Grands Groux Sancerre ($24.95) and 2011 Chavet & Fils La Dame De Jacques Coeur Menetou-Salon Blanc ($19.95). What speaks louder: soil, grape, or winemaker?

Also in the top ten smart buys you’ll find an excellent 2009 Bordeaux for the cellar, a pair of Spanish reds that neatly define the old and new schools, a superb value chardonnay from New Zealand, perhaps that country’s most underrated variety, and an old vines local Riesling that consistently over-delivers vintage after vintage. See them all with the links below.

John Szabo, MS

John Szabo, Master Sommelier

From the March 30, 2013 Vintages release:

Top Ten Smart Buys
Southern France Selections
All Reviews


Advertisements
Penfolds Bin 389 Cabernet Shiraz 2009


The Good Food & Drink Festival

Filed under: News, Wine, , , ,

2011 Burgundy: A snapshot via the Wines of Bouchard Père and Fils and William Fèvre

John Szabo, MS

John Szabo, MS

On March 12th, Woodman Wine & Spirits hosted their annual Bouchard/Fèvre new Burgundy release tasting at the RCYC clubhouse in Toronto. Considering the wide range of wines offered, from village to grand cru, this always provides a nice snapshot of the vintage. All of my reviews are now posted on WineAlign (see below for links).

Following are some general observations on the vintage as gleaned from the tasting, and from a brief interview with Luc Bouchard, on hand as usual to present the wines.

According to Bouchard, 2011 is a “very approachable vintage, producing wines with nice fruit balance, more open and not as tight as the 2010s at the same stage. But this doesn’t mean that they won’t age”. I believe they will age, but will show best through the mid-term, until the end of the decade for most cuvees.

Vintage Conditions

Budburst was several weeks earlier than the norm, but poor weather during flowering led to uneven crop loads. In some vineyards, leaf plucking was essential to open up canopies to promote ripeness and reduce disease pressure; other sites required green harvests to drop excess fruit, while some parcels had been already naturally reduced. Despite a relatively cool growing season, harvest got underway on the 29th of August, the second earliest start after the notoriously hot vintage of 2003. Bouchard’s aim was to preserve acidity and freshness, a feature that reappeared throughout the tasting.

Côte d’Or White Wines

While the 2010s are considered ‘classic’, very tight and focused, and the 2009s considerably fatter, softer and riper, 2011 falls somewhere in between. Wines displayed more acid than the 2009s, yet are more open and aromatic at this stage than the locked up 2010s. Aromatics are fresh and particularly floral, with great energy and tension, as well as minerality in the top sites. These are good restaurant wines, and for collectors who don’t want to have to wait ten or more years to enjoy.

Domaine Bouchard Pere & Fils 2011 Chevalier-Montrachet Grand CruI found that most from top village level and up are still 1-3 years away from their optimum drinking window, but are not in any case wines for long term cellaring. Bouchard says they remind him of the 1992s, “because of the generosity and transparency”. I found that the top wines showed deceptive power and length – the frame seems light and lean, but flavours have remarkable staying power on the palate.

Top Pick: Domaine Bouchard Pere & Fils 2011 Chevalier-Montrachet Grand Cru ($383)

Smart Buy: Domaine Bouchard Pere & Fils 2011 Puligny-Montrachet Villages ($70)

Côte d’Or Red Wines

In general, reds from the Côte d’Or are light, relatively lean, fine-grained wines with classic structure and elegant styling all around, for mid-term cellaring. They lack the flesh and depth of the really top vintages, but I think these will show considerably better within a couple of years and enjoy thereafter a relatively short window of prime enjoyment before the fruit fades. They have more fruit and richness than the 2007s, and a structure similar to the 2010s, but again, like the whites, are more open-knit and enjoyable even at this early stage.

Domaine Bouchard Pere & Fils 2011 Beaune Greves Vigne de l'Enfant Jesus 1er CruReds from the Côte de Beaune, especially Beaune itself and Volnay, appeared to be particularly successful. The traditionally more rustic appellations like Nuits, Corton and Pommard are rather burly and angular, and will take a few more years to settle out, but again will remain on the firmer side, absent cushioning flesh.

Top Pick: Domaine Bouchard Pere & Fils 2011 Beaune Greves Vigne de l’Enfant Jesus 1er Cru ($130)

Smart Buy: Domaine Bouchard Pere & Fils 2011 Chambolle-Musigny Villages ($67)

Chablis

2011 is a lean, tight vintage for Chablis, with significant acidity and pronounced mineral character from the top sites. It’s certainly not a full and fleshy year like 2009 or even 2006, but the wines have excellent tension and energy, and like the Côte de Beaune whites, an underlying driving mineral seam that lingers unexpectedly long on the palate. An unusual green/pyrazine character marks a few of the cuvees, but is well managed chez Fèvre.

Domaine William Fevre 2011 Les Clos Grand CruVillage wines are open and more or less ready to enjoy, while 1er crus will benefit from another 1-2 years of integration, and the top kit, 2-4 years. Mid-term cellaring, to the end of the decade is recommended, with only the very best (Les Clos, Preuses) worth keeping beyond that.

Top Pick: Domaine William Fevre 2011 Les Clos Grand Cru ($117)

Smart Buy: Domaine William Fevre 2011 Vaillons 1er Cru ($52)

All Wines Reviewed:

Côte de Beaune red

Domaine Bouchard Pere & Fils 2011 Chapelle-Chambertin Grand Cru ($248)

Domaine Bouchard Pere & Fils 2011 Le Corton Grand Cru ($149)

Domaine Bouchard Pere & Fils 2011 Beaune Marconnets 1er Cru ($62)

Domaine Bouchard Pere & Fils 2011 Beaune Greves Vigne de l’Enfant Jesus 1er Cru ($130)

Domaine Bouchard Pere & Fils 2011 Nuits St. Georges Les Cailles 1er Cru ($127)

Domaine Bouchard Pere & Fils 2011 Pommard Rugiens 1er Cru ($105)

Domaine Bouchard Pere & Fils 2011 Savigny les Beaune les Lavieres 1er Cru ($55)

Domaine Bouchard Pere & Fils 2011 Volnay Caillerets Ancienne Cuvee Carnot 1er Cru ($97)

Domaine Bouchard Pere & Fils 2011 Chambolle-Musigny Villages ($67)

Domaine Bouchard Pere & Fils 2011 Gevrey-Chambertin Villages ($58)

Côte de Beaune White

Domaine Bouchard Pere & Fils 2011 Chevalier-Montrachet Grand Cru ($383)

Domaine Bouchard Pere & Fils 2011 Corton Charlemagne Grand Cru ($211)

Domaine Bouchard Pere & Fils 2011 Beaune Clos Saint-Landry 1er Cru ($69)

Domaine Bouchard Pere & Fils 2011 Meursault Genevrieres 1er Cru ($103)

Domaine Bouchard Pere & Fils 2011 Puligny-Montrachet Villages ($70)

Chablis

Domaine William Fevre 2011 Bougros Grand Cru ($85)

Domaine William Fevre 2011 Bougros Cote Bougerots Grand Cru ($103)

Domaine William Fevre 2011 Les Preuses Grand Cru ($103)

Domaine William Fevre 2011 Les Clos Grand Cru ($117)

Domaine William Fevre 2011 Beauroy 1er Cru ($52)

Domaine William Fevre 2011 Vaillons 1er Cru ($52)

Domaine William Fevre 2011 Les Lys 1er Cru ($52)

Domaine William Fevre 2011 Vaulorent 1er Cru ($76)

All in all, 2011 Burgundy is for fans of ‘classic’ vintages. For more information about the availability of these wines, please contact : Woodman Wine & Spirits

Cheers,

John Szabo, MS

John Szabo, MS

Filed under: Featured Articles, Wine, , ,

@WineAlign

WineAlign Reviews

Coldstream Hills Pinot Noir 2008
Follow

Get every new post delivered to your Inbox.

Join 60 other followers